| Patrick Magee | ... | Prof. Robert Miles | |
| Mimsy Farmer | ... | Jill Trevers | |
| David Warbeck | ... | Inspector Gorley | |
| Al Cliver | ... | Sgt. Wilson | |
| Dagmar Lassander | ... | Lillian Grayson | |
| Bruno Corazzari | ... | Ferguson | |
| Geoffrey Copleston | ... | Inspector Flynn | |
| Daniela Doria | ... | Maureen Grayson | |
| rest of cast listed alphabetically: | |||
| Lucio Fulci | ... | Doctor (scenes deleted) | |
Directed by | |||
| Lucio Fulci | |||
Writing credits(in alphabetical order) | ||
| Lucio Fulci | screenplay | |
| Edgar Allan Poe | story | |
| Biagio Proietti | screenplay | |
| Biagio Proietti | story | |
Produced by | |||
| Giulio Sbarigia | .... | producer | |
Original Music by | |||
| Pino Donaggio | |||
Cinematography by | |||
| Sergio Salvati | |||
Film Editing by | |||
| Vincenzo Tomassi | |||
Production Design by | |||
| Franco Calabrese | |||
Art Direction by | |||
| Massimo Antonello Geleng | |||
Costume Design by | |||
| Massimo Lentini | |||
Makeup Department | |||
| Maria Pia Crapanzano | .... | hair stylist | |
| Franco Di Girolamo | .... | makeup artist | |
| Rosario Prestopino | .... | assistant makeup artist | |
Production Management | |||
| Renato Angiolini | .... | production supervisor | |
| Antonio Da Padova | .... | unit manager | |
| Ennio Onorati | .... | production manager | |
| Tommaso Pantano | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| David Del Bufalo | .... | assistant director | |
| Roberto Giandalia | .... | second unit director | |
| Victor Tourjansky | .... | assistant director | |
Art Department | |||
| Alfredo D'Angelo | .... | drapes | |
Sound Department | |||
| Nick Alexander | .... | dubbing editor | |
| Fernando Caso | .... | sound effects | |
| Ugo Celani | .... | sound | |
| Eros Giustini | .... | boom operator | |
| Alvaro Gramigna | .... | sound effects | |
Special Effects by | |||
| Paolo Ricci | .... | special effects | |
Stunts | |||
| Nazzareno Cardinali | .... | stunts | |
Costume and Wardrobe Department | |||
| Mina Tacconi | .... | seamstress | |
Editorial Department | |||
| Rita Antonelli | .... | first assistant editor | |
| Pietro Tomassi | .... | second assistant editor | |
Music Department | |||
| Natale Massara | .... | conductor | |
Other crew | |||
| Alfredo D'Angelo | .... | tapestry | |
| Pasquale Martino | .... | cat trainer | |
| Daniela Tonti | .... | continuity | |
| Recent Posts (updated daily) | User |
|---|---|
| Filming locations | rolykeates |
| I *wanted* to like it... | dnphilli |
| any more information? | billyhitchcock |
| Well made but lacking | jameselliot-1 |
| a new perspective | ericinexile |
| Soundtrack | berntege |
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| La corta notte delle bambole di vetro | Deep Red | So Sweet, So Dead | 99.9 | The Professional: Golgo 13 |
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IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Italy section |
I thought this was rather good. I like Fuci for his ability to build
atmosphere rather than for gore and this film unlike for instance
City of The Living Dead had some narrative cohesion. Strong
actors also seem to help fulci...magee here and Richard
Johnstone in Zombie.
The scenes in the graveyard are the best. Sometimes a film that is
just a collage of eyegrabbing visuals can work well e.g The
Beyond....but sometimes its nice to have something approaching
either a story or an intellectual idea to back them up. Here the idea
of recording the dead and attempting to go beyond..is rather well
handled.