Robert Colomb, a famous TV newscaster, is married to Catherine, but is continually unfaithful. He is about to replace his current mistress, Mireille, with Jacqueline when he meets, and ... See full summary »
Released from prison apparently under a New Year amnesty, a criminal tries to pick up the threads of a life changed not only by his daring plan to rob a jewellers in out-of-season Cannes ... See full summary »
"Life, Love, Death" was made before the abolition of capital punishment in France. Its central message is the inhumanity of the guillotine. The film, which is shot somewhat in a cinema ... See full summary »
Jesus is a French gypsy who might have become a bull fighter had he not been framed on a drug charge and sent to prison. Odona is a con artist pursued and protected by a Paris policeman. ... See full summary »
Lucile, 25, is the beautiful mistress of Charles, a rich, good-hearted businessman. Being a kept woman suits her as she refuses to work. She is grateful to Charles for that but she does not... See full summary »
Roger Van Hool
When they realize the times are changing, five crooks decide to switch from bank robberies to personality abductions. Among their hostages are singer Johnny Hallyday and an ambassador in ... See full summary »
Bank executive Rainier allows his firm to deliver adventurous investor Chevalier d'Aven a huge loan, with what he thinks is his employer Mirement's total backing. Chevalier's business ... See full summary »
Christian de Chalonge
Well lets face it, with LeLouch at the helm and Deneuve on screen the stage is set for something highly watchable, more likely than not.
Dutronc plays suave and ultra cool Simon Lacassaine, a thief with cultural attachments who as it happens, has just broken out of jail. Through circumstance, he falls in with upmarket hooker Deneuve, also on the constabulary's wanted list, and between them they spend the better part of the movie evading both the Gendarmes and US Authorities.
The performances of the leads lifts this taut little thriller higher than the level to which it might be seen to aspire. The audience cannot be sure quite what is around the corner.
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