In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
Kelly, a prostitute, finds redemption in the town of Grantville, where she arrives working as a medium-time seller. There, she meets Griff, the police captain of the town, with whom she ... See full summary »
It's May 1943 at a US Army Air Corps base in England. The four officers and six enlisted men of the Memphis Belle - a B-17 bomber so nicknamed for the girlfriend of its stern and stoic ... See full summary »
A rock star-turned-bum, his vocal chords severed at the height of his career for the love of a woman, reclaims his forgotten past after viewing a music video and seeks revenge against the mobster who maimed him.
Grim story of a WWII squad consisting of an anonymous sergeant and four long-time survivors who ignore the faceless replacements who continually arrive and die. Written by
This movie's final coda in the reconstructed version is a memorial and tribute of this film's director Samuel Fuller stating; "SAM FULLER 1912 - 1997". See more »
The tree branch moved by Sarge as he looks for the SP gun changes. See more »
[the troop stops before a memorial]
Would you look at how fast they put the names of all our guys who got killed?
That's a World War One memorial.
But the name's are the same.
They always are.
See more »
Some movies are like buried treasure; someone manages to slip them into the theater, practically under every critic's nose, where they either thrive or famish and then vanish into the nearest video catalog. "The Big Red One" is one of those films. For all the hoopla created by "Saving Private Ryan" (another excellent film, which, in my opinion, had a better understanding of it's subject than a lot of it's critics gave it credit for), it owed a great deal to what Sam Fuller did a decade and a half before.
Lee Marvin, an actual WWII veteran himself, holds the film together as the tough but exhausted seargent. When he tells Mark Hamill (yes, Luke Skywalker, folks) that you don't murder animals, you kill them, the look on his face after that seems to say that he wished it could be some other way. It's hard to grab defining moments in this film as stand-out, but the two sequences that stick the most to my mind are the taking of the insane asylum and the horrors of the concentration camp. While other movies have focused on specific campaigns, "The Big Red One" deserves high marks for painting the broad canvass of the Second World War from the perspective of the guys who actually had to do the work.
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