| Photos (see all 24 | slideshow) |
| William Hurt | ... | Eddie Jessup | |
| Blair Brown | ... | Emily Jessup | |
| Bob Balaban | ... | Arthur Rosenberg | |
| Charles Haid | ... | Mason Parrish | |
| Thaao Penghlis | ... | Echeverria | |
| Miguel Godreau | ... | Primal Man | |
| Dori Brenner | ... | Sylvia Rosenberg | |
| Peter Brandon | ... | Hobart | |
| Charles White-Eagle | ... | The Brujo | |
| Drew Barrymore | ... | Margaret Jessup | |
| Megan Jeffers | ... | Grace Jessup | |
| Jack Murdock | ... | Hector Orteco | |
| Francis X. McCarthy | ... | Obispo (as Frank McCarthy) | |
| Deborah Baltzell | ... | Schizophrenic Patient | |
| Evan Richards | ... | Young Rosenberg | |
| Hap Lawrence | ... | Endocrinology Fellow | |
| John Walter Davis | ... | Medical Technician | |
| Cynthia Burr | ... | Parrish's Girl | |
| Susan Bredhoff | ... | Echeverria's Girl | |
| John Larroquette | ... | X-Ray Technician | |
| George Gaynes | ... | Dr. Wissenschaft | |
| Ora Rubinstein | ... | Young Medical Student | |
| Paul Larsson | ... | Charlie Thomas | |
| Eric Forst | ... | Mingus | |
| Adriana Shaw | ... | Dr. Antonini | |
| Martin Fiscoe | ... | Graduate Student | |
| Olivia Michelle | ... | Veronica |
Directed by | |||
| Ken Russell | |||
Writing credits | ||
| Paddy Chayefsky | (novel) | |
| Paddy Chayefsky | (writer) (as Sidney Aaron) | |
Produced by | |||
| Stuart Baird | .... | associate producer | |
| Howard Gottfried | .... | producer | |
| Daniel Melnick | .... | executive producer | |
Original Music by | |||
| John Corigliano | |||
Cinematography by | |||
| Jordan Cronenweth | |||
Film Editing by | |||
| Eric Jenkins | |||
Casting by | |||
| Howard Feuer | |||
| Jeremy Ritzer | |||
Production Design by | |||
| Richard Macdonald | (as Richard McDonald) | ||
Set Decoration by | |||
| Thomas L. Roysden | (as Thomas Roysden) | ||
Costume Design by | |||
| Ruth Myers | |||
Makeup Department | |||
| Carl Fullerton | .... | special makeup assistant | |
| Michael Hancock | .... | makeup artist | |
| Craig Reardon | .... | special makeup assistant | |
| Dick Smith | .... | special makeup | |
| Dione Taylor | .... | hair stylist (as Dione Taylor-Demsky) | |
Production Management | |||
| David Silver | .... | unit production manager (as Dave Silver) | |
Second Unit Director or Assistant Director | |||
| Gary Daigler | .... | assistant director | |
| Peter Schindler | .... | second assistant director | |
Art Department | |||
| Gary Clark | .... | head paint foreman | |
| Stan Cockerell | .... | assistant props | |
| Sidney H. Greenwood | .... | property master (as Syd Greenwood) | |
| Jeff Howard | .... | assistant art director | |
| Joseph Hurley | .... | illustrator (as Joe Hurley) | |
| Bill Iiams | .... | general foreman | |
| Roger Irvin | .... | construction coordinator | |
| Ronald C. Jacobs | .... | lead man (as Ron Jacobs) | |
| Stephane Goulet | .... | property supervisor (uncredited) | |
| Richard M. Kristy | .... | set dresser (uncredited) | |
Sound Department | |||
| Willie D. Burton | .... | sound mixer (as Willie Burton) | |
| Michael Colgan | .... | supervising sound editor | |
| Laurey Condon | .... | assistant sound editor | |
| Les Fresholtz | .... | sound re-recording mixer | |
| Don Higgins | .... | sound editor | |
| Jerry Jacobson | .... | adr editor | |
| Stephen Katz | .... | sound consultant | |
| Marvin E. Lewis | .... | boom operator (as Marvin Lewis) | |
| Michael Minkler | .... | sound re-recording mixer | |
| Arthur Piantadosi | .... | sound re-recording mixer | |
| Fred Stafford | .... | sound editor | |
| Colin Waddy | .... | sound editor | |
| Jay Wertz | .... | sound editor | |
Special Effects by | |||
| David Domeyer | .... | special effects | |
| Larry L. Fuentes | .... | assistant special effects (as Larry Fuentes) | |
| Chuck Gaspar | .... | special effects | |
| James Kagel | .... | sculptor | |
Visual Effects by | |||
| Robert Blalack | .... | special optical effects (as Robbie Blalack) | |
| Bran Ferren | .... | special visual effects | |
| Paul Hamill | .... | post production assistant | |
| James Shourt | .... | special optical effects (as Jamie Shourt) | |
Stunts | |||
| M. James Arnett | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Garrett Brown | .... | Steadicam operator | |
| James Glennon | .... | camera operator | |
| Adam Glick | .... | set lighting technician | |
| Barbara Hanania | .... | additional assistant camera: Boston | |
| Gary Holt | .... | gaffer | |
| Johnny E. Jensen | .... | first assistant camera (as John Jensen) | |
| Carey Jones | .... | second assistant camera | |
| Sal Martorano | .... | electrician | |
| Morgan Renard | .... | still photographer | |
| Bob Rose | .... | key grip (as Bobby Rose) | |
| Louis Schwartzberg | .... | time-lapse photographer (as Lou Schwartzberg) | |
Casting Department | |||
| Stephen Kolzak | .... | additional casting (as Steve Kolzak) | |
| Joel Thurm | .... | additional casting | |
Costume and Wardrobe Department | |||
| Darryl M. Athons | .... | costumer: men (as Darryl Athons) | |
| Shanan Harrell | .... | costumer: women | |
Editorial Department | |||
| Cari Coughlin | .... | apprentice editor | |
| Arthur W. Forney | .... | assistant editor | |
| Thomas Penick | .... | assistant editor | |
Music Department | |||
| John David Earnest | .... | orchestrator | |
| Donald Harris | .... | music editor (as Don Harris) | |
| Pierre Henry | .... | music excerpt: Voile d'Orphee | |
| Christopher Keene | .... | conductor | |
| Sheldon Shkolnik | .... | assistant to composer | |
| John David Earnest | .... | composer: additional music (uncredited) | |
| Brian L. McCarty | .... | music playback (uncredited) | |
| Dan Wallin | .... | scoring mixer (uncredited) | |
Transportation Department | |||
| Gina August | .... | driver | |
| John M. Woodward | .... | transportation coordinator (as John Woodward) | |
Other crew | |||
| Scott Bartlett | .... | technical advisor | |
| Richard Clark | .... | technical advisor | |
| Carline Davis-Dyer | .... | script supervisor (as Cariline Davis-Dyer) | |
| Jimsie Eason | .... | production associate | |
| Richard Greenberg | .... | title designer | |
| Christina Lear | .... | assistant to producer | |
| Paul Pav | .... | location manager | |
| Vivian Russell | .... | assistant: Mr. Russell (as Vivian Jolly) | |
| Alan Shapiro | .... | production intern | |
| Lee Stitch | .... | production secretary | |
| Susan Tarr | .... | research assistant | |
| John Cunningham Lilly | .... | scientific researcher (uncredited) | |
| Bill Iiams | .... | general foreman (uncredited) | |
| Craig Miller | .... | marketing consultant (uncredited) | |
| Philip Sharpe | .... | effects technician (uncredited) | |
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It's been a quarter century since I first experienced Altered States, Ken Russell's take on Paddy Chayevsky's novel of the search for a common bond between all of us, the ability to love. I personally don't care if Chayevsky disowned the movie or if Russell resented him for it or how many angels you can set on the head of a pin, for that matter. Altered States is a harshly beautiful and intellectual movie based on a book with the same adjectives.
I'm not going to praise the fine performances, the dazzling special effects, or the painful, emotional epiphany that the lead character, Eddie Jessup (William Hurt) experiences as he fights his way past the roadblock of pure intellect. I want to praise Altered States for its emotional and intellectual message of the power of love to embrace us all and heal our wounds.
Altered States is not for the weak of stomach or the easily offended. The imagery is disturbing and, at times, repulsive. There are scenes of blasphemy that I know have put off Christian friends of mine. But the central idea of a commonality, a kinship that humans have with one another and the danger of setting oneself apart to avoid the pain of interacting and loving is, I believe, supremely satisfying at both an intellectual and emotional level.
Altered States isn't one of the very best films I've seen, but it surely has been a source of joy for me. And if it doesn't turn your crank--or turns it the wrong way--then find your joy in another film or other media . . . and remember to love.