In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
It's May 1943 at a US Air Force base in England. The four officers and six enlisted men of the Memphis Belle - a B-17 bomber so nicknamed for the girlfriend of its stern and stoic captain, ... See full summary »
Taking place towards the end of WWII, 500 American Soldiers have been entrapped in a camp for 3 years. Beginning to give up hope they will ever be rescued, a group of Rangers goes on a dangerous mission to try and save them.
Grim story of a WWII squad consisting of an anonymous sergeant and four long-time survivors who ignore the faceless replacements who continually arrive and die. Written by
In the film commentary, Richard Schickel points out two incidents which really happened to Samuel Fuller while serving in the Big Red One and are given to Private Zab (Robert Carradine) in the film: When Zab is playing basketball and spots Keiser (Perry Lang) reading his novel. In real life, Fuller didn't know his novel was published until he spotted a soldier reading it. The other major incident is when Zab acts as runner during the D-Day Invasion and tells the Colonel that they've broken through. Fuller was awarded a medal for his actions. See more »
When the sergeant and his unit are in Sicily, they walk in front of a wall with the portrait of Mussolini and a sentence in big capital letters written in Italian. The writing is incorrect. It reads "Se avanzo, Se guitmi! Se indietreggio, uccidetemi! Se muoiu, vendicatemi! Mussolini". It should be "Se avanzo, Seguitemi! Se indietreggio, uccidetemi! Se muoio, vendicatemi! Mussolini". It means "If I move forward, follow me! If I move back, kill me! If I die, avenge me!" See more »
The Bangalore Torpedo was 50' long and packed with 85 pounds of TNT and you assembled it along the way. By hand. I'd love to meet the asshole who invented it.
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Groundbreaking war film, as misunderstood as the title.
Less than 5 years after the Vietnam War officially ended, Director and acclaimed (but aged) film writer Sam Fuller attempted to recount the experiences he encountered while serving as an infantry soldier in the European Theatre of WW2. He had written many war scripts in his day, but fully realized that the world would not be ready for the true story of WW2, (He is quoted infamously as saying that a truly realistic war picture would involve live grenades and machine guns in the theatre). As his career ended and the world changed, he decided to make a go of his life long pet project... to make a film about the REAL story of WW2, about his own experiences in the Big Red One, or The First Infantry Division.
Too ahead of it's time to be appreciated during it's birth, and too dated to be appreciated in hindsight.
Some of the other user comments suggest this film is inferior to modern war films. Of course this film is not at the caliber of Saving Private Ryan or Band of Brothers in it's war scenes. How could it? When it is of a time closer to The Green Berets (John Wayne wins The Vietnam War) then to anything that came after it. Infact I would go as far as to say that this film broke the first ground, and made films like Platoon, Hamburger Hill, and Full Metal Jacket socially acceptable, and paved the way for films like Saving Private Ryan. Sure, Apocalypse Now has better War scenes, but is so fictional in it's scripting and "epic" war moments that it missed the point of the soldier on the front (and is widely regarded as being unrealistic by Vietnam Vets). The Big Red One tells the story from a WW2 Vet's point of view, Sam Fuller, and is wonderfully acted by a WW2 vet, Lee Marvin. Perhaps the last film to have such credits.
Sure, The Big Red One is cheesy, and harkens to a time when war films were more about the characters, then the violence. Still, there is something charming about the scripting, and Lee Marvin holds the movie together, while being surrounded by actors who were trendy on the cheap for 1979. The film also has technical inaccuracy, as in the Sherman tanks used as Panzers. However, the real strength of the film is in the script, and not in the battles. It breaks ground in it's defiance of films like the Sands of Iwa Jima. The soldier is not a clean sterile fighter for the holiest do goodynest army of all time, he is a human being locked in a battle for survival, and most importantly, he hasn't lost his sense of humor, or his libido.
Regardless of it's dated, almost 70's TV movie feel, I must mention that this film was first to show D-Day in a light other than that cast by The Longest Day, and uses some very clever cinematography to illustrate the violence. Sam Fuller consciously decided to make the battles less violent, and choose to focus on the characters instead, depicted the main characters as cynical and the fallen as humorous tragically short lived figures. This film also was first to introduce words like "replacement", "non-Coms" and "Krouts" to the war movie dictionary. It has the entire bangalore scene from Saving Private Ryan (although merely a concept compared to SPR) and shows North Africa, Italy, France, Germany, and a concentration camp. Before this film, WW2 was only depicted in such an epic manor that Bible films are seemingly tame.
THE BOTTOM LINE: This film was one of the last war pictures to emerge from the dying studio system, and is comparable in the way of battles to The Green Berets, Longest Day, etc. However it shines in the script category. and was first to show soldiers as young clumsy men, and not heroes. It attempts almost too much and that is it's strongest limitation. Still, a must see for war movie fans who can appreciate the older films. 7/10.
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