Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter EGermann, the feuding, childless, professional couple who appear in one episode of "... See full summary »
Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are ... See full summary »
When 'Vogler's Magnetic Health Theater' comes to town, there's bound to be a spectacle. Reading reports of a variety of supernatural disturbances at Vogler's prior performances abroad, the ... See full summary »
Max von Sydow,
"The Silence" is about the emotional distance between two sisters. The younger one is still attractive enough to pick up a lover in a strange city. The older one -- even though she is very ... See full summary »
A movie director is approached by his old math teacher with a great movie idea: the Devil declares that the Earth is hell. The director rejects the idea, but subsequent events in the life ... See full summary »
In Sweden, the upper-class pianist Bengt Vyldeke suffers an accident in the military drill and becomes blind. He returns to the house of his aunt Beatrice Schröder and is initially ... See full summary »
Maggi meets David after having missed her train, and they spend the night together. Penniless, the young lovers break into a summer cottage. The owner, Håkansson, offers to rent it to them,... See full summary »
Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter EGermann, the feuding, childless, professional couple who appear in one episode of "Scenes From A Marriage." After Peter perpetrates a horrendous crime in its first scene, the rest of the film consists of a non-linear examination of his motivations, incorporating a police psychological investigation, scenes from the EGermanns' married life, and dream sequences. Written by
Owen F. Lipsett <email@example.com>
This is totally engaging but its almost just theater: the long scenes, still camera, monologues, exposition of internal psycho-drama and chapters that structure the entire film.
But most of all its the interest and compassion contained in the human face and voice that Bergman makes central. That had been part of Bergman's work for a long time, just look at "Through a Glass Darkly". The characters are moving through space but not able to connect with each other at all, they simulate free will but they are not able to live it.
Having said all of the above the photography and set ups are occasionally sublime, the sort of thing that was the essence of cinema, but not so any more.
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