A priest comes to a small town to help get rid of a monster whose blood coagulates very fast. This creates problems as the monster is very hard to kill and then decides to go on a killing spree of its own.
Sardu, master of the Theatre of the Macabre, and his assistant Ralphus run a show in which, under the guise of 'magic', they torture and murder people in front of their audience. But what the punters see as a trick is actually real.
A busload of children has disappeared from the quiet New England town of Ravensback, and Sheriff Billy Hart is on the case. A short while later, he manages to track down the kids, but unfortunately they seem to have been transformed into murderous zombies by a cloud of radioactive gas. How can he stop the killer tykes before they destroy the town? Written by
Jean-Marc Rocher <firstname.lastname@example.org>
This is one of those movies that is like an idiot step-child--it's totally moronic but still strangely hard to dislike. When so many horror movies are so transparently and unimaginatively exploitative, it's refreshing to see a movie so ludicrous and completely off-the-wall that god only knows WHAT it's trying to exploit. Is it trying to prey on every parent's fear that their lovable moppets will turn into radioactive zombies? Is it trying to make an environmental statement about how nuclear waste will turn children's fingernails black and make them kill every adult they touch? Is it trying to impress the gorehounds with its incredible special effects (i.e. dry ice and black fingernail polish)? Someone ought to put this movie, "The Carrier" (1987), and "The Pit" (1982)all on a single DVD compilation and call it "WHAT THE HELL?!..." or something like that. I'd definitely buy it.
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