Lou is a small time gangster, who thinks he used to be something big. He meets up with a younger girl, Sally, who is learning to be a croupier. Her husband turns up with drugs he has stolen... See full summary »
When two poor greasers, Johnny, and Ponyboy are assaulted by a vicious gang, the socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
Francis Ford Coppola
C. Thomas Howell,
This movie is a stark portrayal of life among a group of heroin addicts who hang out in "Needle Park" in New York City. Played against this setting is a low-key love story between Bobby, a ... See full summary »
In an open-air dance hall, the members of Leca's gang are relaxing with their ladies. One of them, Marie, aka "Casque d'Or" (Golden Helmet) meets Manda, a carpenter. Her man Roland belongs ... See full summary »
Set in 1960, the film centres on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she ... See full summary »
Lou is a small time gangster, who thinks he used to be something big. He meets up with a younger girl, Sally, who is learning to be a croupier. Her husband turns up with drugs he has stolen from the Mafia. The husband gets Lou to sell the drugs, but is killed before Lou can give him the money. Later, the owners of the drugs turn up and threaten to kill Sally if she doesn't return them... Written by
Colin Tinto <email@example.com>
Near the end of the film Grace tells Chrissie that they'd both lost their men to a shooting. But near the film's beginning, it's quite clear that Chrissie's man was murdered by being stabbed, not shot. See more »
Yes, it used to be beautiful - what with the rackets, whoring, guns.
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As the end credits roll, an old building on the boardwalk is demolished to some of the tunes that appear earlier in the film. Each time the wrecking ball hits, we hear a cymbal crash and the soundtrack jumps to a different song. See more »
I Don't Wear Seatbelts, I Don't Believe in Gravity
"Atlantic City" is a great film where the setting is just as rich and complex a character as the people traversing its streets (and boardwalk). Louis Malle delivers one of the most understated directorial turns working with a delightfully witty script (that has many great lines, like the one above) and a great cast (Lancaster perfect in a comeback role, Sarandon stunning in one of her early great performances). Things are so subtle here that you don't even realize you just watched a work of art until it is over. Atlantic City is shown truthfully (in despair, in shadowed glory, and in the glitz and glamor that was to return thanks to the casinos circa the late 70's) and the people inhabiting it gloriously reflect all of those varying degrees. This is the human condition (searching for that first break or that last chance) in all its quiet charms.
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