In the Victorian period, two children are shipwrecked on a tropical island in the South Pacific. With no adults to guide them, the two make a simple life together, unaware that sexual maturity will eventually intervene.
In this sequel to the 1980 classic, two children are stranded on a beautiful island in the South Pacific. With no adults to guide them, the two make a simple life together and eventually become tanned teenagers in love.
A mirage, a fantasy, a dream come true; a single man, stranded on a deserted island, finds reprise one morning when a boat carrying 5 gorgeous models drops anchor. Luckily for our man, it's... See full summary »
Faye Hanlon is a community-college professor with an emotionally depressed husband and an abundance of sexual frustration. Her sister drags her to a male strip-club for a girl's night out, ... See full summary »
John G. Avildsen
Lesley Ann Warren,
Watch the tensions rise and tempers fly as aspiring models train to become one of Mick Gleissner's Underwater Models. Go behind the scenes of Mick Gleissner Photography and watch the drama ... See full summary »
In the Victorian period, two teenagers, David and Sarah, travel with a caravan from Baghdad to Damascus. At an oasis, the white slave agent known as the Jackal raids them, mainly to add the... See full summary »
On a journey to San Francisco, Richard, his father and cousin Emmeline find themselves on a ship about to explode. Rushed to a lifeboat with Paddy Button, the two children escape while their father (and uncle) are on another lifeboat. In the chaos following, the lifeboats are separated. Paddy, Richard and Emmeline find themselves with no food and no water stuck in the middle of nowhere. After some time, the three come across an uncharted paradise, where Paddy quickly teaches the children fishing, hunting and building. After maybe a month or two, Paddy gets very drunk off a barrel of rum found on the island when they first arrive, and drowns in the middle of the night. Emmeline and Richard, now alone and very scared, move location and rebuild their island home. Many years later, the two young teenagers have developed a very real home, but hormones and feelings between the two strain their friendship, until Richard, who is still very determined to reach San Francisco, is let down by ... Written by
Their wooden ship burns at sea and two children are left to survive alone, lost forever in a tropical paradise. But on one side of this island, they discover a dangerous mystery: dark, sinister. On the other side, they discover desire. See more »
It was the director's original concept to have the two grown characters play the entire film in the nude, which scared off many actors (including Jennifer Jason Leigh, who was the first choice for the female lead.) After Leigh passed on the project, the producers offered Diane Lane and Willie Aames the film after screen-testing them together in Mexico, where Lane was shooting a western...but the pair discussed the nudity together after the crew left and called a few days later to say they wouldn't do the film, either. With shooting set to begin in a matter of days, the desperate director agreed to let Shields make the film predominantly clothed, with a body double employed for the nude scenes. With that settled, the casting director returned to the thousands of audition tapes they'd made over the course of a year, and decided Christopher Atkins would be alright if he permed his hair to look more "savage." See more »
When Paddy and the kids first sight land and begin to sail toward it, the mountainous coastline of a large land mass can faintly be seen behind them, indicating that the island is not as remote as we are led to believe. See more »
i have not seen this film in many years, and saw it unedited last week on TCM. when i was a boy, the film's main appeal was in its edenic milieu, its charged moments of wonder and terror, and brooke shields' extraordinary beauty and gamine charm. those qualities are all still there. But the film tells another story that i missed before: two children ripped from civilization struggle to make sense of the world and themselves. this is no rousseau inspired romp. the pulse and power of natures' force wrecks them, engulfs them, confines them and finally asserts itself through em and dick. the question is begged: where does human will and intellect figure in chaos of pubescence, sexuality and love? how helpless or powerful are we to control the furies of love or sex? more helpless than not, the filmaker seems to be saying. kleiser interposes the stereopticon pictures of the staid victorian couple with similar scenes of em and dick to highlight this point. naked or clothed, in a drawing room or on a beach, we all experience the torrent of love in very much the same way. instinct races ahead, sense chases behind in confusion. "blue lagoon" tells a timeless human story in a very simple style. this movie is better for talking to kids about growing up than any 10 sex education pamphlets. and if an adult cannot remember how this felt when they were young, a little part of them has already died. a good movie
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