Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him. Written by
Ed Sutton <email@example.com>
The film in 1981 was Golden Globe Award nominated for two music gongs - Best Original Score for a Motion Picture and and Best Original Song for a Motion Picture for the track "Call Me", both for composer Giorgio Moroder, and the latter for singer Debbie Harry. But the movie failed to win a Golden Globe in either category losing song to Fame (1980) and score to The Stunt Man (1980). See more »
When Julian Kay is talking on the phone to Jill to see if he has any messages, he is told that Michelle has left him one, shortly after that, he says to Jill, "Tell her to meet me at Perinos," but instead of telling Jill to let Michelle know what to time to meet him there, he puts the phone down.
(The shot then goes to Julian walking to Perinos in the evening to meet Anne and Michelle is seen at a table opposite). See more »
I was under the impression that "American Gigolo" was one of those "cult" movies I never understood why so many people liked in the first place. But I was utterly surprised by the user rating of this movie and the fact that there are only a couple of comments. But the biggest surprise is I actually liked the movie, I found it extremely interesting and thought it had a great 80's feel to it. Richard Gere, who never really impressed me with anything, is in the role of his lifetime, playing his playboy role to perfection.
Director Paul Schrader made a smart movie that doesn't have to show everything in order for the viewer to know what happens and I liked it. The ending is very suitable and I especially love the last scene and Gere's last sentence which really touched me.
I didn't really understand the plot, but with Gere, a great score that manages to keep a single song interesting throughout the entire movie and great directing "American Gigolo" stands high above average and is one of the best movies of the eighties. 8/10
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