The Pickering Commission concluded that a lone gunman killed the US President in 1960, in Philadelphia, but 19 years later a dying man confesses to be one of the real hit-men who killed President Kegan, sparking an investigation.
An idealistic rookie cop joins the LAPD to make ends meet while finishing law school, and is indoctrinated by a seasoned veteran. As time goes on, he loses his ambitions and family as police work becomes his entire life.
George C. Scott,
Scudder is a detective with the Sheriff's Department who is forced to shoot a violent suspect during a narcotics raid. The ensuing psychological aftermath of this shooting worsens his ... See full summary »
19 years after President Timothy Keegan was assassinated, his brother Nick discovers a dying man claiming to have been the gunman. While trying to avoid his wealthy and domineering father's attempts to control his actions, Nick follows the clues that have been handed to him. As he progresses, it becomes increasingly difficult to discern the real trails from the dead ends, and increasing dangerous as unknown parties try to stop Nick from uncovering the truth. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
The only ever film appearance (and uncredited) of John Warner. Warner was married to actress Elizabeth Taylor (who also appears in the film) at the time the movie was made. Warner was a government official who had served as Under secretary and then Secretary of the U.S. Navy during the Nixon Administration, 1972-1974, before he was appointed in 1974 to head up the federal government's American Revolution Bicentennial Administration. As such, his casting in this film provided a real life political nexus to the real life American politics that the film referenced. See more »
When Yvette refuses Nick's marriage proposal, she puts her right hand on his face. When the angle changes she suddenly has both hands on his face. See more »
You think before you speak, young man! Jesus, they didn't teach you kids nothin' since 1944.
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A wily, labyrinthine political satire that is saved from being over the top by the brilliant performances of its cast. The movie takes the paranoid storytelling style of the Cold War thriller, but applies it to American domestic politics instead. It is very much like "Three Days of the Condor" in that respect. However, "Winter Kills" has a much more sophisticated point of view on American politics than the latter film, and does a great job of showing how the interconnected corruptions of family, culture, technology and politics all intersect in the most surprising, and horrifying ways. The movie was way ahead of its time in this respect, and is just as relevant to day as it was when it was made - perhaps more so.
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