| Photos (see all 12 | slideshow) |
| Alex Briley | ... | Alex the G.I. | |
| David Hodo | ... | David the Construction Worker | |
| Glenn Hughes | ... | Glenn the Leatherman | |
| Randy Jones | ... | Randy the Cowboy | |
| Felipe Rose | ... | Felipe the Indian | |
| Ray Simpson | ... | Ray the Police Officer | |
| Valerie Perrine | ... | Samantha Simpson | |
| Bruce Jenner | ... | Ron White | |
| Steve Guttenberg | ... | Jack Morell | |
| Paul Sand | ... | Steve Waits | |
| Tammy Grimes | ... | Sydney Channing | |
| June Havoc | ... | Helen Morell | |
| Barbara Rush | ... | Norma White | |
| Altovise Davis | ... | Alicia Edwards | |
| Marilyn Sokol | ... | Lulu Brecht | |
| Russell Nype | ... | Richard Montgomery | |
| Jack Weston | ... | Benny Murray | |
| Leigh Taylor-Young | ... | Claudia Walters | |
| Dick Patterson | ... | Mr. Schultz, Record Store Manager | |
| Bobo Lewis | ... | Bread Woman | |
| Paula Trueman | ... | Stick-up Lady | |
| Portia Nelson | ... | Law Office Receptionist | |
| Selma Archard | ... | Mrs. Williams | |
| Murial Slatkin | ... | Mrs. Slatkin | |
| Aaron Colt | ... | TV Reporter (as Aaron Gold) | |
| Vera Brown | ... | Ritchie Family | |
| Jacqui Smith Lee | ... | Ritchie Family | |
| Dodie Draher | ... | Ritchie Family | |
| Greg Zadikov | ... | Singing Vendor | |
| Danone Camden | ... | Stewardess In Record Store | |
| Rasa Alileen | ... | Mime | |
| Gabriel Barre | ... | Mime | |
| Don Blanton | ... | Relief DJ (as Donald Blanton) | |
| Roger LeClaire | ... | Disco Photographer | |
| Cindy Roberts | ... | Jean Harlow Maniquin | |
| Maggie Brendler | ... | Marilyn Monroe Maniquin | |
| Bradley Bliss | ... | Betty Grable Maniquin | |
| Bill Bartman | ... | Wino | |
| Victor Davis | ... | Buster Sirwinski, Auditioning Bodybuilder | |
| William L. Arndt | ... | Construction Commercial Director | |
| Jerry Layne | ... | Ventriloquist | |
| Terry Dunn | ... | James the Flame | |
| Maria Rodsakos | ... | Steve Waits' Secretary | |
| Mike Kulik | ... | Milk Commercial Director | |
| Richard Bruce Friedman | ... | Recording Technician | |
| Bill Anagnos | ... | Moped Rider | |
| Debbie Ash | ... | Dancer (as Deborah Louise Ash) | |
| Semus Brennan | ... | Dancer | |
| Wade Collings | ... | Dancer | |
| Jane Colthorpe | ... | Dancer (as Jane Margaret Colthworphe) | |
| Edyie Fleming | ... | Dancer | |
| Roy Hamlyn Gayle | ... | Dancer | |
| Virginia Francis Hartley | ... | Dancer | |
| Alison Jane Hierlihy | ... | Dancer | |
| Richard King | ... | Dancer | |
| Kim Elizabeth Leeson | ... | Dancer | |
| Perri Lister | ... | Dancer | |
| Sara Miles | ... | Dancer | |
| Gene Montoya | ... | Dancer | |
| Floyd Anthony Pearce | ... | Dancer | |
| Blane Savage | ... | Dancer | |
| Peter Tramm | ... | Dancer | |
| Robert Warners | ... | Dancer | |
| Christine Ann Wickman | ... | Dancer | |
| rest of cast listed alphabetically: | |||
| The Village People | |||
| Jimmy Baron | ... | Press Photographer (uncredited) | |
| Brad Bogart | ... | Disco Dancer / YMCA Man (uncredited) | |
| Gordon Haight | ... | Singing Sword Juggler (uncredited) | |
| Lisette Kremer | ... | Video Gamer (uncredited) | |
| Blackie Lawless | ... | Metal guy with leash at audition (uncredited) | |
| Steve Malis | ... | Dancer (uncredited) | |
| James Marcel | ... | Auditioning Sword Juggler (uncredited) | |
| Daniel Selby | ... | Young Disco Dancer (uncredited) | |
Directed by | |||
| Nancy Walker | |||
Writing credits(in alphabetical order) | ||
| Allan Carr | writer | |
| Bronte Woodard | writer | |
Produced by | |||
| Henri Belolo | .... | producer | |
| Allan Carr | .... | producer | |
| Neil A. Machlis | .... | associate producer | |
| Jacques Morali | .... | producer | |
Original Music by | |||
| Jacques Morali | |||
Cinematography by | |||
| Bill Butler | |||
Film Editing by | |||
| John F. Burnett | |||
Casting by | |||
| Howard Feuer | |||
| Jeremy Ritzer | |||
Art Direction by | |||
| Harold Michelson | |||
Set Decoration by | |||
| Victoria Hugo | |||
| Marvin March | |||
| Justin Scoppa Jr. | |||
Costume Design by | |||
| Theoni V. Aldredge | |||
| Jane Greenwood | |||
Makeup Department | |||
| Romaine Greene | .... | hair stylist | |
| James Lee McCoy | .... | makeup artist (as Jim McCoy) | |
| Carol Mercatoris | .... | hair stylist | |
| Daniel C. Striepeke | .... | makeup artist (as Dan Striepeke) | |
Production Management | |||
| Raymond Hartwick | .... | unit production manager: New York (as Ray Hartwick) | |
| Neil A. Machlis | .... | unit production manager | |
Art Department | |||
| Matty Azzarone | .... | assistant property master | |
| Leslie Bloom | .... | property master (as Les Bloom) | |
| Nick F. Caprarelli | .... | lead man | |
| Stephen Hendrickson | .... | special visual consultant (as Steve Hendrickson) | |
| Richard McKenzie | .... | set designer | |
| Pat O'Connor | .... | property master | |
| Eric Orbom | .... | set designer (as Eric Orbum) | |
| Eric Orburn | .... | set designer | |
| Justin Scoppa Jr. | .... | set decorator: New York | |
| John Villarino | .... | propmaker foremen | |
| Maurice Zuberano | .... | production illustrator | |
| Julian Zutz | .... | construction | |
| William Ladd Skinner | .... | set designer (uncredited) | |
Sound Department | |||
| Carlos Delarios | .... | sound re-recording mixer (as Carlos de Larios) | |
| Jay M. Harding | .... | sound re-recording mixer | |
| Michael J. Kohut | .... | sound re-recording mixer | |
| Aaron Rochin | .... | sound re-recording mixer | |
| Barry Thomas | .... | sound mixer | |
| John S. Walden | .... | sound effects editor | |
| John Whitney | .... | dialogue editor (as John Haffen) | |
| Duncan McEwan | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Michael Sullivan | .... | special effects | |
Visual Effects by | |||
| Ron Hays | .... | visual effects electrician | |
Stunts | |||
| Bill Anagnos | .... | moped stuntman (as Billy Anagnos) | |
| Arthur J. Edwards | .... | stunt double: Stick-up Lady | |
| Gregg Sawaya | .... | stunt coordinator | |
| Mike Washlake | .... | stunts: gymnast and diver | |
Camera and Electrical Department | |||
| Garrett Brown | .... | Steadicam operator | |
| Colin J. Campbell | .... | gaffer (as Colin Campbell) | |
| James R. Connell | .... | camera operator (as Jim Connell) | |
| William C.H. Dager | .... | playback operator (as Bill Dager) | |
| Jules Fisher | .... | lighting: finale | |
| Michael Genne | .... | camera assistant (as Mike Genne) | |
| George Hill | .... | key grip | |
| Richard C. Kratina | .... | photographer: New York (as Dick Kratina) | |
| Elliott Marks | .... | still photographer | |
| James McGrath | .... | key grip | |
| Ray Quinlan | .... | gaffer (as Raymond Quinlan) | |
| Warren Rothenberger | .... | camera operator: New York | |
| John Tedesco | .... | lighting: finale | |
Casting Department | |||
| Sylvia Fay | .... | extras casting | |
| Chris Trainor | .... | extras casting: dancers | |
Costume and Wardrobe Department | |||
| Paula Cain | .... | costumer: women | |
| Michael Kaplan | .... | costumer: men | |
| George L. Little | .... | costumer: men | |
Editorial Department | |||
| Robert Lederman | .... | apprentice editor (as Bob Lederman) | |
| Mario Leone | .... | second assistant editor | |
| Ann Martin | .... | apprentice editor | |
| David A. Simmons | .... | assistant editor (as David Alan Simmons) | |
Music Department | |||
| June Edgerton | .... | music editor | |
| Juergen Koppers | .... | musical engineering consultant | |
| Horace Ott | .... | conductor | |
| Horace Ott | .... | music arranger | |
| Joe Tuley | .... | music editor | |
Transportation Department | |||
| Alan Kaminsky | .... | transportation | |
| Howard A. Small | .... | transportation (as Howard Small) | |
Other crew | |||
| Bill Bartman | .... | dialogue coach | |
| Irene Berkman | .... | production office coordinator | |
| Grace Blake | .... | production secretary | |
| Mauri Syd Blumenfeld | .... | assistant to producer | |
| Wayne Fitzgerald | .... | titles | |
| Mauri Syd Gayton | .... | assistant: Allan Carr | |
| Lewis Gould | .... | location manager | |
| Tom Jacobson | .... | location manager | |
| Gary Kalkin | .... | publicist | |
| Sheila Kent | .... | assistant to producer | |
| Roger LeClaire | .... | consultant: YMCA | |
| Daniel Levans | .... | assistant choreographer (as Dan Levans) | |
| Eric McFarland | .... | assistant to producer | |
| Charles Newirth | .... | production assistant | |
| Arlene Phillips | .... | choreographer | |
| Heather Seymour | .... | assistant choreographer | |
| Bill Sheehan | .... | first aid nurse | |
| Cynnie Troup | .... | script supervisor | |
| Steve Warner | .... | auditor | |
Thanks | |||
| Greg Gorman | .... | special thanks | |
| Jeff Mont | .... | special thanks | |
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| Across the Universe | Annie Hall | City of Shoulders and Noses | Saturday Night Fever | The Doors |
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I'm a regular customer of a local movie theater that shows old films, and six years ago they screened Can't Stop the Music - I went to see it, and found it an absolute hoot in campy humor! No-holds-barred, super-fast direction, flashy sets and special effects, glitzy musical numbers (the YMCA scene is awe-inducing!) and actors that really looked like they had a lot of fun cooking the whole thing up! It was the best cinematic experience I ever had. Never once did I glance at my watch, which for me is rather amazing. After gobbling up the whole enchilada, I started wishing I could find a copy of it somewhere. Alas, I still haven't.
A few months ago, the same theater showed the film again. I usually don't see a movie twice in a theater, but my memory needed refreshment, and my soul some cheering up. I went, and had just as much fun as I did the first time.
What's most amazing about CSTM is that although the director (whom I recognize as the deaf-and-dumb maid in the equally enjoyable Murder By Death) makes the actors rush through their lines and behave like over-energized hyperactive brats, and narrates the story so fast there's not even time to develop moments of crisis that last longer than a few seconds, the movie actually clocks in at two hours! Be grateful to the director and the screenwriters - a third hour would just have been asking too much of the audience.
CSTM contains some of the most pointless attempts at comedy I've ever seen, and probably ever will see (Bobo Lewis's bread woman - um, huh??), and the only clever line I found was uttered by Perrine when she says bye to Paul Sand's Steve the Record Producer - it's made up almost entirely of song titles. But the actors' eagerness makes up for the lame humor, and salvages even the scenes where Jenner has to make a complete fool of himself (the trouser incident and everything that follows).
I fear that if I ever find CSTM on video or DVD, the small screen will terribly banalize the film, but I won't care. But all you out there - watch the film on the big screen if you get the chance!