In a future society based on pleasure without moral worries, love is prohibited but casual sex, now called 'engaging', is strongly encouraged. Everyone is kept happy with a legal drug, soma... See full summary »
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In a future society based on pleasure without moral worries, love is prohibited but casual sex, now called 'engaging', is strongly encouraged. Everyone is kept happy with a legal drug, soma. People are hatched and cloned on conveyor belts to meet the requirements of five different social classes, from ruling Alphas to robot-like Epsilons. Bernard Marx is a different Alpha male with an inclination to thinking. He and a girl called Lenina Disney go visit a reservation of 'savages' where they meet a handsome young man John and bring him back to 'civilization'. John turns out to be the son of the director of the cloning authority, which causes a scandal and makes John a celebrity freak. John falls in love with Lenina but his desire is ruined by his antiquated sexual morale derived from reading Shakespeare. John hates the over-social but anti-emotional civilization, asks to be sent to live in isolation, and gets a job as a lighthouse guard. But even there he can't forget Lenina or escape ... Written by
Markku Kuoppamäki
Mustapha Mond:
You see, Mr. Savage, my special conditioning has allowed for all this, even though it's prohibited to everyone else. For those of us who must ultimately guide others to do what is right, it is imperative to understand the lure of what is wrong.
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If you haven't read the book, this 1980 made-for-TV rendition will do quite nicely. It strikes the right balance between humour and futuristic melodrama to hold interest but always remain credible. Julie Cobb is hysterical in her supporting role, and Jonelle Allen is wonderful. It does a great job of illustrating Huxley's vision of what could be the future, and its potential downside.
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If you haven't read the book, this 1980 made-for-TV rendition will do quite nicely. It strikes the right balance between humour and futuristic melodrama to hold interest but always remain credible. Julie Cobb is hysterical in her supporting role, and Jonelle Allen is wonderful. It does a great job of illustrating Huxley's vision of what could be the future, and its potential downside.