Jackie Chan is a boy who is used as a janitor at his kung-fu school. Jackie Chan can't fight and is always getting bullied by the teachers and pupils. One day an old man helps Jackie train ... See full summary »
After failing his fellow students in a Lion Dance competition, Dragon (Jackie Chan) is sent away from his school in disgrace, on the condition that he must find his errant brother. Much ... See full summary »
Jackie Chan is a youngster, living in a remote village with his grandfather who teaches him Kung-Fu. He keeps getting into fights, even though his grandfather warns him not to show their ... See full summary »
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Jackie Chan stars as the young warrior Hsu Yiu Fong. Hsu has been entrusted with the book of the "Art of the Snake and Crane," after the mysterious disappearance of the eight Shaolin ... See full summary »
Two twins are separated at birth, one becoming a streetwise mechanic and the other an acclaimed classical concert conductor. Finally meeting in adulthood they each become mistaken for the other and entangled in each other's world.
Teddy Robin Kwan
Set around the turn of the century in China, the White Lotus Society plots to put the next Emperor on the throne. To do this they want their protege to marry the Princess Sun Yu who ... See full summary »
The father of Wong Fei-hong, who has been attempting to teach his son kung-fu, but has found him too disobedient to teach and decides to send him off to his uncle, a cruel and torturous master of the 8-Drunken Genii kung-fu. After much suffering the son comes back to rescue the father from an assassin who has also previously humiliated Naughty Panther. Written by
Jason Abbott <email@example.com>
It is said that this is the film that made Jackie Chan a star, but that isn't really true, since Snake in Eagle's Shadow actually had a bigger impact at the time, and allowed Chan to make this film. One way we know this is that there are some two dozen films made in the late '70s- early'80's designed to imitate Snake in Eagle's Shadow, and only a couple imitate this film. By the time Drunken Master had become legendary world-wide, the chop-socky cycle (to which it still belongs, to an extent) had passed into history, and Chan himself had abandoned historical 'fu films for contemporary comedy-thrillers.
It should be noted that the idea of making a film based on the early years of Wong Fei Hong was not original to Chan; at roughly the same time this film was being made, well-known martial arts choreographer Liu Chia Leung made a straight (non-comic) version of the story (without drunken boxing) over at Shaw Brothers, Challenge of the Masters, with Gordon Liu as Wong Fei Hung.
The defining moment for the Chan-Yuen version of the film is the use of Drunken Boxing. There is no real evidence that the historical Wong Fei Hung was a master of this style; his more famous innovations involved the development of the shadowless hand technique and the no-shadow kick. Interestingly, in order to highlight Chan's use of Drunken Boxing, these other two techniques, better identified with Wong, are assigned in the film to the villain, "Thunderlegs" played by Hwang Jen Lee.
At any rate, it would not be clear that one could consider this a Wong Fei Hung film at all - if it weren't for the fact that this film effectively redefined the Wong legend, so that it has since become pro-forma to assume that Wong was a bit wild in his youth. (Just to set that record straight, Wong was actually extremely studious, and recognized as a real child-prodigy in the martial arts, winning his first major public duel at the age of thirteen.) Drunken Master is solid martial arts entertainment. There are decided weaknesses in the plot and over-all staging of the film, but these can easily be ignored, as the film thrusts us along with kung fu and comedy to the grand final fight at the end. It must also be noted that these characters - even the villain - are well acted and quite likable and familiar, and thus add a credibility to the film. And Yuen's direction is also very professional and a couple notches above the average for a Hong Kong genre film of the time.
Lives up to its own legend, and well-worth the viewing.
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