It was the perfect family vacation for composer John Russell and his family when a freak automobile accident claims the lives of his wife and daughter. Consumed by grief, John, at the request of friends, rents an old turn of the century house. Mammoth in size, the house seems all the room that John needs to write music and reflect. He does not realize that he is not alone in the house. He shares it with the spirit of a murdered child who has homed in on John's despair and uses him to uncover decades of silence and deceit. With the help of Claire Norman, the one who aided John in procuring the house, they race to find the answers and soon learn that a devious and very powerful man guards them. Written by
The name of the history group was the Seattle Historical Preservation Society. The name of the campus where Dr. John Russell (George C. Scott) taught music was the University of Seattle though interiors set there were filmed at the University of Toronto in Toronto, Canada. See more »
(at around 1h 26 mins) In one scene, the telephone in the limousine is white and in another it's black. See more »
[On the phone with John]
I was driving by and I recognized the car. I don't know how it happened... I don't know how it could have happened there were no other cars, there's nothing. And it's upside down in the middle of the road! It's that man who was just at your house! It's Dewitt! He's dead!
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I found this to be a pretty solid haunted-house thriller...and better than I remembered so I have changed a few things in this review. The cinematography was admirable, mainly in the first half of the film and the special-effects near the end were excellent. That was capped off by a wheelchair chasing Trish Van Devere and a railing catching fire. In all, kind of bizarre and interesting scene.
George C. Scott stars and Van Devere and an aged Melvyn Douglas provide noted supporting roles. There are very few dry spots and overall, its a decent horror film and not an expensive DVD purchase - so grab it, if you can. The suspense build beautifully. Nice direction by Peter Medak.
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