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Atlantic City (1980)

 -  Crime | Drama | Romance  -  3 April 1981 (USA)
7.4
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Ratings: 7.4/10 from 9,793 users  
Reviews: 53 user | 41 critic

Lou is a small time gangster, who thinks he used to be something big. He meets up with a younger girl, Sally, who is learning to be a croupier. Her husband turns up with drugs he has stolen... See full summary »

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Title: Atlantic City (1980)

Atlantic City (1980) on IMDb 7.4/10

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Nominated for 5 Oscars. Another 27 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Lou
...
Sally
...
Grace
...
Joseph
Hollis McLaren ...
Chrissie
...
Dave
Al Waxman ...
Alfie
...
Singer
Moses Znaimer ...
Felix
...
Vinnie
Sean Sullivan ...
Buddy
...
Waiter (as Wally Shawn)
...
Bus Driver
Norma Dell'Agnese ...
Jeanne
Louis Del Grande ...
Mr. Shapiro
Edit

Storyline

Lou is a small time gangster, who thinks he used to be something big. He meets up with a younger girl, Sally, who is learning to be a croupier. Her husband turns up with drugs he has stolen from the Mafia. The husband gets Lou to sell the drugs, but is killed before Lou can give him the money. Later, the owners of the drugs turn up and threaten to kill Sally if she doesn't return them... Written by Colin Tinto <cst@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

She made him become what he always wanted to be - a lover, a hero, a rich man...and a killer! See more »

Genres:

Crime | Drama | Romance

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

|

Release Date:

3 April 1981 (USA)  »

Also Known As:

Atlantic City  »

Box Office

Budget:

$7,200,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

One of 26 films to be Oscar nominated for all 5 key Academy Awards of Best Picture, Actor, Actress, Director and Screenplay and one of six of these films not to win any Oscars at all. See more »

Goofs

Before she goes to lunch with Lou, Sally cuts her hand at the oyster bar (drawing blood). But at lunch (and afterward), Sally's hand is unbandaged and healthy. (There's even a close-up of her hands when she examines Lou's cigarette case.) See more »

Quotes

Lou: A room. For me and my mother.
See more »

Crazy Credits

As the end credits roll, an old building on the boardwalk is demolished to some of the tunes that appear earlier in the film. Each time the wrecking ball hits, we hear a cymbal crash and the soundtrack jumps to a different song. See more »

Connections

Referenced in Film Geek (2005) See more »

Soundtracks

On the Boardwalk of Atlantic City
©1946 - Twentieth Century Music Corp.
Administered World Wide by BREGMAN, BOCCO & CONN INC.
Music by Josef Myrow (uncredited)
Lyrics by Mack Gordon (uncredited)
Sung by Ann Burns (credited to cast list), Marie Burns (credited to cast list) and Jean Burns (credited to cast list)
See more »

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User Reviews

 
French connection
28 January 2006 | by (Tijuana, Baja California, Mexico) – See all my reviews

The setting and the characters are just right for each other. Atlantic City is undergoing a transformation, with new casinos and hotels dotting its shoreline while a few blocks in, out of the tourists sight, the full time residents live in what's left over from the past. Louis Malle captures it all with this story about a retired small time member of the local organized crime syndicate (Burt Lancaster) who comes into a small fortune worth of stolen cocaine when the guy that stole it (Robert Joy) is killed by the dealers who meant to buy it in the first place down in Philadelphia, and are now hot on his heels as well. Back in the life, though unwittingly, he sells the coke to an ongoing poker game in one of the suites in a new hotel, bit by bit, and falls into the romance of his dreams with young Susan Sarandon, whom he watched every night from his hotel room as she bathed her breasts with lemon juice in her room across the way. Like the refurbishing city its set in, he feels rejuvenated and in one instance even fearless in the face of the ruthless Philly dealers. The film put Lancaster back in the limelight for a while, and refreshingly so. Its gritty realism and characters, especially Joy, who makes an excellent hippie con-man, marked the end of an era of that realistic 70's urban crime drama genre that deftly mixed romance with drugs and violence, and portrayed the underworld, mostly minus the cops, so well.


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