7.4/10
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Atlantic City (1980)

Atlantic City, USA (original title)
In a corrupt city, a small-time gangster and the estranged wife of a pot dealer find themselves thrown together in an escapade of love, money, drugs, and danger.

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Nominated for 5 Oscars. Another 25 wins & 16 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Lou
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Sally
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Grace
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Joseph
Hollis McLaren ...
Chrissie
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Dave
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Alfie
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Singer
Moses Znaimer ...
Felix
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Vinnie
Sean Sullivan ...
Buddy
...
Waiter (as Wally Shawn)
...
Bus Driver
...
Jeanne
Louis Del Grande ...
Mr. Shapiro
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Storyline

Atlantic City is a place where people go to realize their dreams, the promise of the future manifested by the demolition of the old crumbling buildings to be replaced by new hotels and casinos. Someone who recently came to Atlantic City for that promise is native Moose Javian (Saskatchewan) Sally Matthews, who currently works as a waitress at a hotel oyster bar, but who is training to be a black jack croupier and wants to be more cultured, such as learning French, in order to work at the casinos in Monte Carlo. Another dreamer who came to Atlantic City decades ago is Lou Pascal, who has long worked as a numbers runner and who claims to have been a cellmate and thus implied confidante of Bugsy Siegel. Although Lou still dresses to the standard to which he is accustomed, his dream long died as he only works penny ante stuff for Fred, most of his current income from being the kept man of widowed recluse, Grace Pinza. Grace too came to Atlantic City to fulfill her dreams - most ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Where dreamers can be winners. See more »

Genres:

Crime | Drama | Romance

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Language:

| | |

Release Date:

3 April 1981 (USA)  »

Also Known As:

Atlantic City  »

Box Office

Budget:

$7,200,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The film is included on Roger Ebert's "Great Movies" list. See more »

Goofs

Lancaster spies on Surandon as she squeezes lemon juice on herself. He is obviously looking across a courtyard or open space between apartment buildings. However, as revealed later, the two characters live next door to each other. The only way the spying could be possible is if Surandon had a gigantic apartment that wrapped around a side of the building to have living space across from Lancaster's apartment. Interiors of her apartment did not make such a large apartment seem possible. See more »

Quotes

Lou: A room. For me and my mother.
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Crazy Credits

Kate Reid is credited as "Kare Reid" in the end credits. See more »

Connections

References Champagne for Caesar (1950) See more »

Soundtracks

Flat Foot Floogie
(uncredited)
Music by Slim Gaillard and Slam Stewart
Lyrics by Bud Green
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User Reviews

 
French connection
28 January 2006 | by (Tijuana, Baja California, Mexico) – See all my reviews

The setting and the characters are just right for each other. Atlantic City is undergoing a transformation, with new casinos and hotels dotting its shoreline while a few blocks in, out of the tourists sight, the full time residents live in what's left over from the past. Louis Malle captures it all with this story about a retired small time member of the local organized crime syndicate (Burt Lancaster) who comes into a small fortune worth of stolen cocaine when the guy that stole it (Robert Joy) is killed by the dealers who meant to buy it in the first place down in Philadelphia, and are now hot on his heels as well. Back in the life, though unwittingly, he sells the coke to an ongoing poker game in one of the suites in a new hotel, bit by bit, and falls into the romance of his dreams with young Susan Sarandon, whom he watched every night from his hotel room as she bathed her breasts with lemon juice in her room across the way. Like the refurbishing city its set in, he feels rejuvenated and in one instance even fearless in the face of the ruthless Philly dealers. The film put Lancaster back in the limelight for a while, and refreshingly so. Its gritty realism and characters, especially Joy, who makes an excellent hippie con-man, marked the end of an era of that realistic 70's urban crime drama genre that deftly mixed romance with drugs and violence, and portrayed the underworld, mostly minus the cops, so well.


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