'Hell' is the name of the hero of the story. He's a prisoner of the women who now run the USA after a nuclear/biological war. Results of the war are that mutants have evolved, and the human... See full summary »
In the near future, a teenage couple are trapped in a drive-in theater which has become a concentration camp for social outcasts. The inmates are treated to drugs, exploitation films, junk food, and new wave music.
Alphie and Bibi, two sweet, naive youths from Moose Jaw, Canada, have come to America to compete in the 1994 Worldvision Song Festival. Although the pair have talent, they are beaten out by the underhanded tactics of the festival favorites, another duo with the backing of BIM: Boogalow International Music, and its leader, Mr. Boogalow. Though crestfallen by their loss, Bibi and Alphie are soon delighted to hear that Mr. Boogalow has taken an interest in their music and wants to sign them to his label. All is looking up for the two until they begin to discover the dark underside of the rock and roll world. Written by
Jean-Marc Rocher <email@example.com>
Under the opening titles, there is a shot of a bank of flags that prominently includes one for the "ICC Berlin" (the actual filming location), not a likely location for the Worldvision 1994 if it takes place in the United States. See more »
Don't tell me you're going to start all over again?
Yes. But this time, without you.
Without me? But, my dear Topps, you know that isn't possible. The world simply cannot exist without me.
Let's give it a try.
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Kudos to this German production by Golan/Globus. Who else could have conceived of a Sci-fi/Disco/Musical/Religious epic? Unlike Ed Wood's flicks (such as Plan 9, Glen or Glenda and Bride of the Monster), this movie proves that an embarrassingly silly and awful picture does NOT need to be made on a shoestring budget! Horrible costumes and extremely silly sets cost big bucks!
While some of the actors do actually sing reasonably well, Vladek Sheybal and Ray Shell's singing (among many others) are straight from the "Paint Your Wagon" school of movie-making which states that "just because some actors have NO discernible singing ability does not mean they cannot sing in a musical". I assume based on the banality of the music and lyrics that the same philosophy was also employed. In fact, the same could be said about the acting, sets and directing and choreography (e.g., the great song and dance number in Hell midway through the movie). It's as if Golan/Globus said "let's find as many UNTALENTED people as possible and get them together to make a movie--it will be a real HOOT!".
So, if I hated this movie so much and found it abounding in ineptness, why am I writing this review? My wife tells me I am a masochist and about awful movies, I think she's right. I love to watch wretched movies.
The Apple is not an annoying bad movie (such as ANYTHING involving Pauley Shore), a cheap schlocky bad movie (SANTA CLAUS CONQUERS THE MARTIANS or ROBOT MONSTER), a disgusting bad movie (any movie involving groups of semi-brain-dead teens being stalked by a hockey masked sociopath) or a boringly bad movie (THE CONQUERER). Instead, like such notorious greats like THE TRIAL OF BILLY JACK, this movie seems to try VERY hard and yet fail on almost every level. This is definitely the case with THE APPLE--it tries so very hard but utterly misses the mark each and every time!
In summation, I call all lovers of dreck to tune in to THE APPLE. And, I am happy to say, it is NOW available on DVD!!! This makes this is an absolute MUST SEE! I must warn you, however, that although the songs are really bad, you may find yourself singing them again and again in your head. For me, I kept hearing the "Do the BIM" song over and over...and even now I do as I write this!
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