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From the Life of the Marionettes (1980)
"Aus dem Leben der Marionetten" (original title)

TV Movie  -   -  Drama  -  30 June 1981 (USA)
7.4
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Ratings: 7.4/10 from 1,845 users  
Reviews: 13 user | 10 critic

Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter EGermann, the feuding, childless, professional couple who appear in one episode of "... See full summary »

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Title: From the Life of the Marionettes (TV Movie 1980)

From the Life of the Marionettes (TV Movie 1980) on IMDb 7.4/10

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Cast

Cast overview:
Robert Atzorn ...
Christine Buchegger ...
Martin Benrath ...
Professor Mogens Jensen
Rita Russek ...
Katharina Kraft
Lola Müthel ...
Cordelia Egermann
Walter Schmidinger ...
Tim Mandelbaum
Heinz Bennent ...
Arthur Brenner
Ruth Olafs ...
Nurse
Karl-Heinz Pelser ...
The Interrogator
Gaby Dohm ...
Frau Anders - Secretary
Toni Berger ...
The Guard
Erwin Faber
Heino Hallhuber ...
The Choreographer
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Storyline

Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter EGermann, the feuding, childless, professional couple who appear in one episode of "Scenes From A Marriage." After Peter perpetrates a horrendous crime in its first scene, the rest of the film consists of a non-linear examination of his motivations, incorporating a police psychological investigation, scenes from the EGermanns' married life, and dream sequences. Written by Owen F. Lipsett <olipset1@swarthmore.edu>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

R | See all certifications »
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Details

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Release Date:

30 June 1981 (USA)  »

Also Known As:

From the Life of the Marionettes  »

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Color:

(Eastmancolor)|

Aspect Ratio:

1.33 : 1
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Connections

Spun-off from Scenes from a Marriage (1973) See more »

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User Reviews

 
Lots to think about and compulsive watching
7 May 2003 | by (London, England) – See all my reviews

Bergman was on top form writing this piece - there's lots to think about. What motivates a respectable man, whose mental state indicates only a small risk of self-harm, to undertake such a violent and frenzied crime? Do the ulterior motives and actions of those around him (wife, shrink, wife's business partner...)deliberately or unwittingly trigger the crime - or indeed are those sub-plots entirely incidental to the central event? These questions are not answered - they are raised and illuminated.

This is not Bergman's greatest piece of cinema - the mixture of documentary, drama and flashback can be a little disorienting - but the argument of the film drives on relentlessly and it is compulsive watching. Well worth seeing.


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