| Photos (See all 35 | slideshow) | Videos (see all 3) |
Directed by | |||
| Harold Ramis | |||
Writing credits | ||
| Brian Doyle-Murray | (written by) & | |
| Harold Ramis | (written by) & | |
| Douglas Kenney | (written by) | |
Produced by | |||
| Douglas Kenney | .... | producer | |
| Donald MacDonald | .... | associate producer (as Don MacDonald) | |
| Jon Peters | .... | executive producer | |
Original Music by | |||
| Johnny Mandel | |||
Cinematography by | |||
| Stevan Larner | (director of photography) | ||
Film Editing by | |||
| William C. Carruth | (as William Carruth) | ||
Casting by | |||
| Wallis Nicita | (as Wally Nicita) | ||
Production Design by | |||
| Stan Jolley | |||
Art Direction by | |||
| George Szeptycki | |||
Set Decoration by | |||
| Tom Coll | |||
| Don K. Ivey | (as Don Ivey) | ||
Makeup Department | |||
| Diane Johnson | .... | hair stylist | |
| Elizabeth Lambert | .... | makeup artist (as Beth Lambert) | |
Production Management | |||
| Mark Canton | .... | executive in charge of production | |
| Rusty Lemorande | .... | executive in charge of production | |
| Ted Swanson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ricou Browning | .... | second unit director | |
| Charles Persons | .... | second assistant director | |
| David Whorf | .... | first assistant director | |
Art Department | |||
| Larry Goodwin Sr. | .... | assistant property master (as Larry Goodwin) | |
| Jack Johnson | .... | property master | |
| John Balling | .... | scenic artist (uncredited) | |
| Holly Bird | .... | storyboard & sketch artist (uncredited) | |
| Joe Garlington | .... | propmaker (uncredited) | |
| William Kellow | .... | construction propmaker (uncredited) | |
| Martin A. Kline | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Michael Evje | .... | production sound | |
| D.G. Fisher | .... | production sound (as D.G. Fischer) | |
| Bob Minkler | .... | sound re-recordist (as Robert Minkler) | |
| Clive Smith | .... | sound editor | |
| Richard Tyler | .... | sound re-recordist | |
| Ray West | .... | sound re-recordist | |
Visual Effects by | |||
| Pat Brymer | .... | special animator | |
| Jeffrey Burke | .... | special animator | |
| John Dykstra | .... | supervisor of special effects | |
| Rocco Gioffre | .... | matte paintings | |
| Grant McCune | .... | special animator | |
| Robert Shepherd | .... | effects production supervisor | |
| Michael Douglas Middleton | .... | visual effects still photographer (uncredited) | |
| Denise Shurtleff | .... | crew member: Apogee (uncredited) | |
| Hoyt Yeatman | .... | matte photographer (uncredited) | |
Stunts | |||
| Tom Bahr | .... | utility stunts | |
| Ricou Browning Jr. | .... | stunt double | |
Camera and Electrical Department | |||
| Oscar Barber | .... | camera operator | |
| Donald Carlson | .... | assistant camera | |
| William Carr | .... | grip | |
| Stanley E. Gilbert | .... | additional photographer (as Stanley Gilbert) | |
| Ed Knott Jr. | .... | grip (as Edward Knott Jr.) | |
| Calvin Maehl | .... | gaffer | |
| John McGowan | .... | assistant camera | |
| Michael McGowan | .... | camera operator | |
| James Pergola | .... | additional photographer | |
| William Smaling | .... | electrician (as Bill Smalling) | |
| William Swan Jr. | .... | electrician | |
| Stephen Wever | .... | still photographer (as Steve Wever) | |
| Dean Williams | .... | still photographer | |
| John Winner | .... | assistant camera (as John Louis Winner) | |
| William D. Barber | .... | assistant camera (uncredited) | |
| Pierre Roseman | .... | electrician (uncredited) | |
Casting Department | |||
| Marian Polan | .... | extras casting | |
Costume and Wardrobe Department | |||
| Vivian Cocheo | .... | costumer: women | |
| Andre Lavery | .... | costumer: men | |
| Eric Seelig | .... | costume supervisor | |
Editorial Department | |||
| David Bretherton | .... | supervising editor | |
| Mellissa Bretherton | .... | apprentice editor | |
| Rachel Igel | .... | assistant film editor | |
Music Department | |||
| Bruce Botnick | .... | music production supervisor | |
| Michael Dilbeck | .... | music coordinator | |
| Kenny Loggins | .... | music coordinator | |
| Roy Prendergast | .... | music editor (as Roy M. Prendergast) | |
| Jack K. Tillar | .... | music editor (as Jack Tillar) | |
Transportation Department | |||
| Hank Scelza | .... | transportation captain | |
Other crew | |||
| Trevor Albert | .... | assistant: Harold Ramis | |
| Sam Bernstein | .... | production auditor | |
| Mary Lou Byrd | .... | production secretary | |
| Matthew Cokee | .... | production assistant | |
| Jonathan Fairbanks | .... | production assistant | |
| Vic Heutschy | .... | unit publicist | |
| Susan Montgomery | .... | assistant auditor | |
| Diane Morrison | .... | production secretary | |
| John Murray | .... | production assistant | |
| Dan Perri | .... | title designer | |
| Susana Preston | .... | script supervisor | |
| Hillary Anne Ripps | .... | assistant: Jon Peters (as Hillary Ripps) | |
| Mimi Stacey | .... | production secretary | |
| Peter Tors | .... | production assistant | |
| Dee Dee Winner | .... | production secretary | |
| Tom Bahr | .... | marine coordinator (uncredited) | |
| Shirley Bird | .... | on-set nurse (uncredited) | |
Thanks | |||
| Janet Davidson | .... | special acknowledgment | |
| Mel Howard | .... | special acknowledgment | |
| Ed Murray | .... | special acknowledgment | |
| David Price | .... | special acknowledgment | |
| Herman Ripps | .... | special acknowledgment | |
| Dick Wetzel | .... | special acknowledgment | |
|
|
|
|
|
| Eyes Wide Shut | American Wedding | Lolita | The Girl Next Door | Fraternity Vacation |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
There are five movies Chevy Chase has done that were really good: Seems Like Old Times, Foul Play, National Lampoons Vacation, Fletch, and this icon of film comedy, Caddyshack. The plot is very simple and has often been imitated and the tone of the movie is said in its tagline: the snobs against the slobs. Who are the snobs? The men of Bushwood country club, the snobby Bishop, Dr. Beeper, who never seems to be at his office and the obnoxious leader of the pack Judge Smails, played by Ted Knight.
Who are the slobs? There is Ty Webb, a wealthy man who plays without keeping score. Carl Spackler is a groundskeeper that smokes a little too much. And of course the biggest snob of them all, developer Al Czervik, outspoken, obnoxious and completely out of place in a country club. Rodney Dangerfield plays him, Ty Webb is played by Chevy Chase and Bill Murray plays Carl Spackler.
These characters rub together uncomfortably in various forms to create all-time great comedy moments. What makes this movie so good is there is no star that dominates the movie. Everyone dominates the stage equally. They all have great lines and they work very well together.
This comedy is extremely dirty and raunchy even by today's standards. The raunchiness has worn off with time and some of the take-offs are not so obvious to future generations but some of these lines have become well known jokes among some. Part of the reason this movie works so well is the jokes are rapid fire. They just hit you with one line after another.
One thing I noticed watching this movie is that these characters pop out at you. These people are incredible snobs, incredible sluts, extremely insulting, or just weird. There are no really neutral characters. Every character in this movie does something that makes them stand out if not for a few seconds. This can be accredited to the great writing and directing by Harold Ramis one of the great comedians of our day despite the fact he is very underrated and is mostly these days behind the cameras.
Another thing about these characters is that they seem so real. Today a lot of characters in comedy films are cardboard characters. All of the characters here are written so nicely and believably and this is something very rare in modern comedy. And there are so many classic scenes in this movie. Among my favorites is the boating scene, the swimming pool scene, and when we see Rodney Dangerfield's golf bag phone.
And there are many great small parts by people like Albert Salmi, who plays Danny Noonan's father, Brian Doyle-Murray, who plays Lou Loomis, Scott Colomby who plays a troublemaking Caddy named Tony D'Annunzio, and Sarah Holcombe plays Maggie O'Hooligan, Noonan's girlfriend, Cindy Morgan plays the niece of Judge Smails, Lacey Underall, Henry Wilcoxon plays a rather bigoted Bishop Fred Pickering, Dan Resin plays a rather uncaring Dr. Beeper and there are many other great small parts. All of these small parts are very good. But one thing to notice is all of the ironic names like Lacey Underall, Maggie O'Hooligan, Dr. Beeper and plenty of other funny names.
The movie is a bit dated. Everyones hair is very long, the segway music seems heavily disco influenced, there are a lot more people wearing plaid, and there are jokes about people like Dick Cavett when so few people today know who he is. I love some of the more pointed humor in this movie, but I like the effect of the age of the movie. The movie makes some rich people look like callous uncaring bigoted fools and has some not too king rich people talk very bluntly (such as Smails' nephew say he knows some drugs are good because he got it from a Negro) Be forewarned this could be an offensive movie to some.
My hat is off to the two leads, Rodney Dangerfield and Chevy Chase. Bill Murray is funny too but his part is very small and this is not the best showcase of his talents. But Chase is goofy to no end. In this part he always manages to say the most off the wall comments that are hysterical. Dangerfield uses his patented rich obnoxious out-spoken character and make it fit this movie so perfectly. His insults are classic.
Unfortunately after this movie Chevy Chase made few quality movies. These days he prefers to do mostly family oriented movies that are mostly not funny. It is sad he has chosen to do so few straight comedies. He has essentially been a comedy legend based on some raunchy movies like this one and Vacation but chooses not to star in these kinds of movies anymore. It is sad. He is one of the funniest people in my generation and he probably could have been even funnier.
And I love the soundtrack. The song by Kenny Loggins, I'm Alright is great and more songs by Eddie Cochran and Earth Wind and fire are great as well. And who could forget that little gopher? He was actually created by George Lucas. Some of the funniest scenes in the movie involve that little gopher. Overall this is a funny movie that has withstood the test of time and will probably be funny to future generations as well.