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American Gigolo (1980)

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A Los Angeles male escort, who mostly caters to an older female clientèle, is accused of a murder which he did not commit.

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Nominated for 2 Golden Globes. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Sunday
Nina van Pallandt ...
Anne (as Nina Van Pallandt)
...
Leon
...
Charles Stratton
...
Lisa Williams
Tom Stewart ...
Mr. Rheiman
Patricia Carr ...
Judy Rheiman (as Patti Carr)
David Cryer ...
Lt. Curtis
...
Mrs. Dobrun
...
Mrs. Sloan
Frances Bergen ...
Mrs. Laudner
...
Hollywood Actor (as MacDonald Carey)
William Dozier ...
Michelle's Lawyer
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Storyline

Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

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His business is pleasure! See more »


Certificate:

R | See all certifications »

Parents Guide:

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Details

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Release Date:

1 February 1980 (USA)  »

Also Known As:

An American Gigolo  »

Box Office

Budget:

$4,800,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This picture is considered the first installment of Paul Schrader's unofficial "Lonely Man Trilogy", the other parts being Light Sleeper (1992) and The Walker (2007). See more »

Goofs

When Julian is tearing his Mercedes apart to locate the stolen jewels, he is seen pulling the plastic off the driver's door to get a torch. He pulls the plastic right off the door, but shortly after that, the plastic is on the door. See more »

Quotes

Michelle Stratton: How much?
See more »

Connections

Referenced in Penn & Teller: Bullshit!: Holier Than Thou (2005) See more »

Soundtracks

Take Off Your Uniform
Written and Performed by John Hiatt
Courtesy of MCA, Inc. Records
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Frequently Asked Questions

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User Reviews

 
Another sleazy tale from the mind of Paul Schrader.
27 August 2008 | by (Omaha, NE USA) – See all my reviews

Fresh off his eye-opening 1979 effort Hardcore, writer/director Paul Schrader struck again in 1980 with American Gigolo. This is the story of a high-end male prostitute (Gere) named Julian Kaye. Julian caters to the every need of several well-to-do older women whose husbands either are unable or reluctant to satisfy them. Julian is good at what he does, and he knows it. But that's his problem. His subtle arrogance is beginning to rub others in his line of work the wrong way. After he is framed for the murder of a kinky wife, Julian finds that none of his associates will help him clear his name. Adding to his misfortune is the fact that in order to clear his name, he will have to reveal much of what he does, as well as the identities of some of his powerful clients to the police. Either way he's screwed. He either goes to jail for the murder, or he never enjoys his profitable career again. The only person who seems interested in helping him is a state senator's wife (Hutton) who has fallen for him.

The film is really not bad. Maybe better than it deserves to be. Much of the credit goes to Richard Gere. Say what you want about the man's odd behavior off screen, but as an actor he is always top drawer. He plays Julian as a smug, intelligent, and sexually ambiguous young man. The performance keeps you guessing as much as the screenplay. Lauren Hutton is very beautiful and plays her part with classic sensuality. This woman never did that much after this, but she gives a fine performance here. Hector Elizondo is on hand as a sleazy detective, and look out for Bill Duke in an early role as a homosexual hustler at odds with Gere.

As for the direction, Schrader does what he can, but he is much better as a writer than a director. There is nothing overly creative about how much of this film is shot. George C. Scott tried to convince Schrader to stick to writing while on the set of Hardcore. American Gigolo is a much better film, so maybe Schrader took those comments to heart and made himself better. Still, the man is just not quite the director you'd hope. Some of the scenes are just a little too stale, with only the actors to breath life into them. One downfall might also be the conclusion. The film just kind of ends without a lot resolved, and a tough choice made by a major character just isn't given the proper motivation you'd think it would need. That said, American Gigolo is not a bad film at all. It was better than I expected, and it is a nice time capsule from 1980 Los Angeles. Give it a try. 7 of 10 stars.

The Hound.


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