The Blues Brothers (1980)

User Rating:

7.9/10   

Director:

John Landis

Writers:

Dan Aykroyd (written by) &
John Landis (written by)

Release Date:

20 June 1980 (USA)

Genre:

Action | Comedy | Music

Tagline:

They'll never get caught. They're on a mission from God.

Plot:

Jake Blues, just out from prison, puts together his old band to save the Catholic home where he and brother Elwood were raised.

Plot Keywords:

Band | Prison | Catholic | Nun | Street Music

Awards:

1 win

Cast

John Belushi	...	'Joliet' Jake Blues (as Jake)
Dan Aykroyd	...	Elwood Blues (as Elwood)
James Brown	...	Reverend Cleophus James
Cab Calloway	...	Curtis
Ray Charles	...	Ray
Aretha Franklin	...	Mrs. Murphy
Steve Cropper	...	Steve 'The Colonel' Cropper
Donald Dunn	...	Donald 'Duck' Dunn
Murphy Dunne	...	Murphy 'Murph' Dunne
Willie Hall	...	Willie 'Too Big' Hall
Tom Malone	...	Tom 'Bones' Malone
Lou Marini	...	'Blue Lou' Marini
Matt Murphy	...	Matt 'Guitar' Murphy
Alan Rubin	...	Alan 'Mr. Fabulous' Rubin
Carrie Fisher	...	Mystery Woman

Runtime:

133 min | USA:148 min (extended version)

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.33 : 1

Sound Mix:

4-Track Stereo (magnetic prints) | Mono (optical prints)

Certification:

Finland:K-11 (DVD rating) | UK:AA (original rating) | South Korea:12 | Brazil:12 | Argentina:13 | Australia:M | Canada:14A | Chile:14 | Finland:K-12 | France:U | Ireland:15 | Netherlands:AL | New Zealand:M | Norway:11 | Singapore:PG | Spain:T | Sweden:15 | UK:15 | USA:R | West Germany:12 | Iceland:L

Filming Locations:

22 W. Van Buren Street, The Loop, Downtown, Chicago, Illinois, USA

Company:

Universal Pictures

Trivia:

At the end, after the Universal Studios logo is shown, there is an ad for Universal Studios in Hollywood. Below "When in Hollywood, visit Universal Studios", it says "Ask For Babs". The same appeared in Animal House (1978) (Babs is the Animal House character Babs Jensen), and it reappeared in Blues Brothers 2000 (1998) underneath a new Universal Studios Hollywood logo at the end of that movie.

Goofs:

Revealing mistakes: In Bob's Country Bunker, Bob turns off the power for the stage, yet when they start playing 'Rawhide', their electric guitars and synthesizer works when they didn't before.

Quotes:

[first lines]
Prison Guard #1: Yeah, the Assistant Warden wants this one out of the block early. Wants to get it over with fast.
Prison Guard #2: Okay, let's do it.
[rattling the bars with his baton]
Prison Guard #1: Hey come on, it's time to wake up.
Prison Guard #2: Wake up. Let's go, it's time.
[striking the sleeping Jake with his baton]

Movie Connections:

References "Rawhide" (1959)

Soundtrack:

EVERYBODY NEEDS SOMEBODY TO LOVE

Nitro and Glycerin

A musical comedy action fantasy should not work, especially when one considers that it is the first SNL skit-to-screen adventure (which, history has shown us, is a decidedly mixed bag). But this one does. Two of the best car chases in cinematic history bookend the film, and in between there are show-stopping musical numbers, raw humor, Illinois Nazis, and a seriously disgruntled ex-fiancee. And it all makes perfect sense in the context of the universe created by Aykroyd (who co-wrote), Landis (who directed), and Belushi (his barely contained zeal provides the battery pack for this film).

Jake (Belushi) and Elwood (Aykroyd) are the former front men of a broken down blues band (actually a stunning collection of blues talent) which disbanded after Jake was arrested several years before. Upon his release, he discovers that his boyhood orphanage home is about to be foreclosed upon for non-payment of property taxes. Beaten up by a nun, sung to by James Brown, and touched by God, Jake sees the light and seeks to put the band together for one last show -- a charity benefit to save the orphanage.

Their journey takes them from James Brown to Aretha Franklin to Ray Charles, John Lee Hooker to Cab Calloway. The movie showcases the overwhelming talent of singers, musicians, and genres long out of vogue with popular musical tastes. Indeed, this movie is a vehicle for giving these performers a chance to shine -- to bring their music back to the masses and ultimately into pop-culture immortality (to go along with their more prestigious musical immortality).

This film is guaranteed to make you tap your feet, laugh out loud, gasp as both a mall and and entire fleet of Chicago police cars are destroyed, and believe in the magical powers of an old cop car. Like I said, it's a musical comedy action fantasy.

And it works.