Two lovers stationed at a remote base in the asteroid fields of Saturn are intruded upon by a retentive technocrat from Earth and his charge: a malevolent 8-ft robot. Remember, in space no one can hear you scream.
In the far future water is the most valuable substance. Two space pirates are captured, sold to a princess, and recruited to help her find her father who disappeared when he found ... See full summary »
Michael D. Roberts
The ultimate weapon which was meant to be safe for the mankind produces global side effects including time slides and disappearances. The scientist behind the project and his car are zapped... See full summary »
Shad, a young farmer, assembles a band of diverse mercenaries in outer space to defend his peaceful planet from the evil tyrant Sador and his armada of aggressors. Among the mercenaries are Space Cowboy, a spacegoing truck driver from Earth; Gelt, a wealthy but experienced assassin looking for a place to hide; and Saint-Exmin, a Valkyrie warrior looking to prove herself in battle. Written by
Keith Loh <email@example.com>
During Saint Exmin's final battle against Sador a crewmember can be seen on the left-side of the screen (over Sybil Danning's right shoulder). The crewman is visible during the 2nd, 3rd, and 4th cut to her during the battle. The crew person appears to be sitting just behind the wall immediately behind Sybil. See more »
[Shad can't bring himself to shoot down Kalo and Tembo's Malmori warship]
Can we outrun 'em?
We sure as hell can't OUTFIGHT 'em, not with YOU in the driver's seat!
See more »
Let's pretend we've never heard of Roger Corman nor The Magnificent Seven etc.
As a kid, that was me. I heard about this movie through my friends, when I was about 9 or 10. To us, this was another great space epic, along the lines of Star Wars. It had good effects, plenty of laser blasts and bad guy with a massive ship that could destroy planets. Awesome!
Many years later, I bought this on DVD and, to my pleasant surprise, found that it hadn't aged too badly. The low budget is very apparent but the movie is slickly edited such that it perhaps feels richer that it should. This is however it's biggest drawback because the character development is poor in places and the stars play second-fiddle to the ships and the costumes they inhabit. Gelt and Space Cowboy are perhaps the most fleshed-out of the pack, the remainder either being weak or there to make up the numbers.
The true star of the show is James Horner. It's a great score and all the best moments of Star Trek 2 are audible here first.
It's an inventive film, even if the invention is mainly facsimile, and an entertaining one. In the archives of sci-fi, there's no contest between this and its obvious "raison d'être" influence, as to which film is the better, but it's a noteworthy addition from the same era, what I consider to be the golden-age of special effects.
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