Max is a Paris detective, aloof, independently wealthy, and frustrated by gangs of robbers whom he cannot catch. To re-establish his stature and save face, he decides to inveigle a group of... See full summary »
Saint Tropez, 1975. Julie Wormser and her lover, writer and neighbour Jeff Marle, plan the assassination of her wealthy husband Louis, an impotent who drinks a lot. She hits him, and leaves... See full summary »
A cynical tragicomedy focusing on the different ways of love in the times of the sexual revolution. Nicholas Mallet, an inconspicuous and shy bank employee, one day successfully invites ... See full summary »
Servais Mont, a photographer, meets Nadine Chevalier who earns her money starring in cheap soft-core movies. Trying to help her, he borrows the money from the loan sharks to finance the ... See full summary »
Middle-aged businessman, Simon Léotard finds his future in jeopardy when his partner Julien commits suicide after having accumulated a mass of debts. Simon's unscrupulous business rival ... See full summary »
Elizabeth and her daughter Cecile spend their holidays at a lakeside resort in the French mountains. Elizabeth falls in love with a strange Italian, Giovanni, while young Cecile is courted ... See full summary »
Richard Harris portrays Eitan, yesterday's football hero waiting for tomorrow. A man who has nothing left but guts. He consults the unheroic prospects of having to find a new profession and... See full summary »
Francis Girod made a name for himself making really black portraits of life in France in the Nineteenth century and the Thirties of the Twentieth. No subject was too grim for this cheerful director--remember the trio of killers dissolving their victim in an acid bath (Le trio infernal, 1974). The story of Marthe Hanau, another forgotten name from the Thirties, must have appealed to Girod and Romy Schneider. Resnais had made his Stavisky with the same material and had had some success.
This story moves at the speed of a retreating glacier. Many scenes go flat for lack of interest. It takes a Renoir to draw a portrait of a society in crisis, and Girod is no Renoir. I am a fan of Jean-Louis Trintignant, Jean-Claude Brialy, Marie-France Pisier and the other stars in the cast, but they are used only for window-dressing. Happily there is Romy Schneider, the most beautiful woman in the business in those days, and she does not disappoint. Her costumes are gorgeous, her hair never looked better, and she can swoop into a room better than any other actress. The way she spits out her defiance of the corrupt, conservative officials who oppose her kept me interested in the film.
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