| Photos (See all 29 | slideshow) | Videos (see all 3) |
| Brooke Shields | ... | Emmeline | |
| Christopher Atkins | ... | Richard | |
| Leo McKern | ... | Paddy Button | |
| William Daniels | ... | Arthur Lestrange | |
| Elva Josephson | ... | Young Emmeline | |
| Glenn Kohan | ... | Young Richard | |
| Alan Hopgood | ... | Captain | |
| Gus Mercurio | ... | Officer | |
| Jeffrey Kleiser | ... | Lookout (as Jeffrey Means) | |
| Bradley Pryce | ... | Little Paddy | |
| Chad Timmerman | ... | Infant Paddy (as Chad Timmermans) | |
| Gert Jacoby | ... | Sailor | |
| Alex Hamilton | ... | Sailor | |
| Richard Evanson | ... | Sailor |
Directed by | |||
| Randal Kleiser | |||
Writing credits(in alphabetical order) | ||
| Henry De Vere Stacpoole | novel | |
| Douglas Day Stewart | ||
Produced by | |||
| Richard Franklin | .... | co-producer | |
| Randal Kleiser | .... | producer | |
Original Music by | |||
| Basil Poledouris | |||
Cinematography by | |||
| Néstor Almendros | |||
Film Editing by | |||
| Robert Gordon | |||
Casting by | |||
| Vic Ramos | |||
Art Direction by | |||
| Jon Dowding | |||
Costume Design by | |||
| Jean-Pierre Dorléac | |||
Makeup Department | |||
| Irene Walls | .... | makeup artist | |
Production Management | |||
| Peter Bogart | .... | production manager | |
| Barbi Taylor | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Peter Bogart | .... | assistant director | |
| Mark Piper | .... | second assistant director | |
Art Department | |||
| Allen Brown | .... | art department staff | |
| Ken Hazelwood | .... | construction manager | |
| Nick Hepworth | .... | property master | |
| Clive Jones | .... | art department staff | |
| Gregg O'Connell | .... | constructor | |
| Gerry Powderly | .... | constructor | |
| John Taylor | .... | art department staff | |
| Nicolaas Van Roosendael | .... | property buyer | |
Sound Department | |||
| Wayne Artman | .... | sound re-recording mixer | |
| Tom Beckert | .... | sound re-recording mixer | |
| Paul Clark | .... | production sound mixer | |
| John Duffy | .... | sound editor | |
| Chris Goldsmith | .... | boom operator | |
| William Hooper | .... | assistant sound editor | |
| Michael Jiron | .... | re-recording mixer | |
| Emile Razpopov | .... | sound effects supervisor | |
Special Effects by | |||
| Chuck E. Stewart | .... | special effects assistant | |
Visual Effects by | |||
| Jeffrey Kleiser | .... | special optical effects | |
Stunts | |||
| Kathy Troutt | .... | stunt coordinator | |
| Wally Crowder | .... | stunt coordinator (uncredited) | |
| Kathy Troutt | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| David Brostoff | .... | assistant camera | |
| Ray Brown | .... | key grip | |
| Peter Lyons Collister | .... | insert photography (as Peter Lyons) | |
| Ian Dewhurst | .... | electrician | |
| Jack Endacott | .... | assistant camera | |
| Tony Holtham | .... | electrician | |
| Roger G. Jans | .... | still photographer | |
| Vincent Monton | .... | additional photographer | |
| Ron Taylor | .... | underwater photographer | |
| Valerie Taylor | .... | underwater photographer | |
| Paul Thompson | .... | second grip | |
| Hal Trussell | .... | gaffer | |
| Peter Lyons Collister | .... | director of photography: second unit (uncredited) | |
Casting Department | |||
| Rosalie Joseph | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Aphrodite Kondos | .... | wardrober | |
Editorial Department | |||
| Lorenzo DeStefano | .... | apprentice editor | |
| Dolly Gordon | .... | assistant editor (as Dolly Fendel) | |
Music Department | |||
| George Doering | .... | musician | |
| Sam E. Levin | .... | music editor | |
| Brian May | .... | music coordinator | |
| Greig McRitchie | .... | orchestrator | |
| Basil Poledouris | .... | conductor | |
Other crew | |||
| Chi Chung Fu | .... | graphic artist: titles | |
| Bernadette Franklin | .... | production assistant | |
| Marilyn Giardino | .... | script supervisor | |
| Dan Harary | .... | regional publicist | |
| Fred Harding | .... | auditor | |
| Rosalie Winkler Karalekas | .... | production coordinator (as Rosalie Winkler Trencher) | |
| Dessie Markovsky | .... | dialogue supervisor | |
| Gary Moore | .... | seaplane pilot | |
| Warwick Ross | .... | production assistant | |
| Martin Simpson | .... | unit doctor | |
| Helen Watts | .... | production secretary | |
| Philip Worth | .... | location manager | |
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| Return to the Blue Lagoon | Australia | Fellini Satyricon | Into the Wild | Creation |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
i have not seen this film in many years, and saw it unedited last week on TCM. when i was a boy, the film's main appeal was in its edenic milieu, its charged moments of wonder and terror, and brooke shields' extraordinary beauty and gamine charm. those qualities are all still there. But the film tells another story that i missed before: two children ripped from civilization struggle to make sense of the world and themselves. this is no rousseau inspired romp. the pulse and power of natures' force wrecks them, engulfs them, confines them and finally asserts itself through em and dick. the question is begged: where does human will and intellect figure in chaos of pubescence, sexuality and love? how helpless or powerful are we to control the furies of love or sex? more helpless than not, the filmaker seems to be saying. kleiser interposes the stereopticon pictures of the staid victorian couple with similar scenes of em and dick to highlight this point. naked or clothed, in a drawing room or on a beach, we all experience the torrent of love in very much the same way. instinct races ahead, sense chases behind in confusion. "blue lagoon" tells a timeless human story in a very simple style. this movie is better for talking to kids about growing up than any 10 sex education pamphlets. and if an adult cannot remember how this felt when they were young, a little part of them has already died. a good movie