A group of auditioned stage actors rehearse for an upcoming musical production. While locking themselves in the theater for rehearsal, not knowing that an escaped psychopath sneaked into the theater with them.
Slightly traumatized and painfully shy Angela Baker is sent away to summer camp with her cousin. Not long after Angela's arrival, things start to go horribly wrong for anyone with sinister or less than honorable intentions.
A team consisting of a physicist, his wife, a young female psychic and the only survivor of the previous visit are sent to the notorious Hell House to prove/disprove survival after death. ... See full summary »
Haunted house chiller from Dan Curtis has Oliver Reed and Karen Black as summer caretakers moving into gothic house with their young son. The catch? The house rejuvenates a part of itself ... See full summary »
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
It was the perfect family vacation for composer John Russell and his family when a freak automobile accident claims the lives of his wife and daughter. Consumed by grief, John, at the request of friends, rents an old turn of the century house. Mammoth in size, the house seems all the room that John needs to write music and reflect. He does not realize that he is not alone in the house. He shares it with the spirit of a murdered child who has homed in on John's despair and uses him to uncover decades of silence and deceit. With the help of Claire Norman, the one who aided John in procuring the house, they race to find the answers and soon learn that a devious and very powerful man guards them. Written by
Although Rick Wilkins is the credited film composer, the music box composition is actually written by Howard Blake. The unabridged composition is featured in his Lifecycle collection of 24 piano works in 24 keys. See more »
(at around 1 min) In the beginning of the movie when John Russell is shown walking across the road to the phone booth, the road is packed solid with snow. When it shows him reaching the phone booth, in the background you can see that cars have cleared a path with their tires. See more »
That house is not fit to live in. No one's been able to live in it. It doesn't want people.
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George C. Scott loses his wife and daughter in a car accident, moves to Seattle, and rents a gigantic old mansion with a haunted secret past. This film is skillfully directed by Peter Medak who gets more that even he probably bargained from a solid cast of actors, a wonderful script, and one great-looking eerie old house. Medak creates tons of suspense with the barest sight of blood. This film reeks atmosphere. The house reeks atmosphere. Scott's performance and that of veteran Melvyn Douglass reek atmosphere. Doors creak, balls mysteriously bounce, water runs, windows break in the old house trying to tell Scott about the secret of a young child that once lived there. The script is fanciful yet well-written and very creative. Scott gives an atypically subdued performance that suggests passion, heartbreak, and tenacity. The rest of the performers are very good too. I cannot remember the last time Mr. Douglass gave a poor performance. Some of the scenes that really stand out in my mind are flashback sequences showing the terrible secret that has been hidden in the house for over 70 years. Medak doesn't have a huge budget to work with here, but this movie beats out newer haunted house films like the remake of The Haunting by leaps and bounds. This is one classy scare film!
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