A small town in the south-west of France, summer of 1944. Having failed to join the resistance, the 18 year old Lucien Lacombe, whose father is a prisoner in Germany and whose mother dates ... See full summary »
A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
Neddy Merrill has been away for most of the Summer. He reappears at a friends pool. As they talk, someone notices that there are pools spanning the entire valley. He decided to jog from ... See full summary »
Dreams. Becoming an Atlantic City croupier will help Sally realize her dream of going to Monte Carlo, a symbol of the glamorous life that has been evading her since escaping from Saskatchewan a decade ago. Lou dreams that he was a great mobster in the old days. Grace came to Atlantic City for a Betty Grable look-alike contest and stayed to become the wife of a mobster. A brief visit to Atlantic City by Sally's estranged husband will change the course of the lives of Sally and Lou. Written by
Dale O'Connor <firstname.lastname@example.org>
Lou orders a Puligny-Montrachet wine at lunch with Sally. The Puligny-Montrachet region of France is acknowledged by many wine experts as the source of world's greatest dry white wines. See more »
Before she goes to lunch with Lou, Sally cuts her hand at the oyster bar (drawing blood). But at lunch (and afterward), Sally's hand is unbandaged and healthy. (There's even a close-up of her hands when she examines Lou's cigarette case.) See more »
Why are you doing this for me?
Hey, it's nothing, Sinatra gives wings to hospitals. We all do what we can.
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As the end credits roll, an old building on the boardwalk is demolished to some of the tunes that appear earlier in the film. Each time the wrecking ball hits, we hear a cymbal crash and the soundtrack jumps to a different song. See more »
Screenwriter John Guare and director Louis Malle give tribute to people in transition, set to the back drop of a city in transition.
Set in 1970s Atlantic City in the early days of legalized gambling, we find a young woman (Susan Sarandon) working in the fish section of a casino restaurant while learning to be a card dealer. At the same time, an elderly, small-time hood (Burt Lancaster) is stuck taking care of a gangster's widow (Kate Reid). Sarandon's husband and her younger sister ran off together and unexpectedly reappear looking for a place to stay. Her sister is now pregnant and her low-life husband is trying to sell drugs stolen from a big-time dealer in Philadelphia. Sarandon's husband meets Lancaster in a bar while trying to set up a deal to sell the drugs, and he convinces Lancaster to be his "mule." Lancaster and Sarandon being neighbors -- with her brother in law as the mutual acquaintance -- are brought together and become involved in more trouble than they ever thought imaginable.
The refreshing aspect of this motion picture is that it avoids the typical Hollywood pitfall where character development and dialogue play second fiddle to car chases and stunt scenes. In Atlantic City the odious characters and sticky situations are secondary to the development/relationships of the lead characters. This is the first excellent performance on film of a young Sarandon, and one of the finest performances of Lancaster's distinguished career.
This film has been butchered on cable, VHS, and laserdisc. Please let's have a quality remaster on DVD in widescreen format.
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