In the Nazi occupied city of Rome, an assault on an SS brigade draws retaliation from the military governship. "Massacre in Rome" is the true story of how this partisan attack led to the ... See full summary »
George P. Cosmatos
In the 1600s, cowardly Sir Simon of Canterville flees a duel and seeks solace in the family castle. His ashamed father seals him in the room where he is hiding and dooms him to life as a ... See full summary »
Norman Z. McLeod
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In Toronto, the fifteen year-old student and aspirant writer Sarah Norton meets the sixty year old painter Ashley St. Clair in a cafeteria while hiding from her stalker boy-friend Paul. Ashley hasn't painted for ten years. He agrees to read the poems that Sarah has written. They start seeing each other at his studio and Sarah falls in love with him. Ashley feels a platonic love for Sarah that becomes his muse and he decides to paint again. Paul spies Sarah in Ashley's studio, and misunderstands their relationship, he attacks her in a cornfield but she defends herself. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This is a film about romance - deep romance - and it has stayed with me since I first saw it many years ago. There is nothing at all tasteless in the depiction of the relationship between Ashley Sinclair (Richard Burton) and Sara (Tatum O' Neal). It has a lot of purity - partly, I suppose because their love was unconsummated physically - yet, it really was infinitely consummated mentally and emotionally in a way. Two people in love doing, one supposes, the "right" thing - the ending of this film is very heart-wrenching for anyone who has ever had to make difficult choices in love. I thought that both Richard Burton and Tatum O'Neal were perfect in their roles, and their love was highly believable. I also thought the title song was very memorable - there have been many times I have heard it in my head over the years. A great love story, that, unfortunately, not that many people know about.
14 of 14 people found this review helpful.
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