In the Victorian period, two children are shipwrecked on a tropical island in the South Pacific. With no adults to guide them, the two make a simple life together, unaware that sexual maturity will eventually intervene.
In this sequel to the 1980 classic, two children are stranded on a beautiful island in the South Pacific. With no adults to guide them, the two make a simple life together and eventually become tanned teenagers in love.
A mirage, a fantasy, a dream come true; a single man, stranded on a deserted island, finds reprise one morning when a boat carrying 5 gorgeous models drops anchor. Luckily for our man, it's... See full summary »
Faye Hanlon is a community-college professor with an emotionally depressed husband and an abundance of sexual frustration. Her sister drags her to a male strip-club for a girls-night out, ... See full summary »
John G. Avildsen
Lesley Ann Warren,
Watch the tensions rise and tempers fly as aspiring models train to become one of Mick Gleissner's Underwater Models. Go behind the scenes of Mick Gleissner Photography and watch the drama ... See full summary »
On a journey to San Francisco, Richard, his father and cousin Emmeline find themselves on a ship about to explode. Rushed to a lifeboat with Paddy Button, the two children escape while their father (and uncle) are on another lifeboat. In the chaos following, the lifeboats are separated. Paddy, Richard and Emmeline find themselves with no food and no water stuck in the middle of nowhere. After some time, the three come across an uncharted paradise, where Paddy quickly teaches the children fishing, hunting and building. After maybe a month or two, Paddy gets very drunk off a barrel of rum found on the island when they first arrive, and drowns in the middle of the night. Emmeline and Richard, now alone and very scared, move location and rebuild their island home. Many years later, the two young teenagers have developed a very real home, but hormones and feelings between the two strain their friendship, until Richard, who is still very determined to reach San Francisco, is let down by ... Written by
It was the director's original concept to have the two grown characters play the entire film in the nude, which scared off many actors (including Jennifer Jason Leigh, who was the first choice for the female lead.) After Leigh passed on the project, the producers offered Diane Lane and Willie Aames the film after screen-testing them together in Mexico, where Lane was shooting a western...but the pair discussed the nudity together after the crew left and called a few days later to say they wouldn't do the film, either. With shooting set to begin in a matter of days, the desperate director agreed to let Shields make the film predominantly clothed, with a body double employed for the nude scenes. With that settled, the casting director returned to the thousands of audition tapes they'd made over the course of a year, and decided Christopher Atkins would be alright if he permed his hair to look more "savage." See more »
Richard and Emmeline have both come of age on an island away from civilization. Both are clean shaven, however. While a teenage boy may not sprout a full beard Richard should at least show growing sideburns and some peach-fuzz on the chin. He even references that he is growing "all these hairs" on his body. Likewise, Emmeline's armpits should be hirsute. How did they learn to shave and where did they get razors? See more »
Critically underrated film that resonates with global audience
I've never understood the critical slam this film has received. Then I saw the widescreen dvd version and understood; everyone has been watching it in pan and scan! The film is a visual poem. So much of the story telling is done through visual information. The impact of this is lost when the cinematography is altered. Remember that Nestor Almendros received an Academy Award nomination for his work on this film. The film has resonated with global audiences for so long for this very reason. I suggest people watch the dvd commentary with Randal Kleiser and Brooke Shields to get a better understanding of why this film is still such a popular one.
People attack the acting, but these are children left alone with no one to guide them into adult sophistication. Their interaction and reactions to situations are very consistent with this scenario. Yes, the birth scene is a little rushed, but do we really need to see the umbilical cord? Not all films need to be about gritty reality, ala "Taxi Driver." No one asks to see the bloody guts of the smashed witch in "The Wizard of Oz."
It is a beautiful, romantic film that speaks to millions of people. It seems that only the most skeptical cynics cannot embrace this film.
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