Lou is a small time gangster, who thinks he used to be something big. He meets up with a younger girl, Sally, who is learning to be a croupier. Her husband turns up with drugs he has stolen... See full summary »
A small town in the south-west of France, summer of 1944. Having failed to join the resistance, the 18 year old Lucien Lacombe, whose father is a prisoner in Germany and whose mother dates ... See full summary »
A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
This is a jolly coming-of-age story about a 14-year-old boy named Laurent Chevalier who is growing up in bourgeois surroundings in Dijon, France. This is France in the mid-1950s rather than... See full summary »
Like Vanya, in Malle's last film, Milou never left the family estate. His mother dies during the May 1968 student uprising in Paris. The brother who is the London correspondent for Le Monde... See full summary »
In Paris around 1900, Georges Randal is brought up by his wealthy uncle, who steals his inheritance. Georges hopes to marry his cousin Charlotte, but his uncle arranges for her to marry a ... See full summary »
Garvey is a San Francisco pawnshop operator. His unemployed and criminal friends Dillard, Turtle, and Weslake, team up with Boardwalk, a local pimp, to burgle Garvey's shop while the owner ... See full summary »
Bored with her husband, bored with her polo-playing lover, will the middle-aged heroine go away with the young man who gave her a lift that day when her car broke down on the way back to ... See full summary »
Alain Leroy is having a course of treatment in a private hospital because of his problem with alcohol. Although he is constantly distressed, he leaves the hospital and tries to meet good ... See full summary »
Lou is a small time gangster, who thinks he used to be something big. He meets up with a younger girl, Sally, who is learning to be a croupier. Her husband turns up with drugs he has stolen from the Mafia. The husband gets Lou to sell the drugs, but is killed before Lou can give him the money. Later, the owners of the drugs turn up and threaten to kill Sally if she doesn't return them... Written by
Colin Tinto <firstname.lastname@example.org>
One of 26 films to be Oscar nominated for all 5 key Academy Awards of Best Picture, Actor, Actress, Director and Screenplay and one of six of these films not to win any Oscars at all. See more »
Before she goes to lunch with Lou, Sally cuts her hand at the oyster bar (drawing blood). But at lunch (and afterward), Sally's hand is unbandaged and healthy. (There's even a close-up of her hands when she examines Lou's cigarette case.) See more »
As the end credits roll, an old building on the boardwalk is demolished to some of the tunes that appear earlier in the film. Each time the wrecking ball hits, we hear a cymbal crash and the soundtrack jumps to a different song. See more »
The setting and the characters are just right for each other. Atlantic City is undergoing a transformation, with new casinos and hotels dotting its shoreline while a few blocks in, out of the tourists sight, the full time residents live in what's left over from the past. Louis Malle captures it all with this story about a retired small time member of the local organized crime syndicate (Burt Lancaster) who comes into a small fortune worth of stolen cocaine when the guy that stole it (Robert Joy) is killed by the dealers who meant to buy it in the first place down in Philadelphia, and are now hot on his heels as well. Back in the life, though unwittingly, he sells the coke to an ongoing poker game in one of the suites in a new hotel, bit by bit, and falls into the romance of his dreams with young Susan Sarandon, whom he watched every night from his hotel room as she bathed her breasts with lemon juice in her room across the way. Like the refurbishing city its set in, he feels rejuvenated and in one instance even fearless in the face of the ruthless Philly dealers. The film put Lancaster back in the limelight for a while, and refreshingly so. Its gritty realism and characters, especially Joy, who makes an excellent hippie con-man, marked the end of an era of that realistic 70's urban crime drama genre that deftly mixed romance with drugs and violence, and portrayed the underworld, mostly minus the cops, so well.
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