This is the story of Magnus Pym, from his childhood to the end of his career in middle age. As a young man, there is little doubt that his father Rick was the most influential character in ... See full summary »
Called out of retirement to settle the affairs of a friend, Smiley finds his old organization, the Circus, so overwhelmed by political considerations that it doesn't want to know what ... See full summary »
Taken from the book by John le Carre, George Smiley rallies to the aid of his former intelligence colleague, Ailsa Brimley, to investigate a mysterious letter from a junion master's wife at... See full summary »
George Smiley has been retired for about a year when he finds a friend from the Circus, his old outfit in British Intelligence, sitting in his living room. He is taken to the home of an advisor to the Prime Minister on intelligence matters, where he finds evidence that one of the men in the senior ranks of his old agency is a Russian spy. Smiley is asked to find him, without official access to any of the files in the Circus or letting on that anyone is under suspicion. With only a few old friends, his own powers of deduction, and secrecy as weapons, Smiley must unearth the spy who turned him out of the Circus. Written by
John Vogel <email@example.com>
During the outdoor daytime scene where Smiley converses with Prideaux, they are tracked by the camera as they walk across a field. At one point, when they are nearest the camera, the shadows of some crew members are just about visible on Prideaux's coat. See more »
Got a rabbit to pull out of your hat, Percy? You've got that Britain-can-make-it look about you. Very intimidating.
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In the closing credits, the church prayer "Nunc dimittis" is played. This prayer describes Simeon's wish to depart this world after having witnessed the newborn Messiah. In context, this theme is used to bid farewell to the viewer. See more »
It is rare that an adaptation of a complex novel translates well to the small screen. Often detail is eliminated for sake of time and the plot loses aspects that are key to the real story.
The team of John Le Carre and John Irvin has created what may go down as the benchmark for the Spy story mini series. In six hours of television they lay out piece by piece the background of each of the characters in a slow and gentle manner enabling the viewer to capture a sense of both the person and the time in which they are placed.
Irvin permits the story to move in a 'typical English manner', with George Smiley, the principal character almost rolling along from one event to another. Alec Guinness is outstanding in this role and it seems the it was either written with him in mind or he was born for it. I suspect the later is more likely. Smiley and his quirks are key to unravelling what is a complex plot with the usual twists and turns of they spy genre.
The casting of the rest of the players is equally superb with an ensemble performance by the who's who of the English stage. The goodies are all flawed people while the badies, many of who are within the British Secret Intelligence Service, are bad in the way that only the English can truly be to each other.
If you enjoy Le Carre and are prepared to put in 6 hours to view the entire series you you will be richly rewarded.
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