At a Catholic public school, Benjamin Stanfield is tired of being the teacher's pet and decides to play a practical joke on his form master Father Goddard. In confession, Stanfield tells ... See full summary »
In the 1600s, cowardly Sir Simon of Canterville flees a duel and seeks solace in the family castle. His ashamed father seals him in the room where he is hiding and dooms him to life as a ... See full summary »
Norman Z. McLeod
During a shooting in court young prostitute Scarlet manages to flee. In a state of confusion, the black Tracy, who was arrested for a minor delict, follows her. When she decides to leave ... See full summary »
Evie's co-workers at the uniform shirt factory, and her almost-fiancée's inability to kiss, inspire her to slip a letter into a size sixteen-and-a-half shirt for some anonymous soldier. ... See full summary »
The Faust legend retold (loosely) and applied to a mentally disturbed patient in a hospital run by a doctor of dubious sanity himself. The patient (Burton) offers the innocent orderly (... See full summary »
In Toronto, the fifteen year-old student and aspirant writer Sarah Norton meets the sixty year old painter Ashley St. Clair in a cafeteria while hiding from her stalker boy-friend Paul. Ashley hasn't painted for ten years. He agrees to read the poems that Sarah has written. They start seeing each other at his studio and Sarah falls in love with him. Ashley feels a platonic love for Sarah that becomes his muse and he decides to paint again. Paul spies Sarah in Ashley's studio, and misunderstands their relationship, he attacks her in a cornfield but she defends herself. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The promise Tatum O'Neal showed as a little girl clearly didn't pan out, as evidenced by this obscure Canadian production about a schoolgirl who has an affair (of the heart) with 60-year old painter Richard Burton. Her delivery is unforgivably flat - she is clearly giving readings, especially in the closing scene - and the production lackluster on every level. Even Burton's performance is much weaker than he is capable of, stiff and stagy, and hardly justifying the attraction this girl a third his age is supposed to feel for him.
The director takes the material seriously and keeps it from degenerating into exploitation (except for momentarily, in a lurid and ridiculous attempted rape sequence)... if only he managed to keep the audience interested. The plot plods and meanders, and the script seems to think it has something to significant to say, but can't decide what. If anyone is for some reason interested in seeing Tatum O'Neal's breasts (curious, considering that she must have been only 16 or 17 when the film was made), this is the place. Otherwise, Circle of Two should be of little interest to anyone.
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