Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his... See full summary »
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The true story of a rich girl who was abducted by American revolutionaries in the 1970's. Her time spent with her captors made her question herself and her way of life and she joined forces... See full summary »
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Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him. Written by
Ed Sutton <firstname.lastname@example.org>
Deborah Harry has said the film's main title song "Call Me" is about driving. She visualized the film's opening sequence when writing it. She said: "When I was writing it, I pictured the opening scene [of the movie], driving on the coast of California". Harry was first given an instrumental rough track titled "Man Machine by Giorgio Moroder and was asked to write the melody and lyrics for the song. Reportedly, this took her only took her a few hours to do. See more »
When Julian is tearing his Mercedes apart to locate the stolen jewels, he is seen pulling the plastic off the driver's door to get a torch. He pulls the plastic right off the door, but shortly after that, the plastic is on the door. See more »
This is one of Richard Gere's first lead roles in Hollywood, and he doesn't disappoint. The film gives a little insight, a preview even, of the seamier side of the 1980's. Beginning with the shots of Julian Kaye's (Gere) Mercedes convertible, glimpses of Rodeo Drives and Malibu (all with Blondie screaming "Call Me"!), the film manages to be more than just a whodunit. Perhaps the charm of the film for me is that we're never quite sure what to think of Kaye and his married lover (Lauren Hutton), but their quest for happiness with each other is believable. And though the detective plot-line of the movie is a little contrived, Detective Sunday and Leon provide good opposite poles of this Sodom and Gommarah-like portrayal of life in L.A. In fact, Julian's verbal sparring with Detective Sunday provide a light contrast with the realistic portrayal of a gigolo on the run.
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