| Photos (See all 11 | slideshow) |
Directed by | |||
| Fred Walton | |||
Writing credits | ||
| Steve Feke | (written by) and | |
| Fred Walton | (written by) | |
Produced by | |||
| Doug Chapin | .... | producer | |
| Steve Feke | .... | producer | |
| Larry Kostroff | .... | associate producer | |
| Barry Krost | .... | executive producer | |
| Melvin Simon | .... | executive producer | |
Original Music by | |||
| Dana Kaproff | |||
Cinematography by | |||
| Donald Peterman | (director of photography) (as Don Peterman) | ||
Film Editing by | |||
| Sam Vitale | |||
Casting by | |||
| Penny Perry | |||
Production Design by | |||
| Elayne Barbara Ceder | |||
Set Decoration by | |||
| Lee Poll | |||
Makeup Department | |||
| Ruby Ford | .... | hair stylist | |
| Billy Laughridge | .... | hair stylist (as Billie Laughridge) | |
| Bob Mills | .... | makeup artist | |
| Edie Panda | .... | hair stylist | |
Production Management | |||
| Barbara Michaels | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Edward Ledding | .... | first assistant director (as Ed Ledding) | |
| Lynn M. Morgan | .... | second assistant director (as Lynn Morgan) | |
Art Department | |||
| Priscilla Beroud | .... | assistant property master | |
| Leonard Cross | .... | leadman | |
| Martin Marias | .... | property master | |
Sound Department | |||
| Martin Raymond Bolger | .... | production sound mixer (as Martin Bolger) | |
| Bud Fuellgrabe | .... | boom operator | |
| Walter Goss | .... | sound re-recording mixer | |
| Keith Stafford | .... | sound editor | |
Stunts | |||
| Stan Barrett | .... | stunt coordinator | |
Camera and Electrical Department | |||
| James Ball | .... | second grip (as Jim Ball) | |
| Joe Castagnoli | .... | second camera assistant | |
| Jim Everly | .... | electrician | |
| John M. Hennessy | .... | key grip (as John Hennessy) | |
| Leslie J. Kovacs | .... | gaffer (as Les Kovacs) | |
| Brice Mack | .... | camera operator (as Brice Mack III) | |
| Carol McCullough | .... | still photographer | |
| Joseph J. Orefice | .... | best boy (as Joe Orefice) | |
| Bill Randall | .... | dolly grip | |
| Baird Steptoe | .... | first camera assistant | |
Casting Department | |||
| Beverly Long | .... | additional casting | |
Costume and Wardrobe Department | |||
| Richard Bruno | .... | costume supervisor (as Dick Bruno) | |
| Dean Skipworth | .... | set costumer | |
Editorial Department | |||
| Susan Cooper | .... | editorial consultant | |
| John Fenady | .... | apprentice editor | |
| Harold Wilner | .... | assistant editor | |
Music Department | |||
| Jim Henrikson | .... | music editor | |
Transportation Department | |||
| William Cockrell | .... | transportation co-captain | |
| Jim Martell | .... | transportation captain | |
Other crew | |||
| Harriet Brown | .... | assistant to producers | |
| Virginia Cook-McGowan | .... | production coordinator (as Virginia Cook) | |
| Marc Dodell | .... | production assistant | |
| Barbara Hogan | .... | script supervisor | |
| Ed Margulies | .... | unit publicist | |
| Rita Moseley | .... | location auditor | |
| Jim Swinehart | .... | craft service | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
"When a Stranger Calls" is a somewhat entertaining horror-suspense-thriller that starts off great, loses steam in the middle, then comes back for a good finish. The beginning of this movie is outstanding, with babysitter Carol Kane receiving obscene phone calls from an unknown maniac. This is far and away the best part of the film. It's scary, creepy, and downright eerie. But it doesn't sustain that level through the entire film. The mid-portion of the movie is rather dull, featuring a few lazy supporting performances. But "When a Stranger Calls" redeems itself with a nail-biting climax, even though the conclusion doesn't top the film's opening in terms of scariness. Carol Kane and Charles Durning are good in the roles of the terrified babysitter and the private detective searching for the killer when he's on the loose. "When a Stranger Calls" is not a great horror movie but a good one. And its better than the cable-made sequel that came out fourteen years later, "When a Stranger Calls Back".
*** (out of four)