Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter EGermann, the feuding, childless, professional couple who appear in one episode of "...
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Rational, exacting, and self-controlled theater director, Henrik Vogler, often stays after rehearsal to think and plan. On this day, Anna comes back, ostensibly looking for a bracelet. She ... See full summary »
A judge in an unnamed country interviews three actors, together and singly, provoking them while investigating a pornographic performance for which they may face a fine. Their relationships... See full summary »
The devil has a stye in his eye, caused by the purity of a vicar's daughter. To get rid of it, he sends Don Juan up from hell to seduce the 20 year old Britt-Marie and to rob her of her ... See full summary »
After 15 years of marriage, David and Marianne have grown apart. David has had an affair with a patient of his and Marianne has got herself involved with her former lover Carl-Adam, who's ... See full summary »
Inventor Carl Åkerblom is a rosy-cheeked 54 year-old admirer of Franz Schubert - and a patient in the psychiatric ward of Akademiska Hospital in Uppsala, after having attempted to beat to ... See full summary »
Marianne, some thirty years after divorcing Johan, decides to visit her ex-husband at his summer home. She arrives in the middle of a family drama between Johan's son from another marriage and his granddaughter.
The Queen of the Night offers her daughter Pamina to Tamino, but he has to bring her back from her father and priest Sarastro. She gives a magic flute to Tamino and magic bells to the bird ... See full summary »
The pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he goes to stay in his house for a few days. He doesn't manage to get an interview with ... See full summary »
In Stockholm, the fashion photographer Susanne Frank misses her married lover Henrik Lobelius that lives in Gothenburg with his wife and children, and the naive twenty years old model Doris... See full summary »
A sensitive exploration of the tragic irony of the psychiatrist suffering with mental illness. Dr. Jenny Isaksson is a psychiatrist married to another psychiatrist; both are successful in ... See full summary »
Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter EGermann, the feuding, childless, professional couple who appear in one episode of "Scenes From A Marriage." After Peter perpetrates a horrendous crime in its first scene, the rest of the film consists of a non-linear examination of his motivations, incorporating a police psychological investigation, scenes from the EGermanns' married life, and dream sequences. Written by
Owen F. Lipsett <email@example.com>
Inspired by the film project "Love without lovers" Bergman tried to realize for many years. With the story of Peter and Katarina in the center, it instead became a piece of television drama. See more »
If Peter isn't well, neither am I. I want to run home and hold him and say: from now now I understand everything you say, think and feel. I want to hold him tight until he notices me, because we don't see each other although we live so close and know everything about each other.
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Aus dem Leben der Marionetten: A Cornucopia of Pleasing Visuals
Despite having seen the best part of Höstsonaten, Bergman's film immediately prior to Aus dem Leben der Marionetten, I never completed the viewing experience. Thus, this ranks itself as my very first Bergman, something I'd been rather looking forward to for quite some time.
Beginning with a surprising scene in which a well dressed man strangles a prostitute, Aus dem Leben der Marionetten follows this event up by examining the events before and after it, hopping through a time frame of two to three months. Through the conversations which precede and follow this catastropheas the film's intertitles elect to label itwe learn gradually more about the reasons and the people behind it.
I have a very deep proclivity toward non-English films playing late at night on television, particularly those in Germansimply because I'm a student thereof. In the fleeting moments between realising such a film directed by the acclaimed Bergmanof whom I regrettably knew rather littlewas about to grace my screen and its beginning, I was somewhat disenchanted to learn that this is not considered amongst his greatest. Nevertheless, I happily sat back to watch the potential magic unfold. The opening scene of murder is a strange one, the severity of the violence neither understood by its recipient or indeed by us; verily, it is suggested that not even the assailant understands what he is doing. Thereafter, an intriguing thing happens: the colour drains from the film, turning the previous rich reds to a dull monochrome. This effect is fascinating, inviting us to ruminate upon its purpose more than beginning in black and white would have done. The film follows this up with a non-chronological narrative progression, ducking from past to futureconsidering the murder the present, of course. Most of these scenes take the form of intimate conversations or extended monological musings, discussing in a vague manner many aspects of life. These are beautifully shot, a scene in which a homosexual man addressing the killer's wife slowly comes to regard himself in the mirror completely entrancing and surprisingly tender. Noteworthy too are the dream sequencesmost rife in the film's middle sectiondazzlingly bright and beautifully narrated. These exhibit a visual flair as inherently important to an understanding of the film as any dialogue. The film is both visually and thematically interesting, examining through both the factors that drive ordinary people to brutal actions. Somewhat of a recondite piece, it is the kind of film that lingers with you, returning to your mind a number of times after viewing. The performances, particularly that of Martin Benrathin the role of the aforementioned gentlemanare nothing short of arresting.
Containing a cornucopia of pleasing visuals and highly effective metaphorsthe importance of mirrors springs to mindAus dem Leben der Marionetten is a voluptuous treatise on life and love; repression and expression; individuality and relationships. Slow moving, but completely involving, if this is a lesser Bergman, I can't wait to see how he could improve upon it.
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