This is the story of Magnus Pym, from his childhood to the end of his career in middle age. As a young man, there is little doubt that his father Rick was the most influential character in ... See full summary »
Researcher Dr. Stephen Ezard returns home to the UK after the reported death of his brother, Michael Ezard, only to find that his widow, Yasim Anwar, is harboring a wanted yet deathly ill ... See full summary »
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
George Smiley has been retired for about a year when he finds a friend from the Circus, his old outfit in British Intelligence, sitting in his living room. He is taken to the home of an advisor to the Prime Minister on intelligence matters, where he finds evidence that one of the men in the senior ranks of his old agency is a Russian spy. Smiley is asked to find him, without official access to any of the files in the Circus or letting on that anyone is under suspicion. With only a few old friends, his own powers of deduction, and secrecy as weapons, Smiley must unearth the spy who turned him out of the Circus. Written by
John Vogel <firstname.lastname@example.org>
In episode 5, Fawn's hair is shaggy and hangs over his ears. A day later (in episode 6) it is short and trim. He's been guarding the kidnapped Toby Esterhase for the intervening period, so he could hardly have run out and got it cut. See more »
In the closing credits, the church prayer "Nunc dimittis" is played. This prayer describes Simeon's wish to depart this world after having witnessed the newborn Messiah. In context, this theme is used to bid farewell to the viewer. See more »
I can only add to the other comments: this is a superb film. It is absolute proof that a TV mini-series can stand beside the best cinema films with honor. I have rarely paid $7.00 for just 87 minutes of anything this good. If I could vote on it, it would get a 9. The writing is rich; the acting, excellent; the theme, deep; the technical quality only slightly inhibited by a presumably small budget. When I consider the BBC's obsession with the mass market peddling of dull costume dramas, I cannot understand why this astringent tragedy is not available, at least in the US, on video or DVD. In about 20 years, this will have the sort of mythic reputation given to lost or damaged movies of the teens and twenties--more deservedly than most of them.
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