In the Victorian period, two children are shipwrecked on a tropical island in the South Pacific. With no adults to guide them, the two make a simple life together, unaware that sexual maturity will eventually intervene.
In this sequel to The Blue Lagoon (1980), two children are stranded on a beautiful island in the South Pacific. With no adults to guide them, the two make a simple life together and eventually become suntanned teenagers in love.
A mirage, a fantasy, a dream come true; a single man, stranded on a deserted island, finds reprise one morning when a boat carrying 5 gorgeous models drops anchor. Luckily for our man, it's... See full summary »
On a journey to San Francisco, Richard, his father and cousin Emmeline find themselves on a ship about to explode. Rushed to a lifeboat with Paddy Button, the two children escape while their father (and uncle) are on another lifeboat. In the chaos following, the lifeboats are separated. Paddy, Richard and Emmeline find themselves with no food and no water stuck in the middle of nowhere. After some time, the three come across an uncharted paradise, where Paddy quickly teaches the children fishing, hunting and building. After maybe a month or two, Paddy gets very drunk off a barrel of rum found on the island when they first arrive, and drowns in the middle of the night. Emmeline and Richard, now alone and very scared, move location and rebuild their island home. Many years later, the two young teenagers have developed a very real home, but hormones and feelings between the two strain their friendship, until Richard, who is still very determined to reach San Francisco, is let down by ... Written by
Their wooden ship burns at sea and two children are left to survive alone, lost forever in a tropical paradise. But on one side of this island, they discover a dangerous mystery: dark, sinister. On the other side, they discover desire. See more »
Last year I watched The Blue Lagoon for the first time and thought it was absolutely amazing. When I tell people this they usually laugh in my face and say that I only like it because of Chris Atkin's sex appeal, but that is not the only reason. This movie epitomizes Freud's theories of the id, ego and super ego- explaining these three branches of the human mind very effectively and creatively. It actually raised my interest in the subject of human psychology and sociology so much that I am considering it as a major in college. And who would have ever thought a buff man running around in a loin cloth could have given me direction in life?
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