One of Luis Bunuel's most free-form and purely Surrealist films, consisting of a series of only vaguely related episodes - most famously, the dinner party scene where people sit on ... See full summary »
London 1969 - two 'resting' (unemployed and unemployable) actors, Withnail and Marwood, fed up with damp, cold, piles of washing-up, mad drug dealers and psychotic Irishmen, decide to leave... See full summary »
Richard E. Grant,
This is about a self-styled New York hipster who is paid a surprise and quite unwelcome visit by his pretty sixteen-year-old Hungarian cousin. From initial hostility and indifference a ... See full summary »
Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some ... See full summary »
US Army war veteran Hazel Motes may not be a believing Christian, somehow observations like the state of a run-down country church, meeting the ridiculous frauds on the streets and memories inspire him to take up, after initially fierce refusal, the part of a traveling preacher when a cab driver insists he looks like one in his new hat. He starts his own new Church of Truth, without the crucified Jesus, his first disciple being an 18-year old simpleton with a 'prophetic gift'... Written by
As Hawks touches Hazel's face, in the next shot he's touching Hazel's hat. See more »
I'm just crazy about him. I never seen a boy I like the looks of any better.
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Director John Huston is credited in all the titles as "Jhon Huston". Producer Michael Fitzgerald later explained that, wanting to have a child-like look to the credits, they had an actual child write the names. The child misspelled Huston's first name, but they liked it and kept it, as a metaphor for the artificial, off-kilter tone of the story. See more »
John Huston used to describe the story as that of a young man who was disappointed by Jesus.
This is one of his least accessible works,not for the mainstream,and we can put it near "reflections in a golden eye" (1967),"under the volcano" (1984) and his final apotheosis "the dead" (1987)
"Wise blood" is a the story of a long suicide.It's a hell of a thing to tell the world "I believe in nothing" .the main character is so weird,so irrational,so unconventional that only an outstanding thespian could play him:that's what Brad Dourif does ,and his performance is remarkable:in the last third of the movie,he has almost nothing to say,and he must express everything with his face and his spellbinding eyes.In this last third,the only thing to do for the character is to nullify his life.
John Huston briefly appears as his father,the preacher man,but these flashbacks last hardly three minutes.
"Wise blood" is hustonian to the core.Vanity of vanities,all is vanity,all that man will try is bound to fail:it's everywhere in every milestone of Huston's career,from "the asphalt jungle" to "treasure of the sierra madre" and from " the misfits" to "the man who would be king" But here the hero does not even try :praying Jesus or denying him does not mean more to him than shaking the hand of a gorilla.And making money with his church without a savior does not even come to his mind.Around him,everybody needs something to lean on,be it a grotesque ape,a mummy or simply a man (see the landlady).
In 1979,Huston was more "modern" than the most daring young director.
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