| Jeff Goldblum | ... | Lionel Whitney (14 episodes, 1980) | |
| Ben Vereen | ... | E.L. 'Tenspeed' Turner (13 episodes, 1980) |
Series Directed by | |||
| Reza Badiyi | (2 episodes, 1980) | ||
| Rod Holcomb | (2 episodes, 1980) | ||
| Arnold Laven | (2 episodes, 1980) | ||
| E.W. Swackhamer | (2 episodes, 1980) | ||
Series Writing credits | ||
| Stephen J. Cannell | (10 episodes, 1980) | |
| Juanita Bartlett | (3 episodes, 1980) | |
Series Produced by | |||
| Juanita Bartlett | .... | co-executive producer / producer (14 episodes, 1980) | |
| Alex Beaton | .... | producer / supervising producer (10 episodes, 1980) | |
| Chuck Bowman | .... | producer (9 episodes, 1980) | |
| Stephen J. Cannell | .... | executive producer (8 episodes, 1980) | |
Series Original Music by | |||
| Pete Carpenter | (13 episodes, 1980) | ||
| Mike Post | (13 episodes, 1980) | ||
Series Cinematography by | |||
| William Gereghty | (10 episodes, 1980) | ||
Series Film Editing by | |||
| Christopher Nelson | (3 episodes, 1980) | ||
| David Rosenbloom | (3 episodes, 1980) | ||
| Howard Deane | (2 episodes, 1980) | ||
| Chuck McClelland | (2 episodes, 1980) | ||
Series Casting by | |||
| Reuben Cannon | (3 episodes, 1980) | ||
Series Art Direction by | |||
| Spencer Deverell | (6 episodes, 1980) | ||
| Stephen Myles Berger | (2 episodes, 1980) | ||
Series Set Decoration by | |||
| Ron Jeschke | (8 episodes, 1980) | ||
Series Costume Design by | |||
| Jacques Bellini | (7 episodes, 1980) | ||
| Ken Harvey | (2 episodes, 1980) | ||
Series Makeup Department | |||
| Bob Jermain | .... | makeup artist (7 episodes, 1980) | |
| Robert L. Stevenson | .... | hair department head (unknown episodes) | |
Series Production Management | |||
| Edward K. Dodds | .... | production supervisor (7 episodes, 1980) | |
| Sheldon M. Hayutin | .... | production manager / unit production manager (2 episodes, 1980) | |
Series Second Unit Director or Assistant Director | |||
| Robert A. Milford | .... | second assistant director (9 episodes, 1980) | |
| Leonard S. Smith Jr. | .... | first assistant director (5 episodes, 1980) | |
| Daisy Gerber | .... | first assistant director (4 episodes, 1980) | |
Series Art Department | |||
| Roy 'Bucky' Moore | .... | property master (4 episodes, 1980) | |
| Ken Criswell | .... | property master (2 episodes, 1980) | |
| Kurt V. Hulett | .... | lead man (unknown episodes) | |
Series Sound Department | |||
| James LaRue | .... | sound mixer (8 episodes, 1980) | |
| Jack C. May | .... | sound effects editor (3 episodes, 1980) | |
Series Special Effects by | |||
| Charles E. Dolan | .... | special effects supervisor (unknown episodes) | |
Series Stunts | |||
| Dennis Madalone | .... | stunt coordinator (9 episodes, 1980) | |
| James Winburn | .... | stunt double (unknown episodes) | |
Series Costume and Wardrobe Department | |||
| Ken Harvey | .... | wardrobe / wardrobe: men (9 episodes, 1980) | |
| Betty Griffin | .... | wardrobe / wardrobe: women (6 episodes, 1980) | |
| Winnie D. Brown | .... | wardrobe / wardrobe: women (3 episodes, 1980) | |
Series Music Department | |||
| Pete Carpenter | .... | musician (8 episodes, 1980) | |
| Mike Post | .... | musician (8 episodes, 1980) | |
| Steve Livingston | .... | music editor (7 episodes, 1980) | |
Series Other crew | |||
| Stephen Dorsch | .... | script supervisor (6 episodes, 1980) | |
| Stephen McPherson | .... | story editor (2 episodes, 1980) | |
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| "Stroker and Hoop" | The Good Thief | Gone in Sixty Seconds | Matchstick Men | "Remington Steele" |
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| External reviews | News articles | IMDb TV section |
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A too short series that was pure Stephen J. Cannell at the height of his television career.
The hardboiled private eye excerpts from a series of mysteries that had Cannell's photograph on the back; the peculiar and wonderful relationship between the main characters; the longing for a different life; it all added up to a wonderful series that should have lasted for much longer.
Jeff Goldblum was wonderfully befuddled, yet earnest in a most endearing way. Ben Vereen was tolerant and amused, drawn to this most unlikely private investigator.
The humor was unusual and the scripts did not pander to the lower level. It was a most wonderful year that ended way too soon.
An email from SJC himself states that he hopes to release it on DVD...someday. I think someday has arrived, boss. If you can release Renegade, you can release this one. Please?