This is the story of Magnus Pym, from his childhood to the end of his career in middle age. As a young man, there is little doubt that his father Rick was the most influential character in ... See full summary »
Called out of retirement to settle the affairs of a friend, Smiley finds his old organization, the Circus, so overwhelmed by political considerations that it doesn't want to know what ... See full summary »
Taken from the book by John le Carre, George Smiley rallies to the aid of his former intelligence colleague, Ailsa Brimley, to investigate a mysterious letter from a junion master's wife at... See full summary »
George Smiley has been retired for about a year when he finds a friend from the Circus, his old outfit in British Intelligence, sitting in his living room. He is taken to the home of an advisor to the Prime Minister on intelligence matters, where he finds evidence that one of the men in the senior ranks of his old agency is a Russian spy. Smiley is asked to find him, without official access to any of the files in the Circus or letting on that anyone is under suspicion. With only a few old friends, his own powers of deduction, and secrecy as weapons, Smiley must unearth the spy who turned him out of the Circus. Written by
John Vogel <email@example.com>
The opening credits show a set of Russian matryoshka dolls. One doll opens up to reveal a doll more irate than the other one, and the final doll is seen as being faceless. This was inspired by a line at the end of the "Tinker, Tailor, Soldier, Spy" novel: "Smiley settled on a picture of one of those little Russian dolls that open up to reveal one inside the other, and another inside him. Of all men living, only Karla had seen the last little doll inside..." See more »
I can only add to the other comments: this is a superb film. It is absolute proof that a TV mini-series can stand beside the best cinema films with honor. I have rarely paid $7.00 for just 87 minutes of anything this good. If I could vote on it, it would get a 9. The writing is rich; the acting, excellent; the theme, deep; the technical quality only slightly inhibited by a presumably small budget. When I consider the BBC's obsession with the mass market peddling of dull costume dramas, I cannot understand why this astringent tragedy is not available, at least in the US, on video or DVD. In about 20 years, this will have the sort of mythic reputation given to lost or damaged movies of the teens and twenties--more deservedly than most of them.
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