Against a background of war breaking out in Europe and the Mexican fiesta Day of Death, we are taken through one day in the life of Geoffrey Firmin, a British consul living in alcoholic ... See full summary »
Davey Haggart is quite certain of his paternity (even if nobody else is) and determined to emulate his father, a notorious rogue and highwayman. This includes breaking a man out of Stirling... See full summary »
A no account outlaw establishes his own particular brand of law and order and builds a town on the edges of civilization in this farcical western. With the aid of an old law text and ... See full summary »
A former getaway driver from Chicago (George C. Scott) has retired to a peaceful life in a Portuguese fishing village. He is asked to pull off one last job, involving driving a dangerous ... See full summary »
George C. Scott,
Trish Van Devere
China Valdes joins the Cuban underground after her brother is killed by the chief of the secret police, Ariete. She meets and falls in love with American expatriate Tony Fenner. Tony ... See full summary »
US Army war veteran Hazel Motes may not be a believing Christian, somehow observations like the state of a run-down country church, meeting the ridiculous frauds on the streets and memories inspire him to take up, after initially fierce refusal, the part of a traveling preacher when a cab driver insists he looks like one in his new hat. He starts his own new Church of Truth, without the crucified Jesus, his first disciple being an 18-year old simpleton with a 'prophetic gift'... Written by
Brad Dourif was orginally sent the script to audition for the character Enoch Emery. But Brad had such a good feeling about Hazel Motes, he asked to audition for that instead; problem was, actor Tommy Lee Jones was currently Huston's first choice. However, things didn't go as plan - Tommy Lee Jones had to drop out, giving Brad the chance to audition like he wanted, landing him the role of Hazel. See more »
At one point Hazel Motes' car dies as he is driving on a 2-lane rural road. He happens to stop next to a religious inscription painted on a rock. He is stopped for some time. A truck driver behind him asks why he is blocking road. We see there is a long line of cars backed up behind him. Although his car had stalled and stopped, he now starts it up without any problem, makes a U-turn and drives away. See more »
Two things that I just can't stand- a man that ain't true and one that mocks what is.
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Director John Huston is credited in all the titles as "Jhon Huston". Producer Michael Fitzgerald later explained that, wanting to have a child-like look to the credits, they had an actual child write the names. The child misspelled Huston's first name, but they liked it and kept it, as a metaphor for the artificial, off-kilter tone of the story. See more »
Black humor has never been done better. But this is not a film for the squeamish. It's going to take some thought. Not a film to be watched while doing the dishes. This is a challenging but rewarding film that borders on being a great work of art. The first time I saw this film I was impressed. Each time I rewatch this movie it becomes more funny in an odd sort of fatalistic way. Each time I rewatch it it becomes more impressive. It's almost impossible to describe the way the bittersweet pathos of the movie collides with the funny, goofy, craziness of the characters. We've seen these people but rarely do we really consider their lives. They're damaged or idiots or inept swindlers or all three. We look at them with small amusement or try to get away from them, but don't give them much thought. I usually don't care much about actors. They are a dime a dozen. This film is different. This is pretty much every actors best role. Brad Dourif shows why he should be way more famous. Amy Wright is spellbinding in as a very strange girl. Dan Shor is hilarious and pathetic at the same time as a lonely moron. Stanton is hysterically funny as an utterly corrupt preacher. Lot's of other unusual and interesting performances including a small but wonderful performance by a sympathetic one armed mechanic, a wise but vicious highway patrolman and a small town hooker enjoying her own downward spiral. In the end all of the characters are doomed, but they are all worth caring for in spite of and because of their own strange but very human weaknesses. In addition it's beautifully filmed and has a heart rendering score that fits it perfectly. Reputed to be Hustons own personal favorite film, it bombed at the box office. Highly recommended.
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