Philo takes part in a bare knuckle fight - as he does - to make some more money than he can earn from his car repair business. He decides to retire from fighting, but when the Mafia come ...
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A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Wes Block is a detective who's put on the case of a serial killer whose victims are young and pretty women, that he rapes and murders. The killings are getting personal when the killer ... See full summary »
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
Philo takes part in a bare knuckle fight - as he does - to make some more money than he can earn from his car repair business. He decides to retire from fighting, but when the Mafia come along and arrange another fight, he is pushed into it. A motorcycle gang and an orangutan called Clyde all add to the 'fun'. Written by
Colin Tinto <firstname.lastname@example.org>
There are two bass guitar players on the stage during the first song sung by Sondra Locke ("One Too Many Women In Your Life"). One is standing on her left and the other is seated in the back wearing a white shirt and bluejeans. There are not two bass tracks in the song. See more »
Okay, One Of Clint's Mokey Movies, But Still Pretty Funny
If any animal deserved its own trailer, chauffeured limousine and personal trainer, it would be Clyde.
"Any Which Way You Can" proves once and for all the similarities of ape to man (and in some cases, the ape's superiority).
Basically, this movie is a great improvement over the stillborn humor of "Every Which Way But Loose". Clint wisely plays straight man to Clyde, who provides the funniest moments, when not befriending William Smith ("Big Bill" Smith from the old biker movies. Go look it up.), then engaging in a bare-knuckle fight with him later on.
Everyone fares better in this movie, in fact. Sondra Locke is far more graceful, Geoffrey Lewis gets more laughs, even Ruth Gordon is seen as the next Bo Derek (bless her heart).
And if the Black Widows aren't more menacing this time around, well... that's kind of hard to do when you're wearing fake wigs and have penciled-in facial hair.
I've seen this movie so many times myself, that I have nearly the entire screenplay committed to memory. What more indelible impression could a filmmaker want to make than that?
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