Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter EGermann, the feuding, childless, professional couple who appear in one episode of "...
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Max von Sydow
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Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter EGermann, the feuding, childless, professional couple who appear in one episode of "Scenes From A Marriage." After Peter perpetrates a horrendous crime in its first scene, the rest of the film consists of a non-linear examination of his motivations, incorporating a police psychological investigation, scenes from the EGermanns' married life, and dream sequences. Written by
Owen F. Lipsett <firstname.lastname@example.org>
Inspired by the film project "Love without lovers" Bergman tried to realize for many years. With the story of Peter and Katarina in the center, it instead became a piece of television drama. See more »
Professor Mogens Jensen:
If you wish I can take you into my clinic. We have injections for everything, so, eventually you don't care whether you're Peter Egermann or Emperor of China.
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Bergman's working with a very restricted palette here, as he did with The Rite or Winter Light. The romantic, funny touches you expect from him are missing. Peter's mind is crumbling; he's a modern Othello obsessed with his wife's fidelity amid the tasteful furniture of their elegant home. All the action is seen through the distorting lens of Peter's madness. Why would his wife say, in front of strangers, that she has to get drunk to steady her nerves at her mother-in-law's place? This is the disturbed mind at work.
The acting is fine. Robert Atzorn and Walter Schmidinger do very well as, essentially, two sides of the same coin (the stodgy businessman and the gay fashion designer). Christina Buchegger is wonderful as Katharina, the wife; her attempts to win out over Peter's psychosis give the film what drama it has.
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