A drug dealer with upscale clientele is having moral problems going about his daily deliveries. A reformed addict, he has never gotten over the wife that left him, and the couple that use ... See full summary »
Three workers, Zeke, Jerry and Smokey, are working at a car plant and drinking their beers together. One night when they steal away from their wives to have some fun they get the idea to ... See full summary »
Jesse has to get out of Las Vegas quickly, and steals a car to drive to L.A. On the way he shoots a police man. When he makes it to L.A. he stays with Monica, a girl he has only known for a... See full summary »
A psychiatrist (Gere) has an affair with his patient's sister (Basinger) who is married to a Greek mobster (Roberts). The mobster is a tyrant over his wife. The psychiatrist wants her to ... See full summary »
Keen young Raymond Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose ... See full summary »
A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (... See full summary »
Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him. Written by
Ed Sutton <email@example.com>
This is one of Richard Gere's first lead roles in Hollywood, and he doesn't disappoint. The film gives a little insight, a preview even, of the seamier side of the 1980's. Beginning with the shots of Julian Kaye's (Gere) Mercedes convertible, glimpses of Rodeo Drives and Malibu (all with Blondie screaming "Call Me"!), the film manages to be more than just a whodunit. Perhaps the charm of the film for me is that we're never quite sure what to think of Kaye and his married lover (Lauren Hutton), but their quest for happiness with each other is believable. And though the detective plot-line of the movie is a little contrived, Detective Sunday and Leon provide good opposite poles of this Sodom and Gommarah-like portrayal of life in L.A. In fact, Julian's verbal sparring with Detective Sunday provide a light contrast with the realistic portrayal of a gigolo on the run.
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