| Alec Guinness | ... | George Smiley (7 episodes, 1979) | |
| Michael Jayston | ... | Peter Guillam (7 episodes, 1979) | |
| Anthony Bate | ... | Sir Oliver Lacon / ... (7 episodes, 1979) | |
| George Sewell | ... | Mendel (7 episodes, 1979) | |
| Bernard Hepton | ... | Toby Esterhase (5 episodes, 1979) | |
| Ian Richardson | ... | Bill Haydon (5 episodes, 1979) | |
| Hywel Bennett | ... | Ricki Tarr (5 episodes, 1979) | |
| Terence Rigby | ... | Roy Bland (4 episodes, 1979) | |
| Ian Bannen | ... | Jim Prideaux (4 episodes, 1979) | |
| Michael Aldridge | ... | Percy Alleline (4 episodes, 1979) | |
| Alec Sabin | ... | Fawn (4 episodes, 1979) | |
| Alexander Knox | ... | Control (3 episodes, 1979) | |
| Duncan Jones | ... | Roach (3 episodes, 1979) | |
| Daniel Beecher | ... | Spikely (3 episodes, 1979) | |
| Joss Ackland | ... | Jerry Westerby (2 episodes, 1979) | |
| John Wells | ... | Headmaster (2 episodes, 1979) | |
| Frank Compton | ... | Bryant (2 episodes, 1979) | |
| Frank Moorey | ... | Lauda Strickland (2 episodes, 1979) |
Series Directed by | |||
| John Irvin | (unknown episodes) | ||
Series Writing credits | ||
| Arthur Hopcraft | (unknown episodes) | |
| John le Carré | (unknown episodes) | |
Series Produced by | |||
| Jonathan Powell | .... | producer (7 episodes, 1979) | |
Series Original Music by | |||
| Geoffrey Burgon | (7 episodes, 1979) | ||
Series Cinematography by | |||
| Tony Pierce-Roberts | (unknown episodes) | ||
Series Film Editing by | |||
| Chris Wimble | (4 episodes, 1979) | ||
| Clare Douglas | (3 episodes, 1979) | ||
Series Production Design by | |||
| Austen Spriggs | (7 episodes, 1979) | ||
Series Costume Design by | |||
| Joyce Mortlock | (7 episodes, 1979) | ||
Series Makeup Department | |||
| Elizabeth Rowell | .... | makeup artist (7 episodes, 1979) | |
Series Art Department | |||
| Douglas Burd | .... | graphic designer (7 episodes, 1979) | |
Series Sound Department | |||
| Michael Crozier | .... | dubbing editor (7 episodes, 1979) | |
| Stan Morcom | .... | dubbing mixer (7 episodes, 1979) | |
| Malcolm Webberley | .... | sound recordist (7 episodes, 1979) | |
Series Editorial Department | |||
| Simon Holland | .... | trainee assistant film editor (unknown episodes) | |
Series Other crew | |||
| Peter Grimwade | .... | production assistant (7 episodes, 1979) | |
| Tony Virgo | .... | production assistant (7 episodes, 1979) | |
| Marcia Wheeler | .... | production unit manager (7 episodes, 1979) | |
| Betty Willingale | .... | script editor (7 episodes, 1979) | |
| Christabel Albery | .... | assistant floor manager (unknown episodes) | |
| Frances Alcock | .... | assistant to director / script supervisor (unknown episodes) | |
| Jeremy Silberston | .... | assistant floor manager (unknown episodes) | |
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| Tinker Tailor Soldier Spy | Topaz | The Fourth Protocol | The Looking Glass War | The Tamarind Seed |
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| Episode guide | Full cast and crew | Company credits |
| External reviews | News articles | IMDb TV section |
| IMDb Drama section | IMDb UK section |
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There are few movies that follow the book. There is no end to the comment, "The book was so much better." There is good reason for that with some films. "The Lord of the Rings" would have been five movies if you went "by the book". Interesting and enjoyable as that might be for Tolkien fans, it was impossible for film makers. Yet, "Tailor, Tinker, Soldier, Spy" as a movie defies that axiom.
Having read the book and seen the movie more than "several times", they still remain interconnected and indistinguishable. Yes, the book contains more detail, but may details are covered by innuendo, scene or background detail in the movie. Alec Guinness becomes Smiley so completely that his acting gives real meaning to the idea of a "character actor", even down to wiping his glasses with his tie. (you have to read the book for that one.)That is not to say, that Guinness is a robot and the movie is stiff in the name of faithfulness to the book, just the opposite.
The movie dawns the viewer in, just as the book draws in the reader, as part of the process of discovery; unraveling the mystery. As in a true "who done it" (or as one commentator put "who is it"), the viewer has no more foreknowledge than Smiley. You are introduced to all the characters, all have reasons to be the defector, all have reasons to distrust an investigation to the past, yet only one is ferreted-out.
The ending is consistent with the logic of the book and film, but, you still don't expect it. It's anti-climactic yet believable. The film, like to book, leaves one wondering how this could happen. It's thought provoking given many of the suspects comments thought-out the book/film. Both inspire thought more than resolution. The story challenges the reader/viewer to think and think well about the reasons for and purpose of spying as a whole. (The film is more English in cultural orientation, but the concept is universal, as many Americans have learned as well.)
A wonderful book transformed into visual. Great acting through-out, and you really hate all the right people....