Jake Blues rejoins with his brother Elwood after being released from prison, but the duo has just days to reunite their old R&B band and save the Catholic home where the two were raised, out... Read allJake Blues rejoins with his brother Elwood after being released from prison, but the duo has just days to reunite their old R&B band and save the Catholic home where the two were raised, outrunning the police as they tear through Chicago.Jake Blues rejoins with his brother Elwood after being released from prison, but the duo has just days to reunite their old R&B band and save the Catholic home where the two were raised, outrunning the police as they tear through Chicago.
- Awards
- 2 wins & 1 nomination
Gerald Walling
- Prison Guard
- (as Gerald Walling S.J.)
Southern California Community Choir
- Choir
- (as James Cleveland's Southern California Community Choir)
Steven Williams
- Trooper Mount
- (as Steve Williams)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaCarrie Fisher became engaged to Dan Aykroyd during this shoot shortly after he saved her from choking, by applying the Heimlich maneuver.
- Goofs[1:26:41]When the Good Old Boys arrive at Bob's Country Bunker, it is clearly after closing time. No explanation is given as to why they are so late, and they would realize that the bar is now closed and would not expect to play their set.
- Crazy creditsWhen in Hollywood, Visit Universal Studios (Ask for Babs) [see also National Lampoon's Animal House (1978)]
- Alternate versionsThe Collectors' Edition on DVD runs 18 minutes longer than the original release and includes the following expanded or newly added scenes:
- The two Joilet guards come to get Jake in his cell and have trouble waking him up.
- One additional line from Frank Oz as he rattles off Jake's material possessions.
- An additional line for the Penguin regarding missions: "I'll be sent to the missions... Africa, Latin America... Korea."
- Jake and Elwood discuss getting the money for the mission honestly outside of the Triple Rock Baptist Church.
- The "The Old Landmark" number is considerably longer, incorporating more dance sequences and extra verses.
- After the demolition derby in the shopping mall Elwood parks the Bluesmobile in a hiding place beside an electrical power box. (John Landis explains that Aykroyd thought this would show how the car gets its incredible endurance, but also goes on to explain that it never did make any sense, so the scene was cut.)
- A few extra lines of dialog when Elwood and Jake rest in his apartment.
- When the cops come to arrest Jake and Elwood in the motel, they first stop at the registration desk and intimidate the manager. They also greet Sam, who seems to be known by everyone.
- An entire sequence with Elwood boosting chemicals from his day job, then quitting the job to become a priest, is restored.
- After the above sequence, Jake and Elwood study a cigarette box with "the last known address of Bones Malone and Blue Lou Marini".
- After getting the new address of Bones Malone, Elwoods thanks Ms Tarantino before leaving.
- Jake has an extra line of dialog while pep-talking Murph and the Magictones at the Holiday Inn ("Now, who here at this table can honestly say that they played any finer or felt any better than they did when they played with the Blues Brothers?")
- One line of dialog for Henry Gibson is restored for the Illinois Nazis scene at the bridge, with regards to the swastika ("The sacred and ancient symbol of your race since the beginning of time!")
- The "Boom Boom" number is much longer, with extra shots of John Lee Hooker laughing and arguing with his band. Jake and Elwood watch for a moment then enter the Soul Food Cafe.
- "Think" has extra verses and shots of dancing.
- When the band arrives at Bob's Country Bunker, Bob hands the request list to Bones Malone, who looks at it blankly.
- The "Theme from Rawhide" and "Stand By Your Man" numbers are slightly longer.
- The original Picwood preview included another musical number, "Sink the Bismark", but that footage has been lost.
- More lines of dialog for Maury Sline in the steam room scene, mostly regarding to the old gigs having been turned into (gay) discos.
- When Jake fills up the tank for the Bluesmobile, he overfills it and gas spills over. When they peel out from the station, Elwood flicks a cigarette out of the window and causes the station to explode. (Landis now says he doesn't remember why this particular scene was cut.)
- Before the sound-check Curtis (Cab Calloway) explains to the band that they need to do it for the kids, since the Blues Brothers will use the money raised from that concert to pay the taxes for a church. The look on the faces of the band after they hear it is priceless!
- The "Minnie the Moocher" number is considerably extended.
- As Jake and Elwood sneak into the show, Elwood takes the chemicals that he stole from the show and sneaks them into the tires of the cop cars.
- Both the "Everybody Needs Someone to Love" and "Sweet Home Chicago" numbers are extended.
- When Jake and Elwood sneak out, the gas in the cop cars tires reacts and causes the tires to explode on some to delay the police.
- An alternate line of dialog for Carrie Fisher in the sewer when she confronts Jake, about how her father "used up her last favors" with the Mafia for her wedding. In the original release it was changed due to complaints of the Italian-American community.
- The lengthy climactic chase to (and through) Chicago features many extra lines and shots of racing autos.
- The "assault on Daley plaza" and the Assessor's Office scenes also feature extra lines and shots.
- The "Jailhouse Rock" number is slightly longer.
- As the prisoners riot at the end of the film, there is a brief shot of riot-geared police guards racing into the mess hall that has been added. It changes the end of the film subtly.
- The "cast of characters" and end credits are extended to accommodate the new footage.
- ConnectionsEdited into The Stories Behind the Making of 'the Blues Brothers' (1998)
- SoundtracksSomebody Loan Me a Dime
(uncredited)
Written and Performed by Fenton Robinson
Featured review
It started out as a bit on Saturday Night Live, and grew into probably THE most successful movie ever to have had it's genesis in that particular medium. And who would've thought that a couple of character actor/comedians would emerge from an innovative four-or-five minute act as `legendary' bluesmen of their era? Which is exactly what John Belushi and Dan Aykroyd did after first taking their show on the road as an opening act for the likes of Steve Martin, and then parlaying it into a feature length motion picture, `The Blues Brothers,' directed by John Landis. When Joliet Jake Blues (Belushi) is released from prison, his brother Elwood (Aykroyd) is there to pick him up, in-- of all things-- a used police car. And it doesn't bode well for this particular pair of out-of-work musicians, who on a visit to the orphanage in which they grew up discover that it is about to be shut down unless some taxes are paid on it, and soon. But what can Jake and Elwood do to help? They're broke. Well, after a bit of pondering and a couple of good production numbers later, Jake sees the light (literally), and it all becomes perfectly clear: They have to put their band back together and stage a concert, the proceeds of which should more than pay for the taxes on the orphanage. It's a tough job, but somebody's got to do it, and don't tell Jake and Elwood it's not possible, because they're on a mission from God...
It's a fairly simple plot, told in a straightforward manner by Landis, who creates a visually stimulating and aurally satisfying movie that follows the adventures of the Brothers Blues as they travel around the good state of Illinois, seeking out the members of their former band and formulating their plan to save the orphanage. Along the way they run afoul of a country/western band, incite the ire of some Illinois Nazis, ingratiate themselves to the diners in a classy restaurant, wreck an entire mall and generally wreak havoc wherever they go. It's a total rush of excitement, backed with a blur of real blues, served up by some of the truly legendary performers of our time, like Aretha Franklin, James Brown, Ray Charles, Cab Calloway (doing his trademark `Minnie the Moocher') and John Lee Hooker. Not to mention the `band' itself, comprised of Steve `The Colonel' Cropper, Donald `Duck' Dunn, Murphy Dunne, Willie Hall, Tom `Bones' Malone, Lou `Blue Lou' Marini, Matt `Guitar' Murphy and `Mr. Fabulous' himself, Alan Rubin, all there to back the incomparable vocal stylings of Joliet Jake and Elwood Blues, who are determined to save their old home, now under the auspices of `The Penguin,' Sister Mary Stigmata (Kathleen Freeman). But one question remains to be answered: Who is Camille Ztdetelik (Carrie Fisher), and just what is she trying to do to Jake?
Without question, this was a great gig for Belushi and Aykroyd, who to millions of people ARE, and will forever be, the `Blues Brothers.' And forevermore shall they be linked in the memories of anyone who has seen this movie, heard their records or caught their act on SNL. Dan Aykroyd has gone on to have a successful and varied career in movies, including an Academy Award nomination for Best Supporting Actor (for `Driving Miss Daisy' in 1989), while John Belushi, of course, left us quite suddenly and way too soon, just as his career was on the rise. Were they great singers? Of course not; but they were accomplished performers who sagely surrounded themselves with the best of the best, a `band's' band that really made this gig work, because the music worked. Add to that the energy, excitement and passion they themselves brought to it, and you have their formula for success, which can be measured by the strong following they still enjoy to this day. And what a pity that Belushi isn't around to realize it.
Memorable in supporting roles are John Candy as Burton Mercer (who uttered the unforgettable line, `Orange whip? Orange whip?--); Henry Gibson as the steel-eyed head Nazi; Steve Lawrence, as agent Maury Sline; Charles Napier as Tucker McElroy, `Lead singer and driver of the Winnebago'; and Jeff Morris, who will always be remembered as Bob, owner of `Bob's Country Bunker,' the place with `both' kinds of music, Country `and' Western.
The additional supporting cast includes Steven Williams (Trooper Mount), Armand Cerami (Trooper Daniel), Layne Britton (The `Cheese Whiz'), Ralph Foody (Police Dispatcher) and John Landis (Trooper La Fong). Also, watch for cameos by Paul Reubens (Waiter), Frank Oz (Corrections Officer), Twiggy Lawson (Chic Lady) and Steven Spielberg as the County Clerk. A thoroughly entertaining and enjoyable movie, filled with memorable scenes and lines you'll be quoting for years to come (Aykroyd, in that `clipped' Elwood Blues delivery, to Tucker McElroy: `We'll, ah-- we'll talk to Bob--'), `The Blues Brothers' is a great film-- not in the sense of a film that should have walked away with a bagful of Oscars, but great for what it is and for the special place it holds in the history of the cinema. And, yes, it does have a place all it's own. Because a movie doesn't have to be `Citizen Kane,' or `Gone With the Wind' to be `great.' It's the ones that make you feel something for whatever reason, or make you laugh; the ones you remember because they're unique or have left their imprint on our culture in some way. So, check `All of the above,' or add your own reasons. For all that it's worth, this is the magic of the movies. I rate this one 9/10.
It's a fairly simple plot, told in a straightforward manner by Landis, who creates a visually stimulating and aurally satisfying movie that follows the adventures of the Brothers Blues as they travel around the good state of Illinois, seeking out the members of their former band and formulating their plan to save the orphanage. Along the way they run afoul of a country/western band, incite the ire of some Illinois Nazis, ingratiate themselves to the diners in a classy restaurant, wreck an entire mall and generally wreak havoc wherever they go. It's a total rush of excitement, backed with a blur of real blues, served up by some of the truly legendary performers of our time, like Aretha Franklin, James Brown, Ray Charles, Cab Calloway (doing his trademark `Minnie the Moocher') and John Lee Hooker. Not to mention the `band' itself, comprised of Steve `The Colonel' Cropper, Donald `Duck' Dunn, Murphy Dunne, Willie Hall, Tom `Bones' Malone, Lou `Blue Lou' Marini, Matt `Guitar' Murphy and `Mr. Fabulous' himself, Alan Rubin, all there to back the incomparable vocal stylings of Joliet Jake and Elwood Blues, who are determined to save their old home, now under the auspices of `The Penguin,' Sister Mary Stigmata (Kathleen Freeman). But one question remains to be answered: Who is Camille Ztdetelik (Carrie Fisher), and just what is she trying to do to Jake?
Without question, this was a great gig for Belushi and Aykroyd, who to millions of people ARE, and will forever be, the `Blues Brothers.' And forevermore shall they be linked in the memories of anyone who has seen this movie, heard their records or caught their act on SNL. Dan Aykroyd has gone on to have a successful and varied career in movies, including an Academy Award nomination for Best Supporting Actor (for `Driving Miss Daisy' in 1989), while John Belushi, of course, left us quite suddenly and way too soon, just as his career was on the rise. Were they great singers? Of course not; but they were accomplished performers who sagely surrounded themselves with the best of the best, a `band's' band that really made this gig work, because the music worked. Add to that the energy, excitement and passion they themselves brought to it, and you have their formula for success, which can be measured by the strong following they still enjoy to this day. And what a pity that Belushi isn't around to realize it.
Memorable in supporting roles are John Candy as Burton Mercer (who uttered the unforgettable line, `Orange whip? Orange whip?--); Henry Gibson as the steel-eyed head Nazi; Steve Lawrence, as agent Maury Sline; Charles Napier as Tucker McElroy, `Lead singer and driver of the Winnebago'; and Jeff Morris, who will always be remembered as Bob, owner of `Bob's Country Bunker,' the place with `both' kinds of music, Country `and' Western.
The additional supporting cast includes Steven Williams (Trooper Mount), Armand Cerami (Trooper Daniel), Layne Britton (The `Cheese Whiz'), Ralph Foody (Police Dispatcher) and John Landis (Trooper La Fong). Also, watch for cameos by Paul Reubens (Waiter), Frank Oz (Corrections Officer), Twiggy Lawson (Chic Lady) and Steven Spielberg as the County Clerk. A thoroughly entertaining and enjoyable movie, filled with memorable scenes and lines you'll be quoting for years to come (Aykroyd, in that `clipped' Elwood Blues delivery, to Tucker McElroy: `We'll, ah-- we'll talk to Bob--'), `The Blues Brothers' is a great film-- not in the sense of a film that should have walked away with a bagful of Oscars, but great for what it is and for the special place it holds in the history of the cinema. And, yes, it does have a place all it's own. Because a movie doesn't have to be `Citizen Kane,' or `Gone With the Wind' to be `great.' It's the ones that make you feel something for whatever reason, or make you laugh; the ones you remember because they're unique or have left their imprint on our culture in some way. So, check `All of the above,' or add your own reasons. For all that it's worth, this is the magic of the movies. I rate this one 9/10.
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Los hermanos caradura
- Filming locations
- 15101 Dixie Highway, Harvey, Illinois, USA([28:20]Shopping Mall Complex with infamous car chase scene. They broke my watch! Demolished)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $27,500,000 (estimated)
- Gross US & Canada
- $57,229,890
- Opening weekend US & Canada
- $4,858,152
- Jun 22, 1980
- Gross worldwide
- $115,229,890
- Runtime2 hours 13 minutes
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