Lou is a small time gangster, who thinks he used to be something big. He meets up with a younger girl, Sally, who is learning to be a croupier. Her husband turns up with drugs he has stolen... See full summary »
A small town in the south-west of France, summer of 1944. Having failed to join the resistance, the 18 year old Lucien Lacombe, whose father is a prisoner in Germany and whose mother dates ... See full summary »
A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
Like Vanya, in Malle's last film, Milou never left the family estate. His mother dies during the May 1968 student uprising in Paris. The brother who is the London correspondent for Le Monde... See full summary »
Garvey is a San Francisco pawnshop operator. His unemployed and criminal friends Dillard, Turtle, and Weslake, team up with Boardwalk, a local pimp, to burgle Garvey's shop while the owner ... See full summary »
This is a jolly coming-of-age story about a 14-year-old boy named Laurent Chevalier who is growing up in bourgeois surroundings in Dijon, France. This is France in the mid-1950s rather than... See full summary »
In Paris around 1900, Georges Randal is brought up by his wealthy uncle, who steals his inheritance. Georges hopes to marry his cousin Charlotte, but his uncle arranges for her to marry a ... See full summary »
Bored with her husband, bored with her polo-playing lover, will the middle-aged heroine go away with the young man who gave her a lift that day when her car broke down on the way back to ... See full summary »
Lou is a small time gangster, who thinks he used to be something big. He meets up with a younger girl, Sally, who is learning to be a croupier. Her husband turns up with drugs he has stolen from the Mafia. The husband gets Lou to sell the drugs, but is killed before Lou can give him the money. Later, the owners of the drugs turn up and threaten to kill Sally if she doesn't return them... Written by
Colin Tinto <email@example.com>
In the opening shot Chrissie, Sally's sister, gets excited when she sees a large model elephant. The elephant called "Lucy" was a tourist attraction, built in 1881, to lure prospective land buyers to Margate (originally called South Atlantic City), a small town south of Atlantic City. She was left to deteriorate over the years and on the brink of demolition when the people of Margate raised the money to have her restored in 1971. Today "Lucy" still stands in Margate as a landmark and is on the National Register of Historic Places. See more »
Near the end of the film Grace tells Chrissie that they'd both lost their men to a shooting. But near the film's beginning, it's quite clear that Chrissie's man was murdered by being stabbed, not shot. See more »
As the end credits roll, an old building on the boardwalk is demolished to some of the tunes that appear earlier in the film. Each time the wrecking ball hits, we hear a cymbal crash and the soundtrack jumps to a different song. See more »
This is a little bit on the seedy side but it's well-done and Burt Lancaster, once again, provides us with a wonderful character study. This time he's "Lou Pascal," an old-time small hood playing out his days in pathetic manner in a dingy Atlantic City. In fact, "seedy" describes Atlantic City in this picture.
There's nothing seedy about the opening scene, however. It's an attention- grabber, at least if you're a male. We see Susan Sarandon, squeezing lemon juice over her breasts at the kitchen window. Later, we see her do the same thing.
The film is no lemon, however. It's an excellent film and Lancaster, Sarandon ("Sally Matthews") and her husband "Dave" (Robert Joy) comprise most the early going. Joy's role as Sally's loser druggie husband was ugly but he doesn't last long in the film.
The second half of the film features mostly the two stars, both of whom were up for Academy Awards for their performance (and lost out in a sentimental vote for the On Golden Pond crowd). Not only do Lancaster and Sarandon excel, but so does director Louis Malle.
Malle makes this almost a modern-day film noir with the grittiness of the characters and the setting, when Atlantic City looked its worst. It's just solid film-making all-around, and few people could play intense characters, young or old, as well as Lancaster.
My only regret is the transfer on the DVD. It's a little grainy and this film deserves better treatment. although, come to think of it - the grain is appropriate considering it's a gritty story.
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