Researcher Dr. Stephen Ezard returns home to the UK after the reported death of his brother, Michael Ezard, only to find that his widow, Yasim Anwar, is harboring a wanted yet deathly ill ... See full summary »
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
George Smiley has been retired for about a year when he finds a friend from the Circus, his old outfit in British Intelligence, sitting in his living room. He is taken to the home of an advisor to the Prime Minister on intelligence matters, where he finds evidence that one of the men in the senior ranks of his old agency is a Russian spy. Smiley is asked to find him, without official access to any of the files in the Circus or letting on that anyone is under suspicion. With only a few old friends, his own powers of deduction, and secrecy as weapons, Smiley must unearth the spy who turned him out of the Circus. Written by
John Vogel <firstname.lastname@example.org>
John le Carré has admitted that the vocabulary used in the novels/series (babysitters, lamplighters, the Circus, the nursery, moles) was made up. He was later amused to discover that real agents had begun to appropriate some of his vocabulary once his espionage stories were published. See more »
In episode 2, when Ricki Tarr meets Tufty Thessinger to send a cable, the ends of Tufty's tie are even. A few minutes later, the little end hangs 2 inches lower than the fat end. See more »
I can only add to the other comments: this is a superb film. It is absolute proof that a TV mini-series can stand beside the best cinema films with honor. I have rarely paid $7.00 for just 87 minutes of anything this good. If I could vote on it, it would get a 9. The writing is rich; the acting, excellent; the theme, deep; the technical quality only slightly inhibited by a presumably small budget. When I consider the BBC's obsession with the mass market peddling of dull costume dramas, I cannot understand why this astringent tragedy is not available, at least in the US, on video or DVD. In about 20 years, this will have the sort of mythic reputation given to lost or damaged movies of the teens and twenties--more deservedly than most of them.
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