Rosalie is amicably divorced, dividing her time between her mother's house, with her siblings and small daughter, and César's. He's self made, a scrap iron king, outgoing, amiable, in love ... See full summary »
Max is a Paris detective, aloof, independently wealthy, and frustrated by gangs of robbers whom he cannot catch. To re-establish his stature and save face, he decides to inveigle a group of... See full summary »
The story follows the life of a regular German women Leni Gruyten during 1930s and 1940s. Through her interactions with friends, family and other people she knows, the regular folks' perception of the Nazi era is shown.
Max Baumstein is a reputable businessman, a rich self-made man with a conscience - he founded a highly visible and active international organization fighting against violations of human ... See full summary »
In Montauban in 1944, Julien Dandieu in a surgeon in the local hospital. Frightened by the German army entering Montauban, he asks his friend Francois to drive his wife and his daughter in ... See full summary »
Reciprocal consolation. The background of two middle-aged people (Michel and Lydia) is gradually unfolded. Michel's wife is incurably ill. They had agreed that she would take her life on ... See full summary »
Francis, the boss of a small plumbing supply company, is harassed by tax collectors, striking employees, and an impossible wife and daughter. His only joy is sharing lunch with his friend ... See full summary »
Francis Girod made a name for himself making really black portraits of life in France in the Nineteenth century and the Thirties of the Twentieth. No subject was too grim for this cheerful director--remember the trio of killers dissolving their victim in an acid bath (Le trio infernal, 1974). The story of Marthe Hanau, another forgotten name from the Thirties, must have appealed to Girod and Romy Schneider. Resnais had made his Stavisky with the same material and had had some success.
This story moves at the speed of a retreating glacier. Many scenes go flat for lack of interest. It takes a Renoir to draw a portrait of a society in crisis, and Girod is no Renoir. I am a fan of Jean-Louis Trintignant, Jean-Claude Brialy, Marie-France Pisier and the other stars in the cast, but they are used only for window-dressing. Happily there is Romy Schneider, the most beautiful woman in the business in those days, and she does not disappoint. Her costumes are gorgeous, her hair never looked better, and she can swoop into a room better than any other actress. The way she spits out her defiance of the corrupt, conservative officials who oppose her kept me interested in the film.
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