A small town in the south-west of France, summer of 1944. Having failed to join the resistance, the 18 year old Lucien Lacombe, whose father is a prisoner in Germany and whose mother dates ... See full summary »
A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
During the Korean War, a glory-hunting sergeant leads his platoon on a mission against the enemy--not telling them that a cease-fire has just been declared--so that he can win medals. ... See full summary »
A scrappy fighter from Jersey City named Tommy Shea -- "born in a dump, educated in an alley" -- catches the eye of wealthy businessman, Robert Mallinson, who allows him to train at his ... See full summary »
Atlantic City is a place where people go to realize their dreams, the promise of the future manifested by the demolition of the old crumbling buildings to be replaced by new hotels and casinos. Someone who recently came to Atlantic City for that promise is native Moose Javian (Saskatchewan) Sally Matthews, who currently works as a waitress at a hotel oyster bar, but who is training to be a black jack croupier and wants to be more cultured, such as learning French, in order to work at the casinos in Monte Carlo. Another dreamer who came to Atlantic City decades ago is Lou Pascal, who has long worked as a numbers runner and who claims to have been a cellmate and thus implied confidante of Bugsy Siegel. Although Lou still dresses to the standard to which he is accustomed, his dream long died as he only works penny ante stuff for Fred, most of his current income from being the kept man of widowed recluse, Grace Pinza. Grace too came to Atlantic City to fulfill her dreams - most ... Written by
The elephant-shaped building Chrissie sees in the opening sequence is Lucy the Elephant, a landmark in Margate, NJ. Margate is south of Atlantic City. The vehicle she is in is clearly traveling south, AWAY from Atlantic City. See more »
As the end credits roll, an old building on the boardwalk is demolished to some of the tunes that appear earlier in the film. Each time the wrecking ball hits, we hear a cymbal crash and the soundtrack jumps to a different song. See more »
Burt Lancaster gives an astonishing performance aching with melancholy in this lovely, quiet little film by Louis Malle. He plays a one-time gangster (in his own mind at least quite a big shot) who, like the city that gives the film its title, isn't what he used to be. Susan Sarandon, in an early-career performance, plays a woman who works in one of the casinos and whose life intersects with Lancaster's because of a drug deal her no-good husband was involved in. The two don't ever become friends exactly, but they each get something from the other until the sad ending, when Lancaster realizes that there isn't a place in his life for Sarandon, and that there may not be a place in the world for him.
The film is a low-key character study that completely satisfies, and gives Lancaster perhaps his last great role.
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