| Cast overview, first billed only: | |||
| William Hurt | ... | ||
| Blair Brown | ... | ||
| Bob Balaban | ... | ||
| Charles Haid | ... | ||
| Thaao Penghlis | ... | ||
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Miguel Godreau | ... |
Primal Man
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Dori Brenner | ... | |
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Peter Brandon | ... | |
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Charles White-Eagle | ... | |
| Drew Barrymore | ... | ||
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Megan Jeffers | ... |
Grace Jessup
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Jack Murdock | ... |
Hector Orteco
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| Francis X. McCarthy | ... |
Obispo
(as Frank McCarthy)
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Deborah Baltzell | ... |
Schizophrenic Patient
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| Evan Richards | ... |
Young Rosenberg
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It's the late 1960's. Just for a lark, graduate student Eddie Jessup, known for being unconventional, brilliant and slightly mad, conducts experiments with an isolation chamber, using himself as the subject. His experiences in the chamber cause him to hallucinate, much of the imagery being religious-based despite he not being a religious man. Seven years later, he is a respected full professor in the Harvard Medical School. Believing he has lost his edge and has fallen into an unwanted state of respectability, Eddie decides to resume his work with sensory deprivation, this time using hallucinogens, specifically untested ones used in mystical Mexican rituals, to enhance the experience of being in the isolation tank. After initial tests, he claims he entered an alternate physical and mental state. Although unbelieving of Eddie's claims, his colleagues Arthur Rosenberg and Mason Parrish, as well as Eddie's wife, Emily, who is in her own right a respected academic, are concerned for ... Written by Huggo
If there is any reason to like a film as meaningless or pointless as this, it's that it is a "Cedar Point" of a special visual effects ride! I still haven't figured out how or why the things in Altered States happened the way they did. But I think that this is one of the greatest sci-fi films ever made. Who cares if the plot or characters worked or not? When you are watching the mesmerizing images and special effects (which are only slightly dated), then you will understand why this is such a great movie! I still don't know how Ken Russell got these images on film. And the very intricately constructed images fly by so fast in the quick cuts, that it's like a dream that we can barely remember. It's a dream that you can't define or put your finger on. And that is the real reason why I like this movie. I just purchased the Dolby Digital reissue on LD, and I hope more special editions of this film come soon!