Outspoken feminist Julia Sugarbaker runs a design firm out of her Atlanta home, along with her shallow ex-beauty queen sister, Suzanne, divorced mother Mary Jo, and, naive country girl ... See full summary »
Three 40-something best friends from Los Angeles are flying to Paris when their plane makes an emergency landing in Cleveland. Realizing that all the norms from Los Angeles don't apply anymore, they decide to celebrate a city that values real women and stay where they're still considered hot.
Four young ladies--levelheaded Edith, girl-next-door Betty, dumb blonde Loretta and stuckup Camille--are forced to share a one-room apartment in Washington, D.C. during World War II. The four learned to live together and help each other, and took jobs to help in the war effort. The Coolidges were their landlords, Frankie was a cab-driving buddy of the girls and Benny was a pal of Frankie's. Written by
Marty McKee <firstname.lastname@example.org>
The house where the Goodtime Girls supposedly lived, as shown in the establishing shots, is 421 New Jersey Avenue SE, Washington, DC 20003. Its value in 2014: about $1.7 million. The house is owned by UPS and is used for political events. See more »
Short Lived TV show with early Annie Potts, Peter Scolari
Having the look of an episode of Soap or Golden Girls, obviously from the same creator, Goodtime Girls was about four girls, volunteers, secretaries, whatever, who share a room in D.C.
Annie Potts was the star and had the believability to be a creature of the forties. So did Dance Fever's/T. J. Hooker's Adrian Zmed, who played military reject (for his flat feet) cab driver Frankie. Peter Scolari, who would go on to be in Bosom Buddies with Tom Hanks, was Frankie's roomie, another tenant in the building, who juggled and rode a unicycle and had very few lines. I remembered one of the other girls was Georgia Engel, at that time perhaps the biggest name, having just left the Mary Tyler Moore show. The fourth girl was the meanie, Camille.
Having recently caught this show on TVland, it seems obvious the door was open for Engel to leave if she chose, Camille could be written out (I did recall she was used to a minimum) and Potts would carry on, a la Laverne & Shirley, with her co-star, Lorna Patterson, of tv's Private Benjamin and the motion picture, Airplane.
The show didn't last that long. The opening credits alone, showing scenes from episodes, reveal the slapstick is forced, very forced. Plot consisted of Potts giving thoughtful Robert Reed/Mr. Brady lectures of her own, with soft music to back her up, dealing with very little forties or WWII issues, but then this was the anti-American, anti-war late seventies. Zmed did seem to be spared many of this sentiment and get good laughs. Guest stars were the like of Scott Baio as Potts brother who enlists and Micheal McKean (Lenny off Laverne and Shirley) as a bitter soldier in a wheelchair.
Pity the show couldn't avoid the over-emoting, because the look was as close as an American show could get.
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