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La bimba di Satana (1982)

 -  Horror  -  29 July 1982 (Italy)
4.0
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Ratings: 4.0/10 from 332 users  
Reviews: 19 user | 43 critic

In the crypt of the remote castle of the Aguilars lies the recently-deceased body of Maria. Her husband Antonio is a jealous bully, his mute brother Ignazio is in a wheelchair peeping on ... See full summary »

Director:

(as Alan W. Cools)

Writers:

(story), (screenplay), 1 more credit »
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Title: La bimba di Satana (1982)

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Cast

Cast overview:
Jacqueline Dupré ...
Miria Aguilar (as Jaqueline Dupré)
Mariangela Giordano ...
Sol (as Mariangela Giordan)
...
Antonio Aguilar (as Aldo Sanbrell)
Joe Davers ...
Isidro
Giancarlo Del Duca ...
Dr. Juan Suarez
Alfonso Gaita ...
Ignazio Aguilar
Marina Hedman ...
Maria Aguilar (as Marina Hedmann)
Edit

Storyline

In the crypt of the remote castle of the Aguilars lies the recently-deceased body of Maria. Her husband Antonio is a jealous bully, his mute brother Ignazio is in a wheelchair peeping on his caretaker Sol, a novice. Also present are Miria, the couple's virginal daughter, and Isidro, a factotum who fears Satan's power. A frequent visitor is Juan Suarez, a doctor who wants Miria in a sanatorium for a month. She doesn't want to go. Isidro tries to exorcize the castle's evil spirits. Bodies pile up. Is Miria's mother truly dead, and who is Satan's tool? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Tender young flesh seduced by the ultimate evil!

Genres:

Horror

Certificate:

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Details

Country:

Language:

Release Date:

29 July 1982 (Italy)  »

Also Known As:

A Girl for Satan  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Color:

(Telecolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Connections

Referenced in The Exorcism of Baby Doll (2007) See more »

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User Reviews

 
Nonsensical Euro-smut at its most lurid and ... stylish?!?
21 January 2008 | by (the Draconian Swamp of Unholy Souls) – See all my reviews

I don't quite know what to make of "Satan's Baby Doll", to be honest. As the title suggests, it's another cheap, wicked-minded and umpteenth excuse for Italian producers to come up with sleaze and satanic nonsense – and it is – but on the other hand it's a surprisingly stylish and well-made film. Yes, really! Well, talking in terms of early 80's exploitation standards and in comparison with the other titles on director Mario Bianchi's repertoire, that is. It even has a plot that is slightly above average, competent acting performances (I'm not kidding!) and genuine young beauty that sadly only ever appeared in this one film. Oh Jacqueline Dupré, what an angel you are. The sinister events all take place inside the walls of an ancient family castle atop a hillside. This location is always filmed from underneath in the valley, just to make really sure the viewer knows we're dealing with a very isolated setting here. The lady of the house just died, but she was involved with black magic rites and Satanism, so her malignant spirit attempts to return from the afterlife. She finds the perfect host inside the ravishing body of her young daughter Myra and commands her to kill all the remaining dirt bags in the castle. So what we have here, basically, is an Italian variation on "The Exorcist" (another one), but with a Gothic setting and buckets full of gratuitous nudity. Also living in the castle is a masturbating nun, a Peeping Tom in a wheelchair, a sleazy lawyer, a crazy voodoo-obsessed servant and the sickly jealous and tyrant patriarch. There are quite a lot of senseless dialogs and boring parts you unfortunately have to struggle yourself through, but the death scenes are fairly imaginative and Dupré beauty & sex-appeal brightens up the screen with every appearance she makes. The other female leads are filled in by Mariangela Giordano (yes, THE woman whose nipple gets bitten off by her creep son in "Burial Ground") as the household nun and by adult movie starlet Marina Hedman as the undead but still very horny Maria. This is bizarre early 80's exploitation, to say the least , but it's worth seeing if only for the imaginative choreography, the uncanny set pieces, the ominous musical guidance (courtesy of Nico Catanese) and the naked body of Jacqueline Dupré. Shallow? You bet!


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