Called out of retirement to settle the affairs of a friend, Smiley finds his old organization, the Circus, so overwhelmed by political considerations that it doesn't want to know what ... See full summary »
This is the story of Magnus Pym, from his childhood to the end of his career in middle age. As a young man, there is little doubt that his father Rick was the most influential character in ... See full summary »
Francis Urquhart is the chief whip of the Conservative party. When Margaret Thatcher resigns as leader, he remains neutral and after a general election where the conservatives are returned ... See full summary »
A thriller set in London, in which a politician's life becomes increasingly complex as his research assistant is found dead on the London Underground and, in a seemingly unrelated incident, a teenage pickpocket is shot dead.
The mysterious murder of an environmental activist leads her straight-laced father, an Inspector of the local police force, through a haunting revelation of the murkiness of the British ... See full summary »
The Right Honorable James Hacker has landed the plum job of Cabinet Minister to the Department of Administration. At last he is in a position of power and can carry out some long-needed reforms - or so he thinks.
George Smiley has been retired for about a year when he finds a friend from the Circus, his old outfit in British Intelligence, sitting in his living room. He is taken to the home of an advisor to the Prime Minister on intelligence matters, where he finds evidence that one of the men in the senior ranks of his old agency is a Russian spy. Smiley is asked to find him, without official access to any of the files in the Circus or letting on that anyone is under suspicion. With only a few old friends, his own powers of deduction, and secrecy as weapons, Smiley must unearth the spy who turned him out of the Circus. Written by
John Vogel <email@example.com>
In episode 6, when Peter Guillam is testing the taping system at the safe house, he says the recorder is voice-activated, but it doesn't stop turning on his first silent pause, which is much longer than his second and third pauses, when it stops instantly. See more »
[Lacon has arrived late for a conference]
I'm sorry. Traffic. I should've walked.
I think you and Percy between you are contriving to keep me off the streets.
See more »
The opening credits show a set of Russian matryoshka dolls. One doll opens up to reveal a doll more irate than the other one, and the final doll is seen as being faceless. This was inspired by a line at the end of the "Tinker, Tailor, Soldier, Spy" novel: "Smiley settled on a picture of one of those little Russian dolls that open up to reveal one inside the other, and another inside him. Of all men living, only Karla had seen the last little doll inside..." See more »
There are few movies that follow the book. There is no end to the comment, "The book was so much better." There is good reason for that with some films. "The Lord of the Rings" would have been five movies if you went "by the book". Interesting and enjoyable as that might be for Tolkien fans, it was impossible for film makers. Yet, "Tailor, Tinker, Soldier, Spy" as a movie defies that axiom.
Having read the book and seen the movie more than "several times", they still remain interconnected and indistinguishable. Yes, the book contains more detail, but may details are covered by innuendo, scene or background detail in the movie. Alec Guinness becomes Smiley so completely that his acting gives real meaning to the idea of a "character actor", even down to wiping his glasses with his tie. (you have to read the book for that one.)That is not to say, that Guinness is a robot and the movie is stiff in the name of faithfulness to the book, just the opposite.
The movie dawns the viewer in, just as the book draws in the reader, as part of the process of discovery; unraveling the mystery. As in a true "who done it" (or as one commentator put "who is it"), the viewer has no more foreknowledge than Smiley. You are introduced to all the characters, all have reasons to be the defector, all have reasons to distrust an investigation to the past, yet only one is ferreted-out.
The ending is consistent with the logic of the book and film, but, you still don't expect it. It's anti-climactic yet believable. The film, like to book, leaves one wondering how this could happen. It's thought provoking given many of the suspects comments thought-out the book/film. Both inspire thought more than resolution. The story challenges the reader/viewer to think and think well about the reasons for and purpose of spying as a whole. (The film is more English in cultural orientation, but the concept is universal, as many Americans have learned as well.)
A wonderful book transformed into visual. Great acting through-out, and you really hate all the right people....
35 of 38 people found this review helpful.
Was this review helpful to you?