| Julie Cobb | ... | Linda Lysenko | |
| Bud Cort | ... | Bernard Marx | |
| Keir Dullea | ... | Thomas Grambell | |
| Ron O'Neal | ... | Mustapha Mond | |
| Marcia Strassman | ... | Lenina Disney | |
| Kristoffer Tabori | ... | John Savage | |
| Dick Anthony Williams | ... | Helmholz Watson | |
| rest of cast listed alphabetically: | |||
| Jonelle Allen | ... | Fanny Crowne | |
| Jeannetta Arnette | ... | Dwightina | |
| Casey Biggs | ... | Beta lighthouse guard | |
| Reb Brown | ... | Henry | |
| Tara Buckman | ... | Alpha Teacher | |
| Nigel Bullard | ... | Plant Manager | |
| Shane Butterworth | |||
| Lee Chamberlin | ... | Head Nanny Nurse | |
| Sam Chew Jr. | ... | Chief Dispenser | |
| Beatrice Colen | ... | Gamma Female | |
| Patrick Cronin | ... | Gamma Male | |
| Valerie Curtin | ... | Chief Warden Stelina Shell | |
| Jeff Doucette | ... | Cosmetization Technician | |
| Peter Elbling | ... | Darwin Bonaparte | |
| Marneen Fields | ... | Futuristic Factory Worker | |
| Leslie Hoffman | ... | Soma Taker | |
| Aron Kincaid | ... | J. Edgar Millhouse | |
| Susan Krebs | ... | Anita Shapely | |
| Carole Mallory | ... | Miss Trotsky | |
| Tricia O'Neil | ... | Maoina Krupps | |
| Victoria Racimo | ... | Beta Teacher | |
| Dee Dee Rescher | ... | Neighbor Woman | |
| Murray Salem | ... | Chief Engineer | |
| Delia Salvi | ... | High Priestess | |
| Delos V. Smith Jr. | |||
Directed by | |||
| Burt Brinckerhoff | |||
Writing credits(in alphabetical order) | ||
| Doran William Cannon | adaptation | |
| Aldous Huxley | novel | |
| Robert E. Thompson | ||
Produced by | |||
| Jacqueline Babbin | .... | producer | |
| Milton Sperling | .... | executive producer | |
Original Music by | |||
| Paul Chihara | |||
Cinematography by | |||
| Harry L. Wolf | |||
Film Editing by | |||
| James T. Heckert | |||
Art Direction by | |||
| Tom H. John | |||
Set Decoration by | |||
| Mary Ann Biddle | |||
Sound Department | |||
| James LaRue | .... | sound mixer | |
Stunts | |||
| Barbara Barnett | .... | stunts | |
| Gregory J. Barnett | .... | stunt coordinator | |
| Jean Coulter | .... | stunts | |
| Leslie Hoffman | .... | stunts | |
| Larry Holt | .... | stunts | |
| Frank James Sparks | .... | stunt performer | |
| Jesse Wayne | .... | stunts | |
Camera and Electrical Department | |||
| David Morton | .... | rigging gaffer | |
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| Fahrenheit 451 | Privilege | The Girl from Monday | Sleeper | The Ice Storm |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I finally got to watch this movie. All 3hours of it. Now, I gave it a little leeway seeing how its more than 20 years old but I was still a little set back by this adaptation. I remember when it debuted on NBC as a movie of the week. I was in the middle of traveling with my family and when we finally reached our destination, there were only 30 minutes of the film left on television for me to watch. VCRs were not common household appliances then so that was not an option for me or any of my friends at the time either. It was interesting to see what I missed. It looked like they raided the set departments of Buck Rogers and Battlestar Galactica (a distinct possibility as this was a Universal property) in their quest to make the future of BNW. Though they tried to make it sterile it came off as a bit garish and I guess they thought the future meant everything had flashing LEDs. Some things were inventive though. The contraceptive belts used rotary dialers off of old telephones, one set was actually a mock up 747 interior that was supposed to be a luxury hotel suite (very interesting). It seems great care went into trying to be as accurate to the novel of the same name, but there was still a clunkiness in the acting. Perhaps it was the novel's dialog brought to life. Unlike "1984" where the environs created a bleak landscape that added to the culture of the people presented, BNW creates almost cartoon like personalities living in a utopia world that come off as silly and often naive though they portray their duties as part of this utopia very seriously and steadfastly. The one highlight of finally getting to see this movie for me was seeing a young Bud Cort. His portrayal of a shy and tortured Alpha Plus Bernard Marx was quirky and fascinating to watch. I never knew he had this type of range as I often missed seeing some of his better performances. Overall it was worth watching once but after that you may want to watch 1984 or Brazil in order to sweep away the anodyne utopian visions of this version of BNW.