Jackie Chan is a boy who is used as a janitor at his kung-fu school. Jackie Chan can't fight and is always getting bullied by the teachers and pupils. One day an old man helps Jackie train ... See full summary »
After failing his fellow students in a Lion Dance competition, Dragon (Jackie Chan) is sent away from his school in disgrace, on the condition that he must find his errant brother. Much ... See full summary »
Jackie Chan is a youngster, living in a remote village with his grandfather who teaches him Kung-Fu. He keeps getting into fights, even though his grandfather warns him not to show their ... See full summary »
Cousins Thomas and David, owners of a mobile restaurant, team up with their friend Moby, a bumbling private detective, to save the beautiful Sylvia, a pickpocket. Action and humor abound in... See full summary »
Dragon is now transferred to be the police head of Sai Wan district, and has to contend with a gangster kingpin, anti-Manchu revolutionaries, some runaway pirates, Manchu Loyalists and a corrupt police superintendent.
Agent Jackie is hired to find WWII Nazi gold hidden in the Sahara desert. He teams up with three bundling women (the 3 stooges?) who are all connected in some way. However a team of ... See full summary »
The father of Wong Fei-hong, who has been attempting to teach his son kung-fu, but has found him too disobedient to teach and decides to send him off to his uncle, a cruel and torturous master of the 8-Drunken Genii kung-fu. After much suffering the son comes back to rescue the father from an assassin who has also previously humiliated Naughty Panther. Written by
Jason Abbott <email@example.com>
Jackie Chan nearly lost an eye when Hwang Jig Lee kicked him in the head during the final fight scene. See more »
In the 2002 DVD Edition, Wong Fei-Hung is made to stand in the horse stance. His friend puts a chair under him. His father returns and sees the chair. As the father is walking up to Wong Fei-Hung the chair is missing. Then his father kicks the chair out from under him. See more »
It is said that this is the film that made Jackie Chan a star, but that isn't really true, since Snake in Eagle's Shadow actually had a bigger impact at the time, and allowed Chan to make this film. One way we know this is that there are some two dozen films made in the late '70s- early'80's designed to imitate Snake in Eagle's Shadow, and only a couple imitate this film. By the time Drunken Master had become legendary world-wide, the chop-socky cycle (to which it still belongs, to an extent) had passed into history, and Chan himself had abandoned historical 'fu films for contemporary comedy-thrillers.
It should be noted that the idea of making a film based on the early years of Wong Fei Hong was not original to Chan; at roughly the same time this film was being made, well-known martial arts choreographer Liu Chia Leung made a straight (non-comic) version of the story (without drunken boxing) over at Shaw Brothers, Challenge of the Masters, with Gordon Liu as Wong Fei Hung.
The defining moment for the Chan-Yuen version of the film is the use of Drunken Boxing. There is no real evidence that the historical Wong Fei Hung was a master of this style; his more famous innovations involved the development of the shadowless hand technique and the no-shadow kick. Interestingly, in order to highlight Chan's use of Drunken Boxing, these other two techniques, better identified with Wong, are assigned in the film to the villain, "Thunderlegs" played by Hwang Jen Lee.
At any rate, it would not be clear that one could consider this a Wong Fei Hung film at all - if it weren't for the fact that this film effectively redefined the Wong legend, so that it has since become pro-forma to assume that Wong was a bit wild in his youth. (Just to set that record straight, Wong was actually extremely studious, and recognized as a real child-prodigy in the martial arts, winning his first major public duel at the age of thirteen.) Drunken Master is solid martial arts entertainment. There are decided weaknesses in the plot and over-all staging of the film, but these can easily be ignored, as the film thrusts us along with kung fu and comedy to the grand final fight at the end. It must also be noted that these characters - even the villain - are well acted and quite likable and familiar, and thus add a credibility to the film. And Yuen's direction is also very professional and a couple notches above the average for a Hong Kong genre film of the time.
Lives up to its own legend, and well-worth the viewing.
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