7.2/10
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Woyzeck (1979)

Not Rated | | Drama | 24 August 1979 (USA)
Franz Woyzeck is a hapless, hopeless soldier, alone and powerless in society, assaulted from all sides by forces he can not control.

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3 wins & 3 nominations. See more awards »
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Cast

Complete credited cast:
...
...
Wolfgang Reichmann ...
Captain
Willy Semmelrogge ...
Josef Bierbichler ...
Drum Major
Paul Burian ...
Andres
...
Handwerksbursche (as Volker Prechtl)
Dieter Augustin ...
Marktschreier
...
Margret
Wolfgang Bächler ...
Jew
Rosemarie Heinikel ...
Käthe (as Rosy-Rosy Heinikel)
...
Unteroffizier
Thomas Mettke
Maria Mettke
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Storyline

Everything in town appears calm, placid, lovely. But Woyzeck, a rifleman assigned as an orderly, hears voices -- the times are out of joint, at least in his cosmos. To his captain, Woyzeck is a comic marvel: ignorant but courageous, full of energy to little purpose. To a local doctor, Woyzeck is a curiosity, the object of cruel study. Woyzeck, 40, has a young wife, Marie, and a small child. He dotes on them, but Marie, even though she has periods of guilt and remorse, carries on affairs and flirtations. When the captain lets drop broad hints of Woyzeck's being a cuckold, his inner demons and the voices of the spheres take over. Will madness bring action? Of what sort? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

24 August 1979 (USA)  »

Also Known As:

Werner Herzog's Woyzeck  »

Filming Locations:

 »

Company Credits

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Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The entire 80-minute film was shot with only 27 cuts. See more »

Goofs

Blood stains on Woyzeck's sleeve continuously change their extension and color from one scene to another. See more »

Quotes

Marie: [to her man during a fight] I'd rather have a knife in my body than your hand on me.
See more »

Connections

Featured in Klaus Kinski - Ich bin kein Schauspieler (2000) See more »

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User Reviews

 
Left Elbow Index
6 November 2009 | by See all my reviews

The Left Elbow Index considers seven specific elements of a film on a scale of 10 to 1, with 10 being highest, to help in deciding if a film is worth watching: acting, sets, dialogue, plot, character, continuity, and artistry. The acting in this film is superb and thereby rates a 10. Klaus Kinski is exceptional, so much so that it unlikely anyone else could do nearly as well in this role. He is simply stunning. In this regard, it is beyond Shakespearian. Werner Herzog, in his well publicized love-hate relation with Kinski, claims people like Brando are just kintergarten compared to Kinski--no faint praise, indeed. The sets is this film seem carefully planned and constructed. They are appropriate and uncontrived, whether indoors or out, therefore a 9. Dialogue rates a 10 in that it is at times appropriately ironic, profound, or normal. It all cases one listens to every word. The film is replete with dozens of unforgettable lines, like: "Death should be cheap but it should not be free" (by the pawnbroker selling the knife) and "When she got to the moon she found it was made of rotted wood" (by Marie). The Index believes that the plot is an 8, mostly because there seems to be some misleading action. Perhaps this is related to Woyzeck's mental state. It seems unlikely that a sane person could follow his trail. Character development rates a 10, whether related to major or to minor characters. Continuity (an 8) results in a consistent view of the action. For example, the role of the military, morality for the poor, the idea that the poor will work in heaven, and other ideas never escape the intellectual frame of the film. Consistent costuming lends to this. Herzog's background in history and the humanities certainly provides an easy 10 rating for artistry. His use of light and dark rivals that of the THE POTATO EATERS, the kitchen scene with Marie reminds one of GIRL SITTING BY THE WINDOW, and there are other traditional allusions. Herzog says he made the film in just eighteen days, and edited the cuts in just four days. He claims that is how it should be, that it was perfect. Perfect, of course, is an imperfect word. I'm not certain I would claim this film is perfect: however, it is exceptional enough for me to put it on my "see often" list. The Index gives it a 9.3---a bonus for dealing with the absurdity of human existence pushes it closer to a 10. I strongly recommend this film.


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