In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
It's May 1943 at a US Air Force base in England. The four officers and six enlisted men of the Memphis Belle - a B-17 bomber so nicknamed for the girlfriend of its stern and stoic captain, ... See full summary »
Taking place towards the end of WWII, 500 American Soldiers have been entrapped in a camp for 3 years. Beginning to give up hope they will ever be rescued, a group of Rangers goes on a dangerous mission to try and save them.
Grim story of a WWII squad consisting of an anonymous sergeant and four long-time survivors who ignore the faceless replacements who continually arrive and die. Written by
According to Robert Carradine in the Reconstruction Documentary, he was originally cast as PFC Griff. But when the producers learned they could get Mark Hamill, fresh off of the success of _Star Wars: Episode IV - A New Hope (1977)_, Carradine was given the role of PFC Zab, so Hamill could be cast as Griff. See more »
When the troops land on the beach in North Africa, there are no troop transports anywhere around. The same revealing mistake is repeated on the D-Day landings. See more »
Saving that Kraut was the final joke of the whole goddamned war. I mean we had more in common with him than all our replacements who got killed whose names we never even knew. We'd all made it through we were alive. I'm gonna dedicate my book to those who shot but didn't get shot, because it's about survivors. And surviving is the only glory in war, if you know what I mean
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Some movies are like buried treasure; someone manages to slip them into the theater, practically under every critic's nose, where they either thrive or famish and then vanish into the nearest video catalog. "The Big Red One" is one of those films. For all the hoopla created by "Saving Private Ryan" (another excellent film, which, in my opinion, had a better understanding of it's subject than a lot of it's critics gave it credit for), it owed a great deal to what Sam Fuller did a decade and a half before.
Lee Marvin, an actual WWII veteran himself, holds the film together as the tough but exhausted seargent. When he tells Mark Hamill (yes, Luke Skywalker, folks) that you don't murder animals, you kill them, the look on his face after that seems to say that he wished it could be some other way. It's hard to grab defining moments in this film as stand-out, but the two sequences that stick the most to my mind are the taking of the insane asylum and the horrors of the concentration camp. While other movies have focused on specific campaigns, "The Big Red One" deserves high marks for painting the broad canvass of the Second World War from the perspective of the guys who actually had to do the work.
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