Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his... See full summary »
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The true story of a rich girl who was abducted by American revolutionaries in the 1970's. Her time spent with her captors made her question herself and her way of life and she joined forces... See full summary »
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Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him. Written by
Ed Sutton <firstname.lastname@example.org>
The movie's main theme song "Call Me" sung by Deborah Harry & Blondie was a massive hit and went to No #1 in both the UK and USA, staying on the latter for six weeks. The song was the fourth No. #1 single in the UK in just over a year for band Blondie and Deborah Harry. The track was also the No #1 single on Billboard Magazine's end of 1980 year chart. The song is ranked as No #283 on Rolling Stone Magazine's Top 500 Greatest Songs of All Time and No #44 on Billboard's All Time Top 100. See more »
When Julian and Anne are talking on the beach, the positions of the sun and shadows on them change between shots, indicating that the shots were taken at different times. See more »
This is one of Richard Gere's first lead roles in Hollywood, and he doesn't disappoint. The film gives a little insight, a preview even, of the seamier side of the 1980's. Beginning with the shots of Julian Kaye's (Gere) Mercedes convertible, glimpses of Rodeo Drives and Malibu (all with Blondie screaming "Call Me"!), the film manages to be more than just a whodunit. Perhaps the charm of the film for me is that we're never quite sure what to think of Kaye and his married lover (Lauren Hutton), but their quest for happiness with each other is believable. And though the detective plot-line of the movie is a little contrived, Detective Sunday and Leon provide good opposite poles of this Sodom and Gommarah-like portrayal of life in L.A. In fact, Julian's verbal sparring with Detective Sunday provide a light contrast with the realistic portrayal of a gigolo on the run.
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