Newly-promoted Inspector Jean Darblay takes charge of the police station in the fictional Lancashire town of Hartley. She is the first woman to be placed in charge of the station and ... See full summary »
Alcoholic and divorced father of a young daughter, DS Jim Bergerac is a true maverick who prefers doing things his own way, and consequently doesn't always carry out his investigations the way his boss would like.
Ken Boon and Harry Crawford are two middle-aged ex-firemen who start out in business together, initially in Birmingham and later in Nottingham. During the seven series (1986-1992), Ken ... See full summary »
An all-female detective outfit, the "Eyes Enquiry Agency", is formed as a front for the Home Office's new security operation the Covert Activities Thames Section (or CATS for short). ... See full summary »
Newly-promoted Inspector Jean Darblay takes charge of the police station in the fictional Lancashire town of Hartley. She is the first woman to be placed in charge of the station and initially there is considerable scepticism from the long-standing staff of Sergeants Joe Beck and George Parrish. After the second series, Jean Darblay left and was replaced by Kate Longton. Written by
Martin Underwood <email@example.com>
I think welshNick is rather hard on Juliet Bravo. In my view, some excellent characters were created: Inspectors Jean Darblay and Kate Longton, both striving to be so much better than the male officers around them, just so they would be perceived as being as good as their colleagues; Joe Beck, gruff, stolid but with a heart of gold especially in episode 2.13 "Catching Up" when he has to choose between doing his duty as a policeman and turning in an old mate for dangerous driving, and in episodes 5.12 "Ducks In A Row" and 5.13 "Resolution" when he is accused of involvement in a death in custody.
The very last episode 6.16 "Reason for Leaving" was intensely poignant, with its atmosphere of "it's Christmas and all's right with the world", following by its shock ending: one of the few times where Kate Longton broke down in tears and oh-so-formal Mark Perrin unbent a little and comforted her.
Yes the production values were a bit naff in places: it suffered from the standard technique, common to many late 1970s / early 1980s programmes, of combining gaudy studio interiors on video with blurred, grainy, flickery, drab film sometimes with hilarious continuity errors between the two! But I thought it was great.
I wish they'd bring it out on VHS or DVD.
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