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From the Life of the Marionettes (1980)

Aus dem Leben der Marionetten (original title)
R | | Drama | TV Movie 30 June 1981
Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter EGermann, the feuding, childless, professional couple who appear in one episode of "... See full summary »

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Cast

Cast overview:
Robert Atzorn ...
Christine Buchegger ...
Martin Benrath ...
Professor Mogens Jensen
Rita Russek ...
Katharina Kraft
Lola Müthel ...
Cordelia Egermann
Walter Schmidinger ...
Tim Mandelbaum
Heinz Bennent ...
Arthur Brenner
Ruth Olafs ...
Nurse
Karl-Heinz Pelser ...
The Interrogator
Gaby Dohm ...
Frau Anders - Secretary
Toni Berger ...
The Guard
Erwin Faber
Heino Hallhuber ...
The Choreographer
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Storyline

Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter EGermann, the feuding, childless, professional couple who appear in one episode of "Scenes From A Marriage." After Peter perpetrates a horrendous crime in its first scene, the rest of the film consists of a non-linear examination of his motivations, incorporating a police psychological investigation, scenes from the EGermanns' married life, and dream sequences. Written by Owen F. Lipsett <olipset1@swarthmore.edu>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

R | See all certifications »
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Details

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Release Date:

30 June 1981 (USA)  »

Also Known As:

From the Life of the Marionettes  »

Filming Locations:

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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)|

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Inspired by the film project "Love without lovers" Bergman tried to realize for many years. With the story of Peter and Katarina in the center, it instead became a piece of television drama. See more »

Connections

Spun-off from Scenes from a Marriage (1973) See more »

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User Reviews

 
Angst is the human condition
3 October 2009 | by See all my reviews

This is totally engaging but its almost just theater: the long scenes, still camera, monologues, exposition of internal psycho-drama and chapters that structure the entire film.

But most of all its the interest and compassion contained in the human face and voice that Bergman makes central. That had been part of Bergman's work for a long time, just look at "Through a Glass Darkly". The characters are moving through space but not able to connect with each other at all, they simulate free will but they are not able to live it.

Having said all of the above the photography and set ups are occasionally sublime, the sort of thing that was the essence of cinema, but not so any more.


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