Researcher Dr. Stephen Ezard returns home to the UK after the reported death of his brother, Michael Ezard, only to find that his widow, Yasim Anwar, is harboring a wanted yet deathly ill ... See full summary »
After reading the diary of an elderly Jewish man who committed suicide, freelance journalist Peter Miller begins to investigate the alleged sighting of a former SS-Captain who commanded a ... See full summary »
George Smiley has been retired for about a year when he finds a friend from the circus, his old outfit in British Intelligence sitting in his living room. He is taken to the home of an advisor to the Prime Minister on intelligence matters where he finds evidence that one of the men in the senior ranks of his old agency is a Russian spy. Smiley is asked to find him, without official access to any of the files in the Circus or letting on that anyone is under suspicion. With only a few old friends, his own powers of deduction, and secrecy as weapons, Smiley must unearth the spy who turned him out of the Circus. Written by
John Vogel <firstname.lastname@example.org>
John le Carré was so impressed by Alec Guinness's performance as George Smiley that in later novels he wrote Smiley's characterization to be in keeping with Guinness's performance. See more »
In episode 5, Fawn's hair is shaggy and hangs over his ears. A day later (in episode 6) it is short and trim. He's been guarding the kidnapped Toby Esterhase for the intervening period, so he could hardly have run out and got it cut. See more »
The opening credits show a set of Russian matryoshka dolls. One doll opens up to reveal a doll more irate than the other one, and the final doll is seen as being faceless. This was inspired by a line at the end of the "Tinker, Tailor, Soldier, Spy" novel: "Smiley settled on a picture of one of those little Russian dolls that open up to reveal one inside the other, and another inside him. Of all men living, only Karla had seen the last little doll inside..." See more »
Having just watched this film again (for about the tenth time) I am moved to say that few adaptations have brought such a well crafted book to the screen so brilliantly. Perhaps this was because the author also provided the screenplay ?
The acting, direction, lighting are superb and the whole is only further enhanced by the haunting music of Burgon. The pace and suspense are every bit as thrilling as the book.
One tip for lovers of this movie : try and get a copy of the follow-up, namely Smiley's People. It takes over very gently from Tinker, Tailor and leads on to the ultimate conclusion of Smiley's career.
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