It's the late 1960's. Just for a lark, graduate student Eddie Jessup, known for being unconventional, brilliant and slightly mad, conducts experiments with an isolation chamber, using himself as the subject. His experiences in the chamber cause him to hallucinate, much of the imagery being religious-based despite he not being a religious man. Seven years later, he is a respected full professor in the Harvard Medical School. Believing he has lost his edge and has fallen into an unwanted state of respectability, Eddie decides to resume his work with sensory deprivation, this time using hallucinogens, specifically untested ones used in mystical Mexican rituals, to enhance the experience of being in the isolation tank. After initial tests, he claims he entered an alternate physical and mental state. Although unbelieving of Eddie's claims, his colleagues Arthur Rosenberg and Mason Parrish, as well as Eddie's wife, Emily, who is in her own right a respected academic, are concerned for ... Written by
In the basement of a university medical school Dr . Jessup floats naked in total darkness. The most terrifying experiment in the history of science is out of control... and the subject is himself
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Did You Know?
Author Paddy Chayefsky
disowned this movie. Even though the dialogue in the screenplay was almost verbatim from his novel he reportedly objected to the general tone of the film and the shouting of his precious words by the actors, this conflicting with director Ken Russell
typical style of wanting heightened performances. Paddy Chayefsky
had not seen the film before he took his name off the credits, the script being credited to "Sidney Aaron", a pseudonym for Chayefsky, the two names being Chayefsky's real first and middle names. Director Ken Russell
and Chayefsky fought constantly during production, Russell maintaining that almost nothing was changed from Chayefsky's script and stating that he was "impossible to please." See more
The recording which Emily listens to of Eddie's first drug induced tank trip isn't the same as the original dialog. Some of the wording is changed and the loud primal "grunt" which alarmed both Mason and Arthur has been replaced with a sound much more resembling that of a monkey. See more
Fight it, Eddie. You made it real, you can make it unreal.
by Pierre Henry See more