Against a background of war breaking out in Europe and the Mexican fiesta Day of Death, we are taken through one day in the life of Geoffrey Firmin, a British consul living in alcoholic ... See full summary »
Davey Haggart is quite certain of his paternity (even if nobody else is) and determined to emulate his father, a notorious rogue and highwayman. This includes breaking a man out of Stirling... See full summary »
A former getaway driver from Chicago (George C. Scott) has retired to a peaceful life in a Portuguese fishing village. He is asked to pull off one last job, involving driving a dangerous ... See full summary »
George C. Scott,
Trish Van Devere
This pseudo-biographical movie depicts 5 years from 1885 on in the life of the Viennan psychologist Freud (1856-1939). At this time, most of his colleagues refuse to cure hysteric patients,... See full summary »
A network of older spies from the West recruits a young intelligence officer with a photographic memory to accompany them on a mission inside Russia. They must recover a letter written by ... See full summary »
US Army war veteran Hazel Motes may not be a believing Christian, somehow observations like the state of a run-down country church, meeting the ridiculous frauds on the streets and memories inspire him to take up, after initially fierce refusal, the part of a traveling preacher when a cab driver insists he looks like one in his new hat. He starts his own new Church of Truth, without the crucified Jesus, his first disciple being an 18-year old simpleton with a 'prophetic gift'... Written by
Sabbath's bra strap goes from down to up between shots. See more »
I thought if your girl give me so much eye back there I just might return some of it.
What I give you the other day was the look of indignation for what I seen you do. It was you that give me the eye.
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Director John Huston is credited in all the titles as "Jhon Huston". Producer Michael Fitzgerald later explained that, wanting to have a child-like look to the credits, they had an actual child write the names. The child misspelled Huston's first name, but they liked it and kept it, as a metaphor for the artificial, off-kilter tone of the story. See more »
It is rare to find an great film adaptation of a great book. One can think of great films that have been made from novels of the second or third rank: Dodsworth, The Age of Innocence,L.A. Confidential,The Magnificent Ambersons, Barry Lyndon. However, one can think of very few great film adaptations of great novels. In fact, great novels are often made into badly flawed or even poor films. One thinks of all the bad adaptations of Faulkner,Dostoevsky, and Tolstoy, as well as the seeming near impossibility of making a great film from Joyce or Proust. There are a few exceptions to this rule. Interestingly, two of the best were directed by John Huston. The first was that perfect adaptation of one of the five best short stories ever written, The Dead. The other was this incredibly powerful, chilling, sardonic, profoundly moving, and superbly acted version of Flannery O'Connors tale of the "Christ-haunted" American south, Wise Blood. Huston was by his own account, a less than religious man. It is therefore ironic that the very Catholic friends and executors of that supremely ironic Catholic novelist, Flannery O' Connor should have chosen him to direct this, her masterpiece. I can hardly think of a more faithful, a more precise or a more literate transcription of one of the supreme masterpieces of literature to the screen. A truly great, searing, blackly humorous, extraordinarily moving, film.
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