1932. The tyrannical and despotic government of President Machado has headed Cuba for seven years. The latest measure of that tyranny is the outlawing of public gatherings of more than four... See full summary »
US Army war veteran Hazel Motes may not be a believing Christian, somehow observations like the state of a run-down country church, meeting the ridiculous frauds on the streets and memories inspire him to take up, after initially fierce refusal, the part of a traveling preacher when a cab driver insists he looks like one in his new hat. He starts his own new Church of Truth, without the crucified Jesus, his first disciple being an 18-year old simpleton with a 'prophetic gift'... Written by
The road behind Hazel as he gets out of the ruck is different from the road behind him as he walks away. See more »
Old man storekeeper:
Was ya' wounded, Haze?
Yes, I was.
Old man storekeeper:
How come you wasn't wearin' no Purple Heart?
Well, I got one, but I didn't want people to know *where*... I was wounded.
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Director John Huston is credited in all the titles as "Jhon Huston". Producer Michael Fitzgerald later explained that, wanting to have a child-like look to the credits, they had an actual child write the names. The child misspelled Huston's first name, but they liked it and kept it, as a metaphor for the artificial, off-kilter tone of the story. See more »
Brad Dourif's performance as Hazel Motes is one of the finest I have ever seen. His talent is only matched by the brilliant direction of John Huston and the writing of Flannery O'Connor. Also Harry Dean Stanton and Amy Write are perfect together as the Father, Daughter team. It is sad, really, that films of this caliber aren't being produced anymore. Excellent acting. excellent writing. excellent direction. excellent soundtrack, and art direction. I applaud John Huston and the producers for doing the right thing here, and making a film that captured the feelings and the soul of a writer, O'Conner, and didn't give into basic, commercial self - interest.There was a time when FILMS meant something to people. We don't need another "Chucky get's Lucky" film; what we need are compelling films for people like Brad Dourif and the like minded talent in his company to have a chance to work in.
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