| José Wilker | ... | Lorde Cigano | |
| Betty Faria | ... | Salomé | |
| Fábio Júnior | ... | Ciço | |
| Zaira Zambelli | ... | Dasdô | |
| Príncipe Nabor | ... | Andorinha / Swallow | |
| Emmanuel Cavalcanti | ... | Prefeito / Mayor (as Emanoel Cavalcanti) | |
| José Márcio Passos | ... | Assessor Prefeito / Mayor's Assistant | |
| Carlos Kroeber | ... | Caminhoneiro / Truck Driver | |
| Joffre Soares | ... | Zé da Luz | |
| Rodolfo Arena | ... | Lavrador / Peasant | |
| Aderbal Junior | |||
| Carlos Lagoeíro | ... | Sertanejos | |
| Catalina Bonakie | ... | Viúva / Widow (as Catalina Bonaky) | |
| Rinaldo Gines | ... | Chefe Índio / Indian Chief | |
| Marcus Vinícius | ... | Empresário | |
| Walter Bandeira | ... | Cantor | |
| Oscar Reis | ... | Contrabandista / Smuggler | |
| Cleodon Gondin | ... | Cliente / Customer | |
| José Carlos Lacerda | ... | Steward | |
| Marieta Severo | ... | Assistente Social / Social Worker | |
| rest of cast listed alphabetically: | |||
| José María Lima | ... | Assistente | |
Directed by | |||
| Carlos Diegues | |||
Writing credits(in alphabetical order) | ||
| Carlos Diegues | ||
| Leopoldo Serran | ||
Original Music by | |||
| Chico Buarque de Hollanda | |||
| Dominguinhos | |||
| Roberto Menescal | |||
Cinematography by | |||
| Lauro Escorel | |||
Film Editing by | |||
| Anisio Medeiros | |||
| Mair Tavares | |||
Art Direction by | |||
| Anisio Medeiros | |||
Costume Design by | |||
| Anisio Medeiros | |||
Makeup Department | |||
| Antonio Pacheco | .... | makeup artist | |
Production Management | |||
| Marco Altberg | .... | production manager | |
| Otávio de Miranda | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Fábio Barreto | .... | assistant director | |
| Bruno Wainer | .... | assistant director | |
Art Department | |||
| Paulo Chada | .... | assistant art director | |
Sound Department | |||
| Emmanuelle Castro | .... | sound editor | |
| Antônio César | .... | additional sound | |
| Walter Goulart | .... | additional sound | |
| Jean-Claude Laureux | .... | sound | |
| Victor Raposeiro | .... | sound | |
| José Luiz Sasso | .... | sound re-recording mixer | |
Editorial Department | |||
| Hernandes Fontes | .... | assistant editor | |
| Denise Fontoura | .... | assistant editor | |
| José Joaquim Salles | .... | assistant editor | |
| Hernandes Toledo | .... | second assistant editor | |
Other crew | |||
| Cláudio Barreto | .... | production assistant | |
| Nieves Cabello | .... | continuity | |
| Carlos Machado | .... | choreographer | |
| Alvaro Magaldi | .... | production assistant | |
| Fernando Pimenta | .... | title designer | |
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| The Motorcycle Diaries | La Vie en Rose | Like Water for Chocolate | City of God | The Middle of the World |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
I first saw this film around 1985, when it was still new, and before I started studying and visiting Brazil seriously. I did not remember much at all, probably because I did not understand the significance of what I was seeing. Now, after four visits to Brazil (mostly Amazon and Northeast), it makes a lot more sense, and I will be recommending it to students.
The movie was made near the end of the (1964-85) military period, when political discourse was possible but still needed to be done cautiously. So the film addresses serious concerns about the government's programs to encourage migration, but it does so with humor and finesse.
It is a brilliant film, and gives some insight to the ongoing suffering of the sertao, the cultural context of forro, the folly of development in Brasilia, and the drivers of deforestation in the Amazon.