In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
It's the late 1960's. Just for a lark, graduate student Eddie Jessup, known for being unconventional, brilliant and slightly mad, conducts experiments with an isolation chamber, using himself as the subject. His experiences in the chamber cause him to hallucinate, much of the imagery being religious-based despite he not being a religious man. Seven years later, he is a respected full professor in the Harvard Medical School. Believing he has lost his edge and has fallen into an unwanted state of respectability, Eddie decides to resume his work with sensory deprivation, this time using hallucinogens, specifically untested ones used in mystical Mexican rituals, to enhance the experience of being in the isolation tank. After initial tests, he claims he entered an alternate physical and mental state. Although unbelieving of Eddie's claims, his colleagues Arthur Rosenberg and Mason Parrish, as well as Eddie's wife, Emily, who is in her own right a respected academic, are concerned for ... Written by
In the basement of a university medical school Dr . Jessup floats naked in total darkness. The most terrifying experiment in the history of science is out of control... and the subject is himself See more »
The producer was upset that Warner Bros. decided to shove the film into the Christmas season rush rather than wait until the spring when he there would be less competition for that kind of film. See more »
During the party scene right before Eddie arrives, Arthur is getting ice from the bathtub and the toilet seat is up. But a moment later in the next scene, the toilet seat is down. See more »
Altered States is frightening, disturbing, bizarre stuff. It also has a strong heart, and the dialogue is witty and sharp.
This film creates its very real sense of horror from foreboding, often disarming musical cues, and a sense that we're on the journey with Jessup, and we don't know what's real or imagined. It rarely relies on gore, or overt "horror" sequences to affect the viewer, but still manages to be truly frightening and horrifying. Russell tones down his usual excesses, but his stamp is nevertheless all over the disturbing hallucination sequences.
It's easy to spot the strong influence this film must have had on Videodrome. It creates a similar mood.
Thoroughly recommended to anyone with a taste for intelligent horror.
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