It's the late 1960's. Just for a lark, graduate student Eddie Jessup, known for being unconventional, brilliant and slightly mad, conducts experiments with an isolation chamber, using himself as the subject. His experiences in the chamber cause him to hallucinate, much of the imagery being religious-based despite he not being a religious man. Seven years later, he is a respected full professor in the Harvard Medical School. Believing he has lost his edge and has fallen into an unwanted state of respectability, Eddie decides to resume his work with sensory deprivation, this time using hallucinogens, specifically untested ones used in mystical Mexican rituals, to enhance the experience of being in the isolation tank. After initial tests, he claims he entered an alternate physical and mental state. Although unbelieving of Eddie's claims, his colleagues Arthur Rosenberg and Mason Parrish, as well as Eddie's wife, Emily, who is in her own right a respected academic, are concerned for ... Written by
In the basement of a university medical school Dr . Jessup floats naked in total darkness. The most terrifying experiment in the history of science is out of control... and the subject is himself
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Did You Know?
This film was an early user of primitive CGI. The final transformation segments scanned in footage of William Hurt wearing Dick Smith's distorted bodysuits and added in the granular energy effect by computer. This film was also one of the first movies to use computer assistance to make rotoscope mattes (needed for both Hurt's and Blair Blown's transformation in the final sequence). See more
At one point, the character of Mason Parrish refers to the "nuc-you-lus" of a cell (as opposed to the correct "nuc-lee-us".) While it's a commonly mispronounced word, it's very unlikely that a scientist with Parrish's credentials would make that mistake on a word that they likely read, hear and use practically every day. See more
I can't live with it Emily, the pain is unbearable.
We all live with it. That unbearable terror is what makes us such singular creatures. We hide from it, we succumb to it, mostly we defy it! We build fragile little structures to keep it out. We love, we raise families, we work, we make friends. We write poems...
Referenced in House M.D.: House's Head
by Pierre Henry See more