A drug dealer with upscale clientele is having moral problems going about his daily deliveries. A reformed addict, he has never gotten over the wife that left him, and the couple that use ... See full summary »
Keen young Raymond Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose ... See full summary »
Jesse has to get out of Las Vegas quickly, and steals a car to drive to L.A. On the way he shoots a police man. When he makes it to L.A. he stays with Monica, a girl he has only known for a... See full summary »
A psychiatrist (Gere) has an affair with his patient's sister (Basinger) who is married to a Greek mobster (Roberts). The mobster is a tyrant over his wife. The psychiatrist wants her to ... See full summary »
Eddie, a Chicago cop on the edge, goes undercover as hitman. A man and a mysterious woman want him to kill a merciless New Orleans criminal kingpin. The sting goes sour and Eddie's partner is killed. All Eddie wants now is revenge.
Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him. Written by
Ed Sutton <firstname.lastname@example.org>
Ferdinando Scarfiotti designed the entire look of the film. However, because of art director guild rules at the time he was not eligible for membership - so director 'Paul Schrader' credited him as visual consultant instead. See more »
At Perino's, when Julian and Anne are talking, Julian says to Anne, "Excuse me, I'll be back in a second," but his lip movements don't match what he's saying. See more »
It's hard to precisely depict the impact of the smoky undertow of 1980s LA mores on the emotional and cultural landscape of the city, but Richard Gere's subversive topsy-turvy solo show comes close. Weird, well-shot and intriguing. The queasy feeling it leaves is hard to remove even days later. A/A-
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