| Photos (See all 16 | slideshow) |
Directed by | |||
| Tinto Brass | (principal photography) | ||
| Bob Guccione | (additional footage) | ||
| Giancarlo Lui | (additional footage) | ||
Writing credits | ||
| Gore Vidal | (screenplay) | |
| Bob Guccione | (additional scenes) (1984 version) uncredited & | |
| Giancarlo Lui | (additional scenes) (1984 version) uncredited | |
| Franco Rossellini | (dialogue) (1984 version) uncredited | |
Produced by | |||
| Bob Guccione | .... | producer | |
| Franco Rossellini | .... | producer | |
| Franco Rossellini | .... | line producer (uncredited) | |
| Jack H. Silverman | .... | executive producer (uncredited) | |
Original Music by | |||
| Bruno Nicolai | (as Paul Clemente) | ||
| Renzo Rossellini | (1984) | ||
Cinematography by | |||
| Silvano Ippoliti | (director of photography) | ||
Film Editing by | |||
| Nino Baragli | |||
| Enzo Micarelli | (1984 version) | ||
| Russell Lloyd | (uncredited) | ||
Casting by | |||
| Paolo Heusch | |||
| Roberto Tatti | |||
Art Direction by | |||
| Danilo Donati | |||
Costume Design by | |||
| Danilo Donati | (uncredited) | ||
Makeup Department | |||
| Giuseppe Banchelli | .... | makeup artist (as Guiseppe Banchelli) | |
| Iole Cecchini | .... | hair stylist (as Jole Cecchini) | |
Production Management | |||
| Mario Di Biase | .... | production manager | |
| Sergio Galiano | .... | unit manager | |
| Augusto Marabelli | .... | production supervisor | |
| Alessandro Mattei | .... | production supervisor | |
| Franco Rossellini | .... | post-production supervisor (1984 version) | |
Second Unit Director or Assistant Director | |||
| Piernico Solinas | .... | first assistant director | |
| Luca Ronchi | .... | second assistant director (uncredited) | |
Art Department | |||
| Gianpiero Grassi | .... | property master | |
| Domenico Mancino | .... | blacksmith | |
| Giovanni Natalucci | .... | architect | |
| Luigi Urbani | .... | set dresser | |
| Franco Velchi | .... | architect | |
Sound Department | |||
| Marco Di Biase | .... | boom operator | |
| Gerry Humphreys | .... | dubbing mixer | |
| Archie Ludski | .... | dialogue editor | |
| Claudio Maielli | .... | sound engineer | |
| Giuliano Maielli | .... | boom operator | |
| Stefano Morandi | .... | sound mixer (1984 version) | |
| Robin O'Donoghue | .... | dubbing mixer | |
| Winston Ryder | .... | supervising sound editor | |
| Roger Van Engel | .... | sound editor | |
Special Effects by | |||
| Franco Celli | .... | special effects | |
| Marcello Coccia | .... | special effects | |
Camera and Electrical Department | |||
| Eddie Adams | .... | special photographer | |
| Jerry Bauer | .... | special photographer | |
| Giuseppe Di Biase | .... | camera operator (as Pino Di Biase) | |
| Bob Guccione | .... | cinematographer: additional scenes | |
| Giancarlo Lui | .... | cinematographer: additional scenes | |
| Stan Malinowski | .... | special photographer | |
| Claudio Patriarca | .... | special photographer | |
| Enrico Sasso | .... | camera operator | |
| Mario Tursi | .... | unit photographer | |
Costume and Wardrobe Department | |||
| Gloria Musetta | .... | wardrobe mistress (as Gloria Picone Mussetta) | |
| Gregorio Simili | .... | wardrobe master | |
Editorial Department | |||
| Peter Krook | .... | assistant editor | |
| Giancarlo Lui | .... | post-production director | |
| Enzo Natale | .... | post-production coordinator (1984 version) | |
| Stuart Urban | .... | assistant editor | |
Music Department | |||
| Bruno Nicolai | .... | conductor (as Paul Clemente) | |
| Bruno Nicolai | .... | orchestrator (as Paul Clemente) | |
Other crew | |||
| Walter Alford | .... | unit publicist | |
| Ferruccio Amendola | .... | dubbing director (1984 version) | |
| Carla Cipriani | .... | continuity | |
| Bruno Di Bartolomei | .... | accountant | |
| Leslie Jay | .... | assistant to producers | |
| Tito LeDuc | .... | choreographer (as Tito Le Duc) | |
| Giuseppe Maffioli | .... | consultant: gastronomy | |
| Giuseppe Pennese | .... | choreographer (as Pino Pennese) | |
| Franco Rossellini | .... | director: additional scenes (1984 version) | |
| Maria Ruhle | .... | unit publicist | |
| Louise Vincent | .... | dialogue director | |
| Masolino D'Amico | .... | translator (uncredited) | |
| Paula Mitchell | .... | researcher (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adult section | IMDb Italy section |
I watched this movie the first time the night-before last.. and watched it again last night and again tonight.
This movie is far from pornography... only a few scenes are hardcore, and only a couple of these are even barely erotic. It does not exactly function as an historical epic, either.
The film quality and lighting would make it appear to date from the 1960s.
The script is mediocre. More drama could be added, however we do have to bear in mind that the Romans followed the school of Stoicism.
The acting (including Malcolm McDowell's) is nothing outstanding, with the exception of Peter O'Toole's Tiberius Caesar. He displays tragedy and lunacy, evoking reactions of disgust, sympathy, pity, and compassion. I found myself much more intrigued by his character and wishing the movie was about his decline from wisdom to near-madness, rather than Caligula. It also caused me to desire to learn more and research the actual life of Tiberius.
The film neither condemns, nor condones. That is probably how it should be.
Where this film succeeds monumentally is the costuming and unabridged realism. This is the first film I've seen to have a character wearing a toga like the one Caligula's sister (a design many Roman women actually wore) wears in the opening scene. The depiction of slaves and the acts of love and brutality are well-done. It is not erotic, it is not horrifying. With the hardcore scenes excised (the version i saw was the complete version), I believe this movie should be shown in every high school World History class. For centuries, Western culture has censored and toned-down representations of its Pagan past. The filmmakers must be applauded for attempting to make an honest epic.
I've become very hard to please when it comes to movies. The last movie I actually liked to a strong degree was Amadeus, which I saw two years ago. Despite its flaws, with its sheer amount of action and atmosphere, I believe this movie deserves a 10.