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|Index||13 reviews in total|
I remember when I was in grade 8, people where starting to buy VCRs, and owning one was a big deal. Dad rented one, and we picked out movies. Borderline was one of them, I thought it was pretty cool. Watching this film 19 years later I found it predicable, and a little lame. No way his truck could keep up with a Trans Am on the highway, why did the guy, with the T A, go off road where the truck has the edge. My friend Gord mentioned this, and I thought yeah. Anyways, no surprises here, but watchable. 6/10
Charles Bronson has a long-listed filmography that has undeserved
sleepers mixed among the favourites, but also there are quite a few
standard vehicle efforts. 'Borderline' figures in that latter pile.
Entertaining for the odd 97 minutes, but nothing really there to make
it overly memorable. Maybe to see a steely Ed Harris make his first
real dent in the major film industry, but other than that there's very
little to it.
The subject at hand (illegal immigration of Mexicans crossing over the US border) is very topical and naturally integrated, as Charles Bronson plays the chief border patrol officer. However despite how strong the themes are, it's never truly harrowing and piercing enough in its context to lift it above its average layout. The human drama is too black and white (lacking an emotional punch), but also suffering was that it never gained any real sort of assured brunt when it came to the action. It can get rough, but the thrills are sparsely worked in. But this being the case it doesn't stop it from being effective, just it leaves a no real agreeable imprint.
During the nights Chief Border Patrol Officer Jeb and his overworked men take in many illegal aliens trying to cross over the border. One of his men pulls over a truck, but is shot for it. After the killing of a border patrol officer and a young Mexican boy too. The FBI is brought on to the case and believes it to have something to do with drug running. However Jeb along with the deceased boy's mother go about trying to figure out what really happened and he has his true suspicions.
What I liked was how director Jerrod Freedman gives the film quite an organic look, as the camera follows the action in a documentary-style. Freedman's direction is sturdily serviceable, never forced and lets it breeze by. Gil Mellé's rousing score is on the mark.
The cast do the best with what the script allows. Bronson alone gets through it with such genuine conviction. Harris' on-screen charisma evidently features with a well-comprised performance and Karmin Murcelo gives a wonderfully warm turn of heart-broke. There's an well-fitted supporting cast with Bruno Kerby, Michael Lerner, Wilford Brimley, Kenneth McMillan and Charles Cyphers.
Workable, if indistinguishable.
*** This review may contain spoilers ***
Borderline is a reasonably serious and sincere Charles Bronson movie,
made at a time when the stone-faced actor was most commonly found in
sleazy and violent potboilers (e.g Death Wish II, Ten To Midnight, The
Evil That Men Do, etc.) There is little about Borderline that is
violent or sleazy; in fact, it is probably the tamest film he made at
that period of his career. It takes its basis from the very real
problem of illegal Mexican immigrants crossing the American border in
search of a better life. When the film was made, the number of aliens
crossing into the US without authority was incredibly high and was a
real issue of concern for the Border Patrol officers, so in some ways
this is quite a topical movie. However, it is made in a basic,
workmanlike fashion by director Jerrold Freedman, and has neither the
explosive action to satisfy the gung-ho crowd, nor the thematic weight
and power to satisfy those looking for something more morally complex.
Jeb Maynard (Charles Bronson) is the chief at a Border Patrol station some 20 miles east of San Diego. Every day (and night) his small, overworked staff patrol an area of thousands of square miles looking for Mexican nationals who have illegally crossed the border in their sector. One of Jeb's closest buddies is Scoot (A. Wilford Brimley), an old, long-serving Border Patrolman. On a dark evening, Scoot is unfortunate enough to pull over a truck full of illegal aliens being smuggled into the US by ex-Vietnam vet Hotchkiss (Ed Harris). Hotchkiss works as part of a major smuggling operation which is making millions of dollars a year by helping paying immigrants across the border. Scoot is shot dead by Hotchkiss, who also fatally wounds one of his aliens - a young boy - at the same time. The FBI believe that Scoot and the kid were killed by drug smugglers, but Jeb is less convinced. Aided by Elena, the dead boy's mother (Karmin Murcelo), he attempts to get to the bottom of his best friend's brutal murder.
It's quite interesting to see Harris in his movie debut playing second fiddle to Bronson. Harris went on to become a greatly-respected star, and even here in this simple and under-written role you can see his charisma trying to break through.... which contrasts markedly with Bronson's inexpressive, silent-man-of-action approach. The story has the potential to be very powerful, but most opportunities are missed and the film plays out in a very ordinary and unremarkable manner. Everything comes across as earnest and simplistic, and this approach seems rather too pat for a movie with such a topical theme. Borderline is nothing special, but neither is it particularly terrible. There are a thousand better and a thousand worse movies out there.
*** This review may contain spoilers ***
OK now what the hell is wrong with this great film, I've seen hell of a
lot worse nowadays that make money too. This has a concept that is out
there so i'm proud of everyone involved for bringing it to the screen.
Bronson shines again with what he has to work off, i never really
under-stud people slagging him off, rubbish actor.... No way, Charlie
always proved he could act and he did action movies for big money, so
why not, stick to what works. We all remember Charlie and miss him now
we have actors that ain't worth watching. Its a little movie that
deserves a nice DVD release, so why no one bother, cause they'd prefer
to release rubbish instead.
If you really want to examine what a painfully standard Charles Bronson
flick looks like you should check out 23 year old "Borderline" because it
simply doesn't get any more basic and average Bronson than this. Probably
the only amusing detail about this movie is Ed Harris and mainly just
because he's playing one of his first screen roles. Actually Hotchkiss was
the first bigger performance he had. Later on Harris received not one but
four Oscar nominations, who would have guessed it back
I have always liked Charles Bronson very much but he has never been among my favorite actors. Well, maybe when I was a kid but that's another story. In my opinion he looks way too tired in every role. Clint Eastwood beats him any day but let's not come to all that or the praise will never end. I guess you would have to be a serious hardcore Bronson fanatic to utterly love this film because it has practically no action or proper story whatsoever. I personally find it watchable since late Bronson has a certain place in my heart too but it definitely isn't a remarkable film in any way.
Two years later, Jack Nicholson did the more interesting "The Border",
but Borderline, which is quite different, is still watchable. It comes
across a bit like a TV movie of the 70s. Bronson heads a border patrol
unit near Mexico and his pal Wilfred Brimley gets shotgunned to death
by Ed Harris, playing an ex-marine, in his movie debut. Harris works
for a rancher (Bert Remsen) who brings in illegals and places them
elsewhere. Remsen in turn works for the slick and oily businessman,
Michael Lerner. Lerner scores in his part as he usually does and did in
many TV movies. The same goes for Bert Remsen. These pros plus Harris
plus Bronson are what carry the story, plus direction that went out of
its way to create some movement on screen. Photography also was more
Bronson has little to go on to find out who the killer is, but he makes the most of it in his determined and low-key way. Harris plays the marine as sharp, nerveless, quick and having no qualms about killing to save his skin.
The story is basically a mystery-detective story. There's almost no distraction in the form of a love interest, but for a brief subplot in which Bronson is kind to one Mexican lady who lost her son to Harris's shotgun. Bronson's performance holds up after 30 years because he didn't overact. In fact, the director kept everyone in check in this movie, and that fits the movie.
For a really top notch film noir taking place along the border, see Border Incident with Ricardo Montalban and George Murphy, but that's another kettle of fish. Borderline is more of a subdued Bronson vehicle. To see him doing far more in the same kind of location, see Mr. Majestyk from 1974.
"Borderline", admittedly, is fairly undistinguished in terms of
presentation. It's passable as an action flick, and entertains
reasonably well for 100 minutes. It purports to shed light on the
problem of illegal immigration, which in 2015 is more of a hot button
issue than ever before. Characters are mostly thinly drawn, but writer
Steve Kline and writer / director Jerrold Freedman aren't completely
insensitive to the plight of the good, honest, hard workers like Elena
Morales (Karmin Murcelo) who feel they have no choice.
The movie does benefit from giving its star, Charles Bronson, a worthy adversary: a particularly ruthless and cold blooded smuggler named Hotchkiss (Ed Harris, in the role that "introduced" him), who sealed his fate when he killed Scooter Jackson (Wilford Brimley), one of the co-workers of the Bronson character, Jeb Maynard. Jeb and Scooter are among those on Border Patrol detail, and when Scooter gets murdered, Jeb takes it upon himself to solve the case. He doesn't trust the ignorant agents of the FBI, who think the whole case is about drugs. Jeb must also break in a new employee, Jimmy Fante (Bruno Kirby), an eager beaver rookie sent from NY.
What gives "Borderline" some stature today is its truly superior supporting cast. Bronson does what he usually does (which, of course, he is very cool at doing), but it's Harris and others that truly bring this to life. You can't go too wrong reading through this cast list: Bert Remsen, Michael Lerner, Kenneth McMillan, Norman Alden, John Ashton, Charles Cyphers, Virgil Frye, Luis Contreras, et al. Although the environment is very much male-dominated, Ms. Murcelo is appealing and touching as the illegal alien who reluctantly provides Jeb with the assistance that he needs.
This is worth noting for a striking music score by Gil Melle and cinematography by the consistently dependable Tak Fujimoto. It *is* enjoyable enough, even if it is formula driven and not too memorable.
Seven out of 10.
Don't expect to see Chuck murder men by request, shoot punks or grow
watermelons. This time Bronson is Jeb Maynard, a tough and experienced
chief border patrol officer investigating the cold-blooded murder of
one of his men who is just two weeks away from retirement.
With the aid of a newly transferred young officer from New York, Maynard tracks down the ruthless killer who is seemingly as elusive as the masterminds behind the crime.
BORDERLINE, a lesser known and often forgotten Bronson's film (at least to me), plays like a pilot episode of a TV series. Not much tension is delivered and not much action either, but this crime drama keeps viewers, especially fans, interested. Unfortunately, the distinctively catchy music during the opening credits is underplayed, which renders some key scenes emotionally bland.
Compared with other Bronson's films - Cold Sweat, White Buffalo, Love and Bullets - which are rather disappointing, BORDERLINE quite delivers the goods. It's always a pleasure for Bronson's fans to see him take up a different role: here we see more of his acting and charisma while less of his machismo (Not saying that this side of Bronson's acting style is unwelcome) During his long acting career, Charles Bronson only had several memorable films which made him an iconic action star. BORDERLINE is certainly not one of them. For his fans, this minor entry is worth watching regardless.
This is just a flick with a simple story but it's still watchable
towards todays standards. It's all about the borderline between America
and Mexico and the business that is going on to 'help' Mexicans cross
For a flick of 1980 it is very low on brutality. It was a time that had a lot of blood, nudity and gore in it's flicks but this here just hasn't any of that. There's one killing that is well done, the shooting at the beginning but further there's nothing to see. But the thespians here to see is the main reason to watch it.
The main lead is done by Charles Bronson, you love or hate him but I love him even as he isn't an actor with great abilities he still delivers. It was made at a time that Bronson was more in rough flicks or revenge flicks starting with the Death Wish franchise (1974). But there's also Ed Harris (Hotchkiss) here to see in one of his first major roles. He got his first taste of critical acclaim, playing astronaut John Glenn in The Right Stuff (1983). Also Bruno Kirby (Jimmy Fante ) made it in blockbusters like Good Morning Vietnam (1987). There are more popular faces to see in smaller roles like Charles Cypher.
We have seen this story a few times in other flicks but as I said earlier, it still works and is in fact still actual.
Gore 0/5 Nudity 0/5 Effects 0/5 Story 3/5 Comedy 0/5
*** This review may contain spoilers ***
Weary, but tough and dedicated border patrolman Jeb Maynard (a fine and
credible performance by Charles Bronson) investigates the murder of his
crusty partner Scooter Jackson (a pleasingly grumpy cameo by Wilford
Brimley) at the hands of the ruthless Hotchkiss (Ed Harris, who's
chilling and excellent in his first substantial film role), who makes
his living smuggling illegal Mexican immigrants into America.
Director Jerrold Freedman, who also co-wrote the taut and involving script with Steve Kline, grounds the topical premise in a plausible workaday reality, keeps the absorbing story moving along at a steady pace, makes nice use of dusty'n'desolate rural locations, maintains a gritty serious tone throughout, and handles the central issue of illegal immigration with taste and sensitivity (those exacting a typically trashy 80's Bronson schlockfest will be greatly disappointed, as this is probably one of Charlie's more earnest and less sensational pictures made in the 1980's). Karmin Murcelo contributes a touching turn as helpful and distraught illegal Elena Morales while Bruno Kirby makes a likable impression as Jeb's eager new rookie partner Jimmy Fante. Moreover, the sterling cast of reliable character actors gives this picture an extra lift: Bert Remsen as crooked rancher Carl J. Richards, Michael Lerner as corrupt businessman Henry Lydell, Kenneth McMillan as sympathetic fed Malcolm Wallace, Norman Alden as the jolly Willie Lambert, Charles Cyphers and John Ashton as fellow border cops, and Luis Contreras as an odious bandit. Tak Fujimoto's sharp cinematography provides an impressive polished look. Gill Melle's bluesy score does the moody trick. Recommended viewing.
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