| Charlton Heston | ... | Matthew Corbeck | |
| Susannah York | ... | Jane Turner | |
| Jill Townsend | ... | Anne Corbeck | |
| Stephanie Zimbalist | ... | Margaret Corbeck | |
| Patrick Drury | ... | Paul Whittier | |
| Bruce Myers | ... | Dr. Khalid | |
| Nadim Sawalha | ... | Dr. El Sadek | |
| Ian McDiarmid | ... | Dr. Richter | |
| Ahmed Osman | ... | Yussef | |
| Miriam Margolyes | ... | Dr. Kadira | |
| Michael Mellinger | ... | Hamid | |
| Leonard Maguire | ... | John Matthews | |
| Ishia Bennison | ... | Nurse | |
| Madhav Sharma | ... | Doctor | |
| Michael Halphie | ... | Doctor | |
| Christopher Fairbank | ... | Porter | |
| Roger Kemp | ... | Doctor | |
| rest of cast listed alphabetically: | |||
| Albert Moses | ... | (uncredited) | |
Directed by | |||
| Mike Newell | |||
Writing credits(in alphabetical order) | ||
| Chris Bryant | ||
| Clive Exton | ||
| Allan Scott | ||
| Bram Stoker | novel "The Jewel of Seven Stars" | |
Produced by | |||
| Harry Benn | .... | associate producer | |
| Andrew Scheinman | .... | co-producer | |
| Martin Shafer | .... | co-producer | |
| Robert H. Solo | .... | producer | |
Original Music by | |||
| Claude Bolling | |||
Cinematography by | |||
| Jack Cardiff | |||
Film Editing by | |||
| Terry Rawlings | |||
Production Design by | |||
| Michael Stringer | |||
Art Direction by | |||
| Lionel Couch | |||
| Salah Marei | |||
Costume Design by | |||
| Phyllis Dalton | |||
Makeup Department | |||
| Jan Andrews | .... | hair stylist | |
| Jeanette Freeman | .... | hair stylist | |
| George Frost | .... | makeup artist | |
| Nick Maley | .... | special makeup effects | |
Production Management | |||
| Denis Johnson | .... | production manager | |
| Ahmed Sami | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Atef E-Taieb | .... | assistant director (as Attef El Taieb) | |
| Peter Kohn | .... | second assistant director | |
| Hugh O'Donnell | .... | third assistant director | |
| Neil Vine-Miller | .... | assistant director | |
Art Department | |||
| Tessa Davies | .... | set dresser | |
| David Fyson | .... | production buyer | |
| John Roberts | .... | set designer | |
| Adrian Start | .... | chargehand painter | |
| Terry Wells | .... | property master | |
Sound Department | |||
| Rowland Fowles | .... | boom operator | |
| Brian Simmons | .... | sound recordist | |
| Hugh Strain | .... | dubbing mixer | |
Special Effects by | |||
| John Stears | .... | special effects | |
Stunts | |||
| Alan Stuart | .... | stunt arranger | |
Camera and Electrical Department | |||
| John Cardiff | .... | camera operator: second unit | |
| Alec Mills | .... | camera operator | |
Casting Department | |||
| David H. Kramer | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Daryl Bristow | .... | wardrobe master | |
| Brenda Dabbs | .... | costume supervisor | |
Editorial Department | |||
| Les Healey | .... | assistant editor | |
| Shirley Shaw | .... | assistant editor | |
| Monte Hellman | .... | additional editor (uncredited) | |
Music Department | |||
| Nancy Beach | .... | orchestrator | |
| Marcus Dods | .... | conductor | |
Transportation Department | |||
| Howard Pugh | .... | transportation captain | |
Other crew | |||
| Maurice Binder | .... | titles | |
| Hunt Downs | .... | unit publicist | |
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| Federal Agents vs. Underworld, Inc. | Blood from the Mummy's Tomb | The Mummy's Hand | Beyond the Door | The Mummy's Tomb |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
the story is as old as egyptomania, a dead queen, a curse, apocalyptic threats. so, that's nothing new, the plot is not surprising at all. though there truly are some thrilling moments the final is not spectacular. it doesn't offer a lot for minds papered by action in these days. after "the mummy" (from egyptological and aesthetic point of view a catastrophe) most of the people are to fastidious to recognize the value of this even-tempered and atmospheric composition. but what a beauty it is! photography and music are brilliant and project the fascination for the beauty of Egyptian art and culture, the desert and all its colours. To call the work of the actors a "bad" is downright unreasonable. The fact, that most of the actors are stage-proofed is not just noticeable, but essential for the style and charmism of the movie. it doesn't need shock-effects or blood-fountains. maybe it needn't to be called a horror movie either. it's just a sad but truly beautiful short-story about a man's blind love for a place and an idea.